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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59CD3C it is the complementary color #A632C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59CD3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59CD3C shade: #5ECD37, #6FDF4A, #80F15D, #91FF70 and #A2FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59CD3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59CD3C shade: #59CD3C, #48BB29, #37A916, #269703 and #158500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59CD3C shade: #59CD3C, #80CD3C, #A7CD3C, #CDCC3C and #CDA53C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59CD3C shade: #59CD3C, #3CCD46, #3CCD6D, #3CCD94 and #3CCDBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59CD3C shade matches the following richer shades: #59CD3C, #4DE129 and #42F415

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59CD3C shade: #59CD3C, #65B950, #71A564, #7D9178 and #897E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59CD3C shade: #A6CD3C, #80CD3C, #59CD3C, #3CCD46 and #3CCD6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59CD3C shade: #3B9125, #48B22E, #59CD3C, #75D55D and #91DE7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59CD3C shade: #59CD3C, #3CCDCD and #CD3C93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59CD3C shade: #59CD3C, #3C59CD and #CD3C59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59CD3C shade: #59CD3C, #3CCDCD, #B03CCD and #CD3C3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59CD3C shade: #59CD3C, #3CA1CD, #B03CCD and #CD683C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

Complementary color

CMYK 15 / 74 / 0 / 24

HEX #A632C3

RGB 166 50 195

HSL 288, 0.59%, 0.48%

LAB 44.7, 65.89, -52.66

 

CMYK 54 / 0 / 73 / 20

HEX #5ECD37

RGB 94 205 55

HSL 104.4, 0.6%, 0.51%

LAB 73.75, -57.62, 61.25

 

CMYK 50 / 0 / 67 / 13

HEX #6FDF4A

RGB 111 223 74

HSL 105.1, 0.7%, 0.58%

LAB 79.98, -58.16, 60.81

 

CMYK 47 / 0 / 61 / 5

HEX #80F15D

RGB 128 241 93

HSL 105.81, 0.84%, 0.65%

LAB 86.15, -58.46, 60.01

 

CMYK 43 / 0 / 56 / 0

HEX #91FF70

RGB 145 255 112

HSL 106.15, 1%, 0.72%

LAB 91.1, -57.05, 57.68

 

CMYK 36 / 0 / 49 / 0

HEX #A2FF83

RGB 162 255 131

HSL 105, 1%, 0.76%

LAB 92.06, -49.74, 50.37

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 61 / 0 / 78 / 27

HEX #48BB29

RGB 72 187 41

HSL 107.26, 0.64%, 0.45%

LAB 67.34, -57.69, 59.37

 

CMYK 67 / 0 / 87 / 34

HEX #37A916

RGB 55 169 22

HSL 106.53, 0.77%, 0.37%

LAB 61, -56.34, 58.53

 

CMYK 75 / 0 / 98 / 41

HEX #269703

RGB 38 151 3

HSL 105.81, 0.96%, 0.3%

LAB 54.61, -54.33, 56.31

 

CMYK 84 / 0 / 100 / 48

HEX #158500

RGB 21 133 0

HSL 110.53, 1%, 0.26%

LAB 48.18, -51.32, 51.55

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 38 / 0 / 71 / 20

HEX #80CD3C

RGB 128 205 60

HSL 91.86, 0.59%, 0.52%

LAB 75.19, -46.86, 61.36

 

CMYK 19 / 0 / 71 / 20

HEX #A7CD3C

RGB 167 205 60

HSL 75.72, 0.59%, 0.52%

LAB 77.4, -32.38, 64.31

 

CMYK 0 / 0 / 71 / 20

HEX #CDCC3C

RGB 205 204 60

HSL 59.59, 0.59%, 0.52%

LAB 79.89, -16.31, 67.69

 

CMYK 0 / 20 / 71 / 20

HEX #CDA53C

RGB 205 165 60

HSL 43.45, 0.59%, 0.52%

LAB 69.62, 3.9, 57.52

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 71 / 0 / 66 / 20

HEX #3CCD46

RGB 60 205 70

HSL 124.14, 0.59%, 0.52%

LAB 72.94, -63.84, 54.39

 

CMYK 71 / 0 / 47 / 20

HEX #3CCD6D

RGB 60 205 109

HSL 140.28, 0.59%, 0.52%

LAB 73.37, -58.75, 36.9

 

CMYK 71 / 0 / 28 / 20

HEX #3CCD94

RGB 60 205 148

HSL 156.41, 0.59%, 0.52%

LAB 74.04, -51.33, 17.57

 

CMYK 71 / 0 / 9 / 20

HEX #3CCDBB

RGB 60 205 187

HSL 172.55, 0.59%, 0.52%

LAB 74.96, -41.83, -2.07

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 66 / 0 / 82 / 12

HEX #4DE129

RGB 77 225 41

HSL 108.26, 0.75%, 0.52%

LAB 79.38, -69.23, 70.66

 

