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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 49 / 56 / 33 it is the complementary color CMYK 53 / 7 / 0 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 49 / 56 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 49 / 56 / 33: CMYK 0 / 51 / 60 / 31, CMYK 0 / 46 / 54 / 24, CMYK 0 / 41 / 49 / 18, CMYK 0 / 38 / 44 / 11 and CMYK 0 / 35 / 40 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 49 / 56 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 49 / 56 / 33: CMYK 0 / 49 / 56 / 33, CMYK 0 / 55 / 64 / 40, CMYK 0 / 63 / 73 / 46, CMYK 0 / 73 / 85 / 53 and CMYK 0 / 85 / 100 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 56 / 33

HEX #AB574B

RGB 171 87 75

HSL 7.5, 0.39%, 0.48%

LAB 46.95, 33.18, 22.69

 

Complementary color

CMYK 53 / 7 / 0 / 29

HEX #54A8B4

RGB 84 168 180

HSL 187.5, 0.39%, 0.52%

LAB 64.31, -22.02, -13.98

 

CMYK 0 / 51 / 60 / 31

HEX #B05746

RGB 176 87 70

HSL 9.62, 0.43%, 0.48%

LAB 47.61, 34.75, 26.62

 

CMYK 0 / 46 / 54 / 24

HEX #C16959

RGB 193 105 89

HSL 9.23, 0.46%, 0.55%

LAB 54.2, 33.44, 24.59

 

CMYK 0 / 41 / 49 / 18

HEX #D27B6C

RGB 210 123 108

HSL 8.82, 0.53%, 0.62%

LAB 60.74, 32.23, 22.83

 

CMYK 0 / 38 / 44 / 11

HEX #E38D7F

RGB 227 141 127

HSL 8.4, 0.64%, 0.69%

LAB 67.21, 31.13, 21.28

 

CMYK 0 / 35 / 40 / 4

HEX #F49F92

RGB 244 159 146

HSL 7.96, 0.82%, 0.76%

LAB 73.61, 30.13, 19.89

 

CMYK 0 / 49 / 56 / 33

HEX #AB574B

RGB 171 87 75

HSL 7.5, 0.39%, 0.48%

LAB 46.95, 33.18, 22.69

 

CMYK 0 / 55 / 64 / 40

HEX #9A4538

RGB 154 69 56

HSL 7.96, 0.47%, 0.41%

LAB 40.27, 34.52, 24.95

 

CMYK 0 / 63 / 73 / 46

HEX #893325

RGB 137 51 37

HSL 8.4, 0.57%, 0.34%

LAB 33.6, 35.86, 27.67

 

CMYK 0 / 73 / 85 / 53

HEX #782112

RGB 120 33 18

HSL 8.82, 0.74%, 0.27%

LAB 27.09, 36.99, 30.81

 

CMYK 0 / 85 / 100 / 60

HEX #670F00

RGB 103 15 0

HSL 8.74, 1%, 0.2%

LAB 20.92, 37.29, 31.52

 

CMYK 0 / 49 / 56 / 33

HEX #AB574B

RGB 171 87 75

HSL 7.5, 0.39%, 0.48%

LAB 46.95, 33.18, 22.69

 

CMYK 0 / 41 / 56 / 33

HEX #AA654A

RGB 170 101 74

HSL 16.88, 0.39%, 0.48%

LAB 49.92, 25.04, 27.06

 

CMYK 0 / 31 / 56 / 33

HEX #AA754A

RGB 170 117 74

HSL 26.88, 0.39%, 0.48%

LAB 53.77, 16.04, 31.89

 

CMYK 0 / 22 / 56 / 33

HEX #AA854A

RGB 170 133 74

HSL 36.88, 0.39%, 0.48%

LAB 57.86, 7.04, 36.87

 

CMYK 0 / 12 / 56 / 33

HEX #AA954A

RGB 170 149 74

HSL 46.88, 0.39%, 0.48%

LAB 62.11, -1.8, 41.91

 

