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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDD47 it is the complementary color #3322B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDD47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCDD47 shade: #D1DD42, #E2EF55, #F3FF68, #FFFF7B and #FFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDD47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCDD47 shade: #CCDD47, #BBCB34, #AAB921, #99A70E and #889500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCDD47 shade: #CCDD46, #DDC546, #DD9D46, #DD7446 and #DD4B46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCDD47 shade: #CCDD46, #A3DD46, #7ADD46, #51DD46 and #46DD63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCDD47 shade matches the following richer shades: #CCDD46 and #DAEF34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCDD47 shade: #CCDD46, #BECB57, #B0BA69, #A3A87B and #95968D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCDD47 shade: #DD9B46, #DDC446, #CEDD46, #A6DD46 and #7DDD46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCDD47 shade: #A0B020, #BFD327, #CCDD46, #D5E369 and #DFEA8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCDD47 shade: #CCDD47, #46DD73 and #B046DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCDD47 shade: #CCDD47, #46CEDD and #DD46CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCDD47 shade: #CCDD47, #46DD73, #5546DD and #DD46B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCDD47 shade: #CCDD47, #46DDA0, #5546DD and #DD4682

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 68 / 13

HEX #CCDD47

RGB 204 221 71

HSL 66.8, 0.69%, 0.57%

LAB 84.49, -24.47, 68.21

 

Complementary color

CMYK 72 / 82 / 0 / 28

HEX #3322B8

RGB 51 34 184

HSL 246.8, 0.69%, 0.43%

LAB 27.6, 52.67, -74.7

 

CMYK 5 / 0 / 70 / 13

HEX #D1DD42

RGB 209 221 66

HSL 64.65, 0.7%, 0.56%

LAB 84.82, -22.69, 70.48

 

CMYK 5 / 0 / 64 / 6

HEX #E2EF55

RGB 226 239 85

HSL 65.06, 0.83%, 0.64%

LAB 91.03, -23.4, 70.12

 

CMYK 5 / 0 / 59 / 0

HEX #F3FF68

RGB 243 255 104

HSL 64.77, 1%, 0.7%

LAB 96.65, -23.05, 68.87

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD47

RGB 204 221 71

HSL 66.8, 0.69%, 0.57%

LAB 84.49, -24.47, 68.21

 

CMYK 8 / 0 / 74 / 20

HEX #BBCB34

RGB 187 203 52

HSL 66.36, 0.59%, 0.5%

LAB 78.18, -23.71, 68.28

 

CMYK 8 / 0 / 82 / 27

HEX #AAB921

RGB 170 185 33

HSL 65.92, 0.7%, 0.43%

LAB 71.79, -22.79, 67.59

 

CMYK 8 / 0 / 92 / 35

HEX #99A70E

RGB 153 167 14

HSL 65.49, 0.85%, 0.35%

LAB 65.31, -21.66, 65.65

 

CMYK 9 / 0 / 100 / 42

HEX #889500

RGB 136 149 0

HSL 65.23, 1%, 0.29%

LAB 58.72, -20.29, 62.03

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD46

RGB 204 221 70

HSL 66.75, 0.69%, 0.57%

LAB 84.48, -24.52, 68.58

 

CMYK 0 / 11 / 68 / 13

HEX #DDC546

RGB 221 197 70

HSL 50.46, 0.69%, 0.57%

LAB 79.47, -5.5, 63.97

 

CMYK 0 / 29 / 68 / 13

HEX #DD9D46

RGB 221 157 70

HSL 34.57, 0.69%, 0.57%

LAB 69.42, 15.6, 53.46

 

CMYK 0 / 48 / 68 / 13

HEX #DD7446

RGB 221 116 70

HSL 18.28, 0.69%, 0.57%

LAB 60.16, 37.35, 43.24

 

CMYK 0 / 66 / 68 / 13

HEX #DD4B46

RGB 221 75 70

HSL 1.99, 0.69%, 0.57%

LAB 52.78, 56.51, 34.63

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD46

RGB 204 221 70

HSL 66.75, 0.69%, 0.57%

LAB 84.48, -24.52, 68.58

 

CMYK 26 / 0 / 68 / 13

HEX #A3DD46

RGB 163 221 70

HSL 83.05, 0.69%, 0.57%

LAB 81.81, -40.54, 65

 

CMYK 45 / 0 / 68 / 13

HEX #7ADD46

RGB 122 221 70

HSL 99.34, 0.69%, 0.57%

LAB 79.78, -54.5, 62.27

 

CMYK 63 / 0 / 68 / 13

HEX #51DD46

RGB 81 221 70

HSL 115.63, 0.69%, 0.57%

LAB 78.41, -65.15, 60.4

 

CMYK 68 / 0 / 55 / 13

HEX #46DD63

RGB 70 221 99

HSL 131.52, 0.69%, 0.57%

LAB 78.41, -64.14, 47.97

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD46

RGB 204 221 70

HSL 66.75, 0.69%, 0.57%

LAB 84.48, -24.52, 68.58

 

CMYK 9 / 0 / 78 / 6

HEX #DAEF34

RGB 218 239 52

HSL 66.74, 0.85%, 0.57%

LAB 90.27, -28.19, 80.15

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD46

RGB 204 221 70

HSL 66.75, 0.69%, 0.57%

LAB 84.48, -24.52, 68.58

 

