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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD693B it is the complementary color #3296C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD693B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD693B shade: #D26936, #E37B49, #F48D5C, #FF9F6F and #FFB182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD693B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD693B shade: #CD693B, #BC5728, #AB4515, #9A3302 and #892100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD693B shade: #CD6A3C, #CD433C and #CD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD693B shade: #CD6A3C, #CD913C, #CDB83C, #BBCD3C and #94CD3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD693B shade matches the following richer shades: #CD6A3C, #E16329 and #F45B15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD693B shade: #CD6A3C, #B97150, #A57964, #918078 and #7E878C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD693B shade: #CD3C5E, #CD413C, #CD683C, #CD8E3C and #CDB53C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD693B shade: #914725, #B2582E, #CD6A3C, #D5835D and #DE9C7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD693B shade: #CD693B, #85CD3C and #3C4BCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD693B shade: #CD693B, #3CCD68 and #683CCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD693B shade: #CD693B, #85CD3C, #3CA1CD and #853CCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD693B shade: #CD693B, #59CD3C, #3CA1CD and #B03CCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 71 / 20

HEX #CD693B

RGB 205 105 59

HSL 18.9, 0.59%, 0.52%

LAB 55.48, 36.14, 43.05

 

Complementary color

CMYK 74 / 23 / 0 / 23

HEX #3296C4

RGB 50 150 196

HSL 198.9, 0.59%, 0.48%

LAB 58.49, -13.21, -31.97

 

CMYK 0 / 50 / 74 / 18

HEX #D26936

RGB 210 105 54

HSL 19.62, 0.63%, 0.52%

LAB 56.16, 37.87, 46.51

 

CMYK 0 / 46 / 68 / 11

HEX #E37B49

RGB 227 123 73

HSL 19.48, 0.73%, 0.59%

LAB 62.49, 36.27, 44.56

 

CMYK 0 / 42 / 62 / 4

HEX #F48D5C

RGB 244 141 92

HSL 19.34, 0.87%, 0.66%

LAB 68.79, 34.8, 42.68

 

CMYK 0 / 38 / 56 / 0

HEX #FF9F6F

RGB 255 159 111

HSL 20, 1%, 0.72%

LAB 74.32, 31.12, 39.86

 

CMYK 0 / 31 / 49 / 0

HEX #FFB182

RGB 255 177 130

HSL 22.56, 1%, 0.75%

LAB 78.65, 23.31, 35.41

 

CMYK 0 / 49 / 71 / 20

HEX #CD693B

RGB 205 105 59

HSL 18.9, 0.59%, 0.52%

LAB 55.48, 36.14, 43.05

 

CMYK 0 / 54 / 79 / 26

HEX #BC5728

RGB 188 87 40

HSL 19.05, 0.65%, 0.45%

LAB 49.08, 37.81, 45.05

 

CMYK 0 / 60 / 88 / 33

HEX #AB4515

RGB 171 69 21

HSL 19.2, 0.78%, 0.38%

LAB 42.72, 39.57, 46.69

 

CMYK 0 / 67 / 99 / 40

HEX #9A3302

RGB 154 51 2

HSL 19.34, 0.97%, 0.31%

LAB 36.45, 41.23, 47.51

 

CMYK 0 / 76 / 100 / 46

HEX #892100

RGB 137 33 0

HSL 14.45, 1%, 0.27%

LAB 30.41, 42.56, 42.94

 

CMYK 0 / 48 / 71 / 20

HEX #CD6A3C

RGB 205 106 60

HSL 19.03, 0.59%, 0.52%

LAB 55.7, 35.67, 42.78

 

CMYK 0 / 67 / 71 / 20

HEX #CD433C

RGB 205 67 60

HSL 2.9, 0.59%, 0.52%

LAB 48.66, 53.98, 34.78

 

CMYK 0 / 71 / 71 / 20

HEX #CD3C3C

RGB 205 60 60

HSL 0, 0.59%, 0.52%

LAB 47.67, 56.69, 33.62

 

CMYK 0 / 48 / 71 / 20

HEX #CD6A3C

RGB 205 106 60

HSL 19.03, 0.59%, 0.52%

LAB 55.7, 35.67, 42.78

 

CMYK 0 / 29 / 71 / 20

HEX #CD913C

RGB 205 145 60

HSL 35.17, 0.59%, 0.52%

LAB 64.61, 14.71, 52.35

 

CMYK 0 / 10 / 71 / 20

HEX #CDB83C

RGB 205 184 60

HSL 51.31, 0.59%, 0.52%

LAB 74.56, -6.13, 62.47

 

CMYK 9 / 0 / 71 / 20

HEX #BBCD3C

RGB 187 205 60

HSL 67.45, 0.59%, 0.52%

LAB 78.78, -24.3, 66.14

 

CMYK 28 / 0 / 71 / 20

HEX #94CD3C

RGB 148 205 60

HSL 83.59, 0.59%, 0.52%

LAB 76.24, -39.7, 62.77

 

CMYK 0 / 48 / 71 / 20

HEX #CD6A3C

RGB 205 106 60

HSL 19.03, 0.59%, 0.52%

LAB 55.7, 35.67, 42.78

 

CMYK 0 / 56 / 82 / 12

HEX #E16329

RGB 225 99 41

HSL 18.91, 0.75%, 0.52%

LAB 57.16, 46.11, 54.3

 

CMYK 0 / 63 / 91 / 4

HEX #F45B15

RGB 244 91 21

HSL 18.83, 0.91%, 0.52%

LAB 58.76, 56.11, 64.08

 

