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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE4D633 it is the complementary color #331B2933. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE4D633. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CCE4D633: #D1E4D133, #E2F6E433, #F3FFF733

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE4D633. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CCE4D633: #CCE4D633, #BBD2C333, #AAC0B033, #99AE9D33 and #889C8A33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 1 / 2

HEX #CCE4D633

RGBA 204 228 214 0.2

HSLA 145, 0.31%, 0.85%, 0.2

LABA 88.53, -10.55, 4.13, 0.2

 

Complementary color

CMYK 0 / 9 / 4 / 16

HEX #331B2933

RGBA 51 27 41 0.2

HSLA 325, 0.31%, 0.15%, 0.2

LABA 13.52, 14.34, -4.41, 0.2

 

CMYK 2 / 0 / 2 / 2

HEX #D1E4D133

RGBA 209 228 209 0.2

HSLA 120, 0.26%, 0.86%, 0.2

LABA 88.75, -9.78, 7.11, 0.2

 

CMYK 2 / 0 / 1 / 1

HEX #E2F6E433

RGBA 226 246 228 0.2

HSLA 126, 0.53%, 0.93%, 0.2

LABA 95.03, -9.8, 6.41, 0.2

 

CMYK 1 / 0 / 1 / 0

HEX #F3FFF733

RGBA 243 255 247 0.2

HSLA 140, 1%, 0.98%, 0.2

LABA 98.94, -5.34, 2.45, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4D633

RGBA 204 228 214 0.2

HSLA 145, 0.31%, 0.85%, 0.2

LABA 88.53, -10.55, 4.13, 0.2

 

CMYK 2 / 0 / 1 / 4

HEX #BBD2C333

RGBA 187 210 195 0.2

HSLA 140.87, 0.2%, 0.78%, 0.2

LABA 82.16, -10.56, 4.81, 0.2

 

CMYK 2 / 0 / 2 / 5

HEX #AAC0B033

RGBA 170 192 176 0.2

HSLA 136.36, 0.15%, 0.71%, 0.2

LABA 75.69, -10.58, 5.52, 0.2

 

CMYK 2 / 0 / 2 / 6

HEX #99AE9D33

RGBA 153 174 157 0.2

HSLA 131.43, 0.11%, 0.64%, 0.2

LABA 69.1, -10.62, 6.27, 0.2

 

CMYK 3 / 0 / 2 / 8

HEX #889C8A33

RGBA 136 156 138 0.2

HSLA 126, 0.09%, 0.57%, 0.2

LABA 62.38, -10.66, 7.06, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4D633

RGBA 204 228 214 0.2

HSLA 145, 0.31%, 0.85%, 0.2

LABA 88.53, -10.55, 4.13, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4DA33

RGBA 204 228 218 0.2

HSLA 155, 0.31%, 0.85%, 0.2

LABA 88.63, -9.81, 2.17, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4DE33

RGBA 204 228 222 0.2

HSLA 165, 0.31%, 0.85%, 0.2

LABA 88.73, -9.05, 0.22, 0.2

 

CMYK 2 / 0 / 0 / 2

HEX #CCE4E233

RGBA 204 228 226 0.2

HSLA 175, 0.31%, 0.85%, 0.2

LABA 88.84, -8.28, -1.73, 0.2

 

CMYK 2 / 0 / 0 / 2

HEX #CCE2E433

RGBA 204 226 228 0.2

HSLA 185, 0.31%, 0.85%, 0.2

LABA 88.37, -6.87, -3.47, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4D633

RGBA 204 228 214 0.2

HSLA 145, 0.31%, 0.85%, 0.2

LABA 88.53, -10.55, 4.13, 0.2

 

CMYK 2 / 0 / 1 / 18

HEX #15181733

RGBA 21 24 23 0.2

HSLA 160, 0.07%, 0.09%, 0.2

LABA 7.9, -1.67, 0.21, 0.2

 