CMYK 6 / 0 / 57 / 20

HEX #BECB57

RGB 190 203 87

HSL 66.72, 0.53%, 0.57%

LAB 78.66, -20.33, 55.16

 

CMYK 5 / 0 / 44 / 27

HEX #B0BA69

RGB 176 186 105

HSL 67.41, 0.37%, 0.57%

LAB 73.13, -15.81, 39.77

 

CMYK 3 / 0 / 27 / 34

HEX #A3A87B

RGB 163 168 123

HSL 66.67, 0.21%, 0.57%

LAB 67.44, -9.38, 22.72

 

CMYK 1 / 0 / 6 / 41

HEX #95968D

RGB 149 150 141

HSL 66.67, 0.04%, 0.57%

LAB 61.76, -2.06, 4.61

 

CMYK 0 / 30 / 68 / 13

HEX #DD9B46

RGB 221 155 70

HSL 33.77, 0.69%, 0.57%

LAB 68.94, 16.67, 52.95

 

CMYK 0 / 11 / 68 / 13

HEX #DDC446

RGB 221 196 70

HSL 50.07, 0.69%, 0.57%

LAB 79.21, -4.98, 63.7

 

CMYK 7 / 0 / 68 / 13

HEX #CEDD46

RGB 206 221 70

HSL 65.96, 0.69%, 0.57%

LAB 84.63, -23.71, 68.77

 

CMYK 25 / 0 / 68 / 13

HEX #A6DD46

RGB 166 221 70

HSL 81.85, 0.69%, 0.57%

LAB 81.98, -39.42, 65.24

 

CMYK 43 / 0 / 68 / 13

HEX #7DDD46

RGB 125 221 70

HSL 98.15, 0.69%, 0.57%

LAB 79.91, -53.58, 62.44

 

CMYK 9 / 0 / 82 / 31

HEX #A0B020

RGB 160 176 32

HSL 66.67, 0.69%, 0.41%

LAB 68.48, -22.64, 64.68

 

CMYK 9 / 0 / 82 / 17

HEX #BFD327

RGB 191 211 39

HSL 66.98, 0.69%, 0.49%

LAB 80.63, -26.41, 74.32

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD46

RGB 204 221 70

HSL 66.75, 0.69%, 0.57%

LAB 84.48, -24.52, 68.58

 

CMYK 6 / 0 / 54 / 11

HEX #D5E369

RGB 213 227 105

HSL 66.89, 0.69%, 0.65%

LAB 87.05, -21.4, 57.08

 

CMYK 5 / 0 / 41 / 8

HEX #DFEA8B

RGB 223 234 139

HSL 66.95, 0.69%, 0.73%

LAB 90.04, -17.67, 44.83

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD47

RGB 204 221 71

HSL 66.8, 0.69%, 0.57%

LAB 84.49, -24.47, 68.21

 

CMYK 68 / 0 / 48 / 13

HEX #46DD73

RGB 70 221 115

HSL 137.88, 0.69%, 0.57%

LAB 78.61, -61.87, 40.6

 

CMYK 20 / 68 / 0 / 13

HEX #B046DD

RGB 176 70 221

HSL 282.12, 0.69%, 0.57%

LAB 50.49, 65.35, -58.22

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD47

RGB 204 221 71

HSL 66.8, 0.69%, 0.57%

LAB 84.49, -24.47, 68.21

 

CMYK 68 / 7 / 0 / 13

HEX #46CEDD

RGB 70 206 221

HSL 185.96, 0.69%, 0.57%

LAB 76.48, -31.4, -18.13

 

CMYK 0 / 68 / 7 / 13

HEX #DD46CE

RGB 221 70 206

HSL 305.96, 0.69%, 0.57%

LAB 56.3, 72.66, -40.04

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD47

RGB 204 221 71

HSL 66.8, 0.69%, 0.57%

LAB 84.49, -24.47, 68.21

 

CMYK 68 / 0 / 48 / 13

HEX #46DD73

RGB 70 221 115

HSL 137.88, 0.69%, 0.57%

LAB 78.61, -61.87, 40.6

 

CMYK 62 / 68 / 0 / 13

HEX #5546DD

RGB 85 70 221

HSL 245.96, 0.69%, 0.57%

LAB 40.46, 48.92, -74.96

 

CMYK 0 / 68 / 20 / 13

HEX #DD46B0

RGB 221 70 176

HSL 317.88, 0.69%, 0.57%

LAB 54.96, 68.37, -24.84

 

CMYK 8 / 0 / 68 / 13

HEX #CCDD47

RGB 204 221 71

HSL 66.8, 0.69%, 0.57%

LAB 84.49, -24.47, 68.21

 

CMYK 68 / 0 / 28 / 13

HEX #46DDA0

RGB 70 221 160

HSL 155.76, 0.69%, 0.57%

LAB 79.36, -53.58, 18.65

 

CMYK 62 / 68 / 0 / 13

HEX #5546DD

RGB 85 70 221

HSL 245.96, 0.69%, 0.57%

LAB 40.46, 48.92, -74.96

 

CMYK 0 / 68 / 41 / 13

HEX #DD4682

RGB 221 70 130

HSL 336.16, 0.69%, 0.57%

LAB 53.35, 62.99, -0.14

 

Description

Color code: HEX #CCDD47 | qconv.com Color code: HEX #CCDD47 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 221 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 221 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 68 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 68% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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