CMYK 0 / 48 / 71 / 20

HEX #CD6A3C

RGB 205 106 60

HSL 19.03, 0.59%, 0.52%

LAB 55.7, 35.67, 42.78

 

CMYK 0 / 39 / 57 / 27

HEX #B97150

RGB 185 113 80

HSL 18.86, 0.43%, 0.52%

LAB 54.77, 25.12, 30.21

 

CMYK 0 / 27 / 39 / 35

HEX #A57964

RGB 165 121 100

HSL 19.38, 0.27%, 0.52%

LAB 54.65, 14.34, 18.25

 

CMYK 0 / 12 / 17 / 43

HEX #918078

RGB 145 128 120

HSL 19.2, 0.1%, 0.52%

LAB 54.88, 5.09, 6.71

 

CMYK 10 / 4 / 0 / 45

HEX #7E878C

RGB 126 135 140

HSL 201.43, 0.06%, 0.52%

LAB 55.74, -2.23, -3.82

 

CMYK 0 / 71 / 54 / 20

HEX #CD3C5E

RGB 205 60 94

HSL 345.93, 0.59%, 0.52%

LAB 48.28, 58.8, 14.01

 

CMYK 0 / 68 / 71 / 20

HEX #CD413C

RGB 205 65 60

HSL 2.07, 0.59%, 0.52%

LAB 48.37, 54.78, 34.44

 

CMYK 0 / 49 / 71 / 20

HEX #CD683C

RGB 205 104 60

HSL 18.21, 0.59%, 0.52%

LAB 55.28, 36.7, 42.32

 

CMYK 0 / 31 / 71 / 20

HEX #CD8E3C

RGB 205 142 60

HSL 33.93, 0.59%, 0.52%

LAB 63.88, 16.34, 51.59

 

CMYK 0 / 12 / 71 / 20

HEX #CDB53C

RGB 205 181 60

HSL 50.07, 0.59%, 0.52%

LAB 73.77, -4.57, 61.69

 

CMYK 0 / 51 / 74 / 43

HEX #914725

RGB 145 71 37

HSL 18.89, 0.59%, 0.36%

LAB 39, 28.63, 34.05

 

CMYK 0 / 51 / 74 / 30

HEX #B2582E

RGB 178 88 46

HSL 19.09, 0.59%, 0.44%

LAB 47.81, 33.56, 40.26

 

CMYK 0 / 48 / 71 / 20

HEX #CD6A3C

RGB 205 106 60

HSL 19.03, 0.59%, 0.52%

LAB 55.7, 35.67, 42.78

 

CMYK 0 / 38 / 56 / 16

HEX #D5835D

RGB 213 131 93

HSL 19, 0.59%, 0.6%

LAB 62.65, 27.82, 33.72

 

CMYK 0 / 30 / 43 / 13

HEX #DE9C7E

RGB 222 156 126

HSL 18.75, 0.59%, 0.68%

LAB 70.04, 21.05, 25.55

 

CMYK 0 / 49 / 71 / 20

HEX #CD693B

RGB 205 105 59

HSL 18.9, 0.59%, 0.52%

LAB 55.48, 36.14, 43.05

 

CMYK 35 / 0 / 71 / 20

HEX #85CD3C

RGB 133 205 60

HSL 89.79, 0.59%, 0.52%

LAB 75.44, -45.13, 61.69

 

CMYK 71 / 63 / 0 / 20

HEX #3C4BCD

RGB 60 75 205

HSL 233.79, 0.59%, 0.52%

LAB 38.55, 37.44, -68.95

 

CMYK 0 / 49 / 71 / 20

HEX #CD693B

RGB 205 105 59

HSL 18.9, 0.59%, 0.52%

LAB 55.48, 36.14, 43.05

 

CMYK 71 / 0 / 49 / 20

HEX #3CCD68

RGB 60 205 104

HSL 138.21, 0.59%, 0.52%

LAB 73.3, -59.54, 39.3

 

CMYK 49 / 71 / 0 / 20

HEX #683CCD

RGB 104 60 205

HSL 258.21, 0.59%, 0.52%

LAB 38.87, 52.45, -68.3

 

CMYK 0 / 49 / 71 / 20

HEX #CD693B

RGB 205 105 59

HSL 18.9, 0.59%, 0.52%

LAB 55.48, 36.14, 43.05

 

CMYK 35 / 0 / 71 / 20

HEX #85CD3C

RGB 133 205 60

HSL 89.79, 0.59%, 0.52%

LAB 75.44, -45.13, 61.69

 

CMYK 71 / 21 / 0 / 20

HEX #3CA1CD

RGB 60 161 205

HSL 198.21, 0.59%, 0.52%

LAB 62.39, -14.86, -30.94

 

CMYK 35 / 71 / 0 / 20

HEX #853CCD

RGB 133 60 205

HSL 270.21, 0.59%, 0.52%

LAB 42.19, 57.58, -62.73

 

CMYK 0 / 49 / 71 / 20

HEX #CD693B

RGB 205 105 59

HSL 18.9, 0.59%, 0.52%

LAB 55.48, 36.14, 43.05

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 71 / 21 / 0 / 20

HEX #3CA1CD

RGB 60 161 205

HSL 198.21, 0.59%, 0.52%

LAB 62.39, -14.86, -30.94

 

CMYK 14 / 71 / 0 / 20

HEX #B03CCD

RGB 176 60 205

HSL 288, 0.59%, 0.52%

LAB 48.1, 66.19, -52.91

 

Description

Color code: HEX #CD693B | qconv.com Color code: HEX #CD693B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 105 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 105 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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