CMYK 2 / 0 / 1 / 14

HEX #434B4633

RGBA 67 75 70 0.2

HSLA 142.5, 0.06%, 0.28%, 0.2

LABA 31.04, -4.37, 1.87, 0.2

 

CMYK 2 / 0 / 1 / 10

HEX #717E7633

RGBA 113 126 118 0.2

HSLA 143.08, 0.05%, 0.47%, 0.2

LABA 51.54, -6.46, 2.72, 0.2

 

CMYK 2 / 0 / 1 / 6

HEX #9EB1A633

RGBA 158 177 166 0.2

HSLA 145.26, 0.11%, 0.66%, 0.2

LABA 70.5, -8.74, 3.38, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4D633

RGBA 204 228 214 0.2

HSLA 145, 0.31%, 0.85%, 0.2

LABA 88.53, -10.55, 4.13, 0.2

 

CMYK 2 / 1 / 0 / 2

HEX #CCD5E433

RGBA 204 213 228 0.2

HSLA 217.5, 0.31%, 0.85%, 0.2

LABA 85.01, -0.13, -8.42, 0.2

 

CMYK 0 / 2 / 2 / 2

HEX #E4CDCC33

RGBA 228 205 204 0.2

HSLA 2.5, 0.31%, 0.85%, 0.2

LABA 84.23, 7.85, 3.41, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4D633

RGBA 204 228 214 0.2

HSLA 145, 0.31%, 0.85%, 0.2

LABA 88.53, -10.55, 4.13, 0.2

 

CMYK 1 / 2 / 0 / 2

HEX #D6CCE433

RGBA 214 204 228 0.2

HSLA 265, 0.31%, 0.85%, 0.2

LABA 83.49, 7.89, -10.61, 0.2

 

CMYK 0 / 1 / 2 / 2

HEX #E4D6CC33

RGBA 228 214 204 0.2

HSLA 25, 0.31%, 0.85%, 0.2

LABA 86.48, 3.14, 6.65, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4D633

RGBA 204 228 214 0.2

HSLA 145, 0.31%, 0.85%, 0.2

LABA 88.53, -10.55, 4.13, 0.2

 

CMYK 2 / 1 / 0 / 2

HEX #CCD5E433

RGBA 204 213 228 0.2

HSLA 217.5, 0.31%, 0.85%, 0.2

LABA 85.01, -0.13, -8.42, 0.2

 

CMYK 0 / 2 / 1 / 2

HEX #E4CCDA33

RGBA 228 204 218 0.2

HSLA 325, 0.31%, 0.85%, 0.2

LABA 84.35, 10.76, -3.87, 0.2

 

CMYK 0 / 1 / 2 / 2

HEX #E4DBCC33

RGBA 228 219 204 0.2

HSLA 37.5, 0.31%, 0.85%, 0.2

LABA 87.74, 0.55, 8.46, 0.2

 

CMYK 2 / 0 / 1 / 2

HEX #CCE4D633

RGBA 204 228 214 0.2

HSLA 145, 0.31%, 0.85%, 0.2

LABA 88.53, -10.55, 4.13, 0.2

 

CMYK 2 / 2 / 0 / 2

HEX #CCCEE433

RGBA 204 206 228 0.2

HSLA 235, 0.31%, 0.85%, 0.2

LABA 83.22, 3.55, -11.09, 0.2

 

CMYK 0 / 2 / 1 / 2

HEX #E4CCDA33

RGBA 228 204 218 0.2

HSLA 325, 0.31%, 0.85%, 0.2

LABA 84.35, 10.76, -3.87, 0.2

 

CMYK 0 / 0 / 2 / 2

HEX #E4E2CC33

RGBA 228 226 204 0.2

HSLA 55, 0.31%, 0.85%, 0.2

LABA 89.51, -3.05, 10.99, 0.2

 

Description

Color code: HEX #CCE4D633 | qconv.com Color code: HEX #CCE4D633 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 228 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 228 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 1 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 1% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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