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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7C71 it is the complementary color #32838E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7C71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7C71 shade: #D27C6C, #E38E7F, #F4A092, #FFB2A5 and #FFC4B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7C71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7C71 shade: #CD7C71, #BC6A5E, #AB584B, #9A4638 and #893425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7C71 shade: #CD7B70 and #CD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7C71 shade: #CD7B70, #CD9470, #CDAD70, #CDC670 and #BACD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7C71 shade matches the following richer shades: #CD7B70, #DC6F60, #EC6350 and #FC5741

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7C71 shade: #CD7B70, #BD877F, #AD938F, #9E9E9F and #8EAAAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7C71 shade: #CD7096, #CD707E, #CD7A70, #CD9370 and #CDAC70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7C71 shade: #AD4A3D, #C25F51, #CD7B70, #D7978E and #E2B3AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7C71 shade: #CD7C71, #AFCD70 and #708ACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7C71 shade: #CD7C71, #70CD7A and #7A70CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7C71 shade: #CD7C71, #AFCD70, #70C2CD and #8D70CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7C71 shade: #CD7C71, #93CD70, #70C2CD and #A970CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 45 / 20

HEX #CD7C71

RGB 205 124 113

HSL 7.17, 0.48%, 0.62%

LAB 60.42, 30.25, 19.45

 

Complementary color

CMYK 65 / 8 / 0 / 44

HEX #32838E

RGB 50 131 142

HSL 187.17, 0.48%, 0.38%

LAB 50.53, -20.74, -13.2

 

CMYK 0 / 41 / 49 / 18

HEX #D27C6C

RGB 210 124 108

HSL 9.41, 0.53%, 0.62%

LAB 60.96, 31.69, 23.12

 

CMYK 0 / 37 / 44 / 11

HEX #E38E7F

RGB 227 142 127

HSL 9, 0.64%, 0.69%

LAB 67.43, 30.6, 21.58

 

CMYK 0 / 34 / 40 / 4

HEX #F4A092

RGB 244 160 146

HSL 8.57, 0.82%, 0.76%

LAB 73.84, 29.6, 20.2

 

CMYK 0 / 30 / 35 / 0

HEX #FFB2A5

RGB 255 178 165

HSL 8.67, 1%, 0.82%

LAB 79.51, 26.46, 17.94

 

CMYK 0 / 23 / 28 / 0

HEX #FFC4B8

RGB 255 196 184

HSL 10.14, 1%, 0.86%

LAB 84.07, 19.4, 14.16

 

CMYK 0 / 40 / 45 / 20

HEX #CD7C71

RGB 205 124 113

HSL 7.17, 0.48%, 0.62%

LAB 60.42, 30.25, 19.45

 

CMYK 0 / 44 / 50 / 26

HEX #BC6A5E

RGB 188 106 94

HSL 7.66, 0.41%, 0.55%

LAB 53.82, 31.39, 21.08

 

CMYK 0 / 49 / 56 / 33

HEX #AB584B

RGB 171 88 75

HSL 8.13, 0.39%, 0.48%

LAB 47.16, 32.65, 22.97

 

CMYK 0 / 55 / 64 / 40

HEX #9A4638

RGB 154 70 56

HSL 8.57, 0.47%, 0.41%

LAB 40.47, 34, 25.21

 

CMYK 0 / 62 / 73 / 46

HEX #893425

RGB 137 52 37

HSL 9, 0.57%, 0.34%

LAB 33.79, 35.37, 27.88

 

CMYK 0 / 40 / 45 / 20

HEX #CD7B70

RGB 205 123 112

HSL 7.1, 0.48%, 0.62%

LAB 60.17, 30.68, 19.69

 

CMYK 0 / 45 / 45 / 20

HEX #CD7070

RGB 205 112 112

HSL 0, 0.48%, 0.62%

LAB 57.79, 36.53, 16.42

 

CMYK 0 / 40 / 45 / 20

HEX #CD7B70

RGB 205 123 112

HSL 7.1, 0.48%, 0.62%

LAB 60.17, 30.68, 19.69

 

CMYK 0 / 28 / 45 / 20

HEX #CD9470

RGB 205 148 112

HSL 23.23, 0.48%, 0.62%

LAB 66, 17.1, 27.49

 

CMYK 0 / 16 / 45 / 20

HEX #CDAD70

RGB 205 173 112

HSL 39.35, 0.48%, 0.62%

LAB 72.25, 3.57, 35.59

 

CMYK 0 / 3 / 45 / 20

HEX #CDC670

RGB 205 198 112

HSL 55.48, 0.48%, 0.62%

LAB 78.77, -9.52, 43.76

 

CMYK 9 / 0 / 45 / 20

HEX #BACD70

RGB 186 205 112

HSL 72.26, 0.48%, 0.62%

LAB 79.2, -20.62, 43.95

 

CMYK 0 / 40 / 45 / 20

HEX #CD7B70

RGB 205 123 112

HSL 7.1, 0.48%, 0.62%

LAB 60.17, 30.68, 19.69

 

CMYK 0 / 50 / 56 / 14

HEX #DC6F60

RGB 220 111 96

HSL 7.26, 0.64%, 0.62%

LAB 59.37, 41.23, 28.06

 

CMYK 0 / 58 / 66 / 7

HEX #EC6350

RGB 236 99 80

HSL 7.31, 0.8%, 0.62%

LAB 59.28, 51.76, 37.42

 

CMYK 0 / 65 / 74 / 1

HEX #FC5741

RGB 252 87 65

HSL 7.06, 0.97%, 0.62%

LAB 59.79, 61.58, 46.77

 

CMYK 0 / 40 / 45 / 20

HEX #CD7B70

RGB 205 123 112

HSL 7.1, 0.48%, 0.62%

LAB 60.17, 30.68, 19.69

 