CMYK 0 / 49 / 56 / 33

HEX #AB574B

RGB 171 87 75

HSL 7.5, 0.39%, 0.48%

LAB 46.95, 33.18, 22.69

 

CMYK 0 / 49 / 56 / 13

HEX #DE7161

RGB 222 113 97

HSL 7.68, 0.65%, 0.63%

LAB 60.07, 41.05, 28.46

 

CMYK 0 / 50 / 56 / 93

HEX #120908

RGB 18 9 8

HSL 6, 0.38%, 0.05%

LAB 3.08, 2.72, 1.38

 

CMYK 0 / 49 / 57 / 73

HEX #45231E

RGB 69 35 30

HSL 7.69, 0.39%, 0.19%

LAB 18.19, 15.56, 10.49

 

CMYK 0 / 49 / 56 / 53

HEX #783D35

RGB 120 61 53

HSL 7.16, 0.39%, 0.34%

LAB 33.11, 24.81, 16.55

 

CMYK 0 / 49 / 56 / 33

HEX #AB574B

RGB 171 87 75

HSL 7.5, 0.39%, 0.48%

LAB 46.95, 33.18, 22.69

 

CMYK 18 / 0 / 56 / 33

HEX #8BAA4A

RGB 139 170 74

HSL 79.38, 0.39%, 0.48%

LAB 65.54, -25.82, 45.24

 

CMYK 56 / 41 / 0 / 33

HEX #4A65AA

RGB 74 101 170

HSL 223.13, 0.39%, 0.48%

LAB 43.75, 11.05, -40.09

 

CMYK 0 / 49 / 56 / 33

HEX #AB574B

RGB 171 87 75

HSL 7.5, 0.39%, 0.48%

LAB 46.95, 33.18, 22.69

 

CMYK 56 / 0 / 50 / 33

HEX #4AAA55

RGB 74 170 85

HSL 126.88, 0.39%, 0.48%

LAB 62.39, -46.37, 35.28

 

CMYK 50 / 56 / 0 / 33

HEX #554AAA

RGB 85 74 170

HSL 246.88, 0.39%, 0.48%

LAB 37.36, 30.58, -50.29

 

CMYK 0 / 49 / 56 / 33

HEX #AB574B

RGB 171 87 75

HSL 7.5, 0.39%, 0.48%

LAB 46.95, 33.18, 22.69

 

CMYK 18 / 0 / 56 / 33

HEX #8BAA4A

RGB 139 170 74

HSL 79.38, 0.39%, 0.48%

LAB 65.54, -25.82, 45.24

 

CMYK 56 / 7 / 0 / 33

HEX #4A9EAA

RGB 74 158 170

HSL 187.5, 0.39%, 0.48%

LAB 60.62, -21.82, -13.97

 

CMYK 39 / 56 / 0 / 33

HEX #684AAA

RGB 104 74 170

HSL 258.75, 0.39%, 0.48%

LAB 39.14, 34.97, -47.31

 

CMYK 0 / 49 / 56 / 33

HEX #AB574B

RGB 171 87 75

HSL 7.5, 0.39%, 0.48%

LAB 46.95, 33.18, 22.69

 

CMYK 35 / 0 / 56 / 33

HEX #6FAA4A

RGB 111 170 74

HSL 96.88, 0.39%, 0.48%

LAB 63.85, -36.43, 42.85

 

CMYK 56 / 7 / 0 / 33

HEX #4A9EAA

RGB 74 158 170

HSL 187.5, 0.39%, 0.48%

LAB 60.62, -21.82, -13.97

 

CMYK 22 / 56 / 0 / 33

HEX #854AAA

RGB 133 74 170

HSL 276.88, 0.39%, 0.48%

LAB 42.44, 42.38, -41.85

 

Description

Color code: CMYK 0 / 49 / 56 / 33 | qconv.com Color code: CMYK 0 / 49 / 56 / 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 87 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 87 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 56% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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