CMYK 73 / 0 / 91 / 4

HEX #42F415

RGB 66 244 21

HSL 107.89, 0.91%, 0.52%

LAB 84.95, -77.67, 79.24

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 45 / 0 / 57 / 27

HEX #65B950

RGB 101 185 80

HSL 108, 0.43%, 0.52%

LAB 68.05, -45.55, 44.8

 

CMYK 32 / 0 / 39 / 35

HEX #71A564

RGB 113 165 100

HSL 108, 0.27%, 0.52%

LAB 62.79, -30.03, 28.33

 

CMYK 14 / 0 / 17 / 43

HEX #7D9178

RGB 125 145 120

HSL 108, 0.1%, 0.52%

LAB 58.01, -12.12, 10.91

 

CMYK 2 / 10 / 0 / 45

HEX #897E8C

RGB 137 126 140

HSL 287.14, 0.06%, 0.52%

LAB 54.17, 6.9, -6.05

 

CMYK 19 / 0 / 71 / 20

HEX #A6CD3C

RGB 166 205 60

HSL 76.14, 0.59%, 0.52%

LAB 77.34, -32.78, 64.22

 

CMYK 38 / 0 / 71 / 20

HEX #80CD3C

RGB 128 205 60

HSL 91.86, 0.59%, 0.52%

LAB 75.19, -46.86, 61.36

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 71 / 0 / 66 / 20

HEX #3CCD46

RGB 60 205 70

HSL 124.14, 0.59%, 0.52%

LAB 72.94, -63.84, 54.39

 

CMYK 71 / 0 / 47 / 20

HEX #3CCD6D

RGB 60 205 109

HSL 140.28, 0.59%, 0.52%

LAB 73.37, -58.75, 36.9

 

CMYK 59 / 0 / 74 / 43

HEX #3B9125

RGB 59 145 37

HSL 107.78, 0.59%, 0.36%

LAB 53.29, -46.02, 46.82

 

CMYK 60 / 0 / 74 / 30

HEX #48B22E

RGB 72 178 46

HSL 108.18, 0.59%, 0.44%

LAB 64.5, -54.17, 54.92

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 45 / 0 / 56 / 16

HEX #75D55D

RGB 117 213 93

HSL 108, 0.59%, 0.6%

LAB 77.38, -50.69, 49.87

 

CMYK 35 / 0 / 43 / 13

HEX #91DE7E

RGB 145 222 126

HSL 108.13, 0.59%, 0.68%

LAB 81.71, -41.66, 39.67

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 71 / 0 / 0 / 20

HEX #3CCDCD

RGB 60 205 205

HSL 180, 0.59%, 0.52%

LAB 75.47, -36.87, -11.03

 

CMYK 0 / 71 / 28 / 20

HEX #CD3C93

RGB 205 60 147

HSL 324, 0.59%, 0.52%

LAB 49.88, 64.09, -15.76

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 71 / 57 / 0 / 20

HEX #3C59CD

RGB 60 89 205

HSL 228, 0.59%, 0.52%

LAB 42.02, 28.58, -63.3

 

CMYK 0 / 71 / 57 / 20

HEX #CD3C59

RGB 205 60 89

HSL 348, 0.59%, 0.52%

LAB 48.17, 58.42, 16.9

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 71 / 0 / 0 / 20

HEX #3CCDCD

RGB 60 205 205

HSL 180, 0.59%, 0.52%

LAB 75.47, -36.87, -11.03

 

CMYK 14 / 71 / 0 / 20

HEX #B03CCD

RGB 176 60 205

HSL 288, 0.59%, 0.52%

LAB 48.1, 66.19, -52.91

 

CMYK 0 / 71 / 71 / 20

HEX #CD3C3C

RGB 205 60 60

HSL 0, 0.59%, 0.52%

LAB 47.67, 56.69, 33.62

 

CMYK 57 / 0 / 71 / 20

HEX #59CD3C

RGB 89 205 60

HSL 108, 0.59%, 0.52%

LAB 73.62, -58.55, 59.26

 

CMYK 71 / 21 / 0 / 20

HEX #3CA1CD

RGB 60 161 205

HSL 198.21, 0.59%, 0.52%

LAB 62.39, -14.86, -30.94

 

CMYK 14 / 71 / 0 / 20

HEX #B03CCD

RGB 176 60 205

HSL 288, 0.59%, 0.52%

LAB 48.1, 66.19, -52.91

 

CMYK 0 / 49 / 71 / 20

HEX #CD683C

RGB 205 104 60

HSL 18.21, 0.59%, 0.52%

LAB 55.28, 36.7, 42.32

 

Description

Color code: HEX #59CD3C | qconv.com Color code: HEX #59CD3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 205 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 205 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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