CMYK 0 / 29 / 33 / 26

HEX #BD877F

RGB 189 135 127

HSL 7.74, 0.32%, 0.62%

LAB 61.38, 19.6, 12.52

 

CMYK 0 / 15 / 17 / 32

HEX #AD938F

RGB 173 147 143

HSL 8, 0.15%, 0.62%

LAB 63.12, 9.04, 5.71

 

CMYK 1 / 1 / 0 / 38

HEX #9E9E9F

RGB 158 158 159

HSL 240, 0.01%, 0.62%

LAB 65.14, 0.2, -0.53

 

CMYK 18 / 2 / 0 / 32

HEX #8EAAAE

RGB 142 170 174

HSL 187.5, 0.16%, 0.62%

LAB 67.69, -8.72, -5.28

 

CMYK 0 / 45 / 27 / 20

HEX #CD7096

RGB 205 112 150

HSL 335.48, 0.48%, 0.62%

LAB 58.76, 41.11, -4.21

 

CMYK 0 / 45 / 39 / 20

HEX #CD707E

RGB 205 112 126

HSL 350.97, 0.48%, 0.62%

LAB 58.11, 38.06, 8.76

 

CMYK 0 / 40 / 45 / 20

HEX #CD7A70

RGB 205 122 112

HSL 6.45, 0.48%, 0.62%

LAB 59.95, 31.22, 19.38

 

CMYK 0 / 28 / 45 / 20

HEX #CD9370

RGB 205 147 112

HSL 22.58, 0.48%, 0.62%

LAB 65.76, 17.64, 27.17

 

CMYK 0 / 16 / 45 / 20

HEX #CDAC70

RGB 205 172 112

HSL 38.71, 0.48%, 0.62%

LAB 72, 4.11, 35.26

 

CMYK 0 / 57 / 65 / 32

HEX #AD4A3D

RGB 173 74 61

HSL 6.96, 0.48%, 0.46%

LAB 44.4, 39.62, 27.79

 

CMYK 0 / 51 / 58 / 24

HEX #C25F51

RGB 194 95 81

HSL 7.43, 0.48%, 0.54%

LAB 52.12, 38.4, 26.53

 

CMYK 0 / 40 / 45 / 20

HEX #CD7B70

RGB 205 123 112

HSL 7.1, 0.48%, 0.62%

LAB 60.17, 30.68, 19.69

 

CMYK 0 / 30 / 34 / 16

HEX #D7978E

RGB 215 151 142

HSL 7.4, 0.48%, 0.7%

LAB 68.41, 22.87, 14.38

 

CMYK 0 / 21 / 23 / 11

HEX #E2B3AD

RGB 226 179 173

HSL 6.79, 0.48%, 0.78%

LAB 76.94, 16.14, 9.56

 

CMYK 0 / 40 / 45 / 20

HEX #CD7C71

RGB 205 124 113

HSL 7.17, 0.48%, 0.62%

LAB 60.42, 30.25, 19.45

 

CMYK 15 / 0 / 45 / 20

HEX #AFCD70

RGB 175 205 112

HSL 79.35, 0.48%, 0.62%

LAB 78.43, -24.88, 42.83

 

CMYK 45 / 33 / 0 / 20

HEX #708ACD

RGB 112 138 205

HSL 223.23, 0.48%, 0.62%

LAB 58.07, 8.58, -37.51

 

CMYK 0 / 40 / 45 / 20

HEX #CD7C71

RGB 205 124 113

HSL 7.17, 0.48%, 0.62%

LAB 60.42, 30.25, 19.45

 

CMYK 45 / 0 / 40 / 20

HEX #70CD7A

RGB 112 205 122

HSL 126.45, 0.48%, 0.62%

LAB 75.15, -44.94, 32.93

 

CMYK 40 / 45 / 0 / 20

HEX #7A70CD

RGB 122 112 205

HSL 246.45, 0.48%, 0.62%

LAB 51.99, 26.62, -47.05

 

CMYK 0 / 40 / 45 / 20

HEX #CD7C71

RGB 205 124 113

HSL 7.17, 0.48%, 0.62%

LAB 60.42, 30.25, 19.45

 

CMYK 15 / 0 / 45 / 20

HEX #AFCD70

RGB 175 205 112

HSL 79.35, 0.48%, 0.62%

LAB 78.43, -24.88, 42.83

 

CMYK 45 / 5 / 0 / 20

HEX #70C2CD

RGB 112 194 205

HSL 187.1, 0.48%, 0.62%

LAB 73.83, -22.13, -13.33

 

CMYK 31 / 45 / 0 / 20

HEX #8D70CD

RGB 141 112 205

HSL 258.71, 0.48%, 0.62%

LAB 53.66, 31.62, -44.29

 

CMYK 0 / 40 / 45 / 20

HEX #CD7C71

RGB 205 124 113

HSL 7.17, 0.48%, 0.62%

LAB 60.42, 30.25, 19.45

 

CMYK 28 / 0 / 45 / 20

HEX #93CD70

RGB 147 205 112

HSL 97.42, 0.48%, 0.62%

LAB 76.7, -35.19, 40.3

 

CMYK 45 / 5 / 0 / 20

HEX #70C2CD

RGB 112 194 205

HSL 187.1, 0.48%, 0.62%

LAB 73.83, -22.13, -13.33

 

CMYK 18 / 45 / 0 / 20

HEX #A970CD

RGB 169 112 205

HSL 276.77, 0.48%, 0.62%

LAB 56.52, 39.47, -39.6

 

Description

Color code: HEX #CD7C71 | qconv.com Color code: HEX #CD7C71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 124 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 124 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 45 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 45% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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