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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBFF1 it is the complementary color #33400E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBFF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CCBFF1: #D1BFEC, #E2D1FF, #F3E3FF, #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBFF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CCBFF1: #CCBFF1, #BBADDE, #AA9BCB, #9989B8 and #8877A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 21 / 0 / 5

HEX #CCBFF1

RGB 204 191 241

HSL 255.6, 0.64%, 0.85%

LAB 79.87, 14.28, -23.09

 

Complementary color

CMYK 20 / 0 / 78 / 75

HEX #33400E

RGB 51 64 14

HSL 75.6, 0.64%, 0.15%

LAB 24.96, -13.8, 27.48

 

CMYK 11 / 19 / 0 / 7

HEX #D1BFEC

RGB 209 191 236

HSL 264, 0.54%, 0.84%

LAB 80.11, 14.82, -20

 

CMYK 11 / 18 / 0 / 0

HEX #E2D1FF

RGB 226 209 255

HSL 262.17, 1%, 0.91%

LAB 86.5, 14.44, -20.32

 

CMYK 5 / 11 / 0 / 0

HEX #F3E3FF

RGB 243 227 255

HSL 274.29, 1%, 0.95%

LAB 92.23, 10.42, -11.58

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 15 / 21 / 0 / 5

HEX #CCBFF1

RGB 204 191 241

HSL 255.6, 0.64%, 0.85%

LAB 79.87, 14.28, -23.09

 

CMYK 16 / 22 / 0 / 13

HEX #BBADDE

RGB 187 173 222

HSL 257.14, 0.43%, 0.77%

LAB 73.37, 14.68, -22.84

 

CMYK 16 / 24 / 0 / 20

HEX #AA9BCB

RGB 170 155 203

HSL 258.75, 0.32%, 0.7%

LAB 66.75, 15.12, -22.61

 

CMYK 17 / 26 / 0 / 28

HEX #9989B8

RGB 153 137 184

HSL 260.43, 0.25%, 0.63%

LAB 60, 15.6, -22.39

 

CMYK 18 / 28 / 0 / 35

HEX #8877A5

RGB 136 119 165

HSL 262.17, 0.2%, 0.56%

LAB 53.11, 16.13, -22.2

 

CMYK 15 / 21 / 0 / 5

HEX #CCBFF1

RGB 204 191 241

HSL 255.6, 0.64%, 0.85%

LAB 79.87, 14.28, -23.09

 

CMYK 12 / 20 / 0 / 5

HEX #D4C0F1

RGB 212 192 241

HSL 264.49, 0.64%, 0.85%

LAB 80.77, 16.26, -21.67

 

CMYK 9 / 20 / 0 / 5

HEX #DCC0F1

RGB 220 192 241

HSL 274.29, 0.64%, 0.85%

LAB 81.44, 18.81, -20.58

 

CMYK 5 / 20 / 0 / 5

HEX #E4C0F1

RGB 228 192 241

HSL 284.08, 0.64%, 0.85%

LAB 82.13, 21.38, -19.46

 

CMYK 2 / 20 / 0 / 5

HEX #EDC0F1

RGB 237 192 241

HSL 295.1, 0.64%, 0.85%

LAB 82.94, 24.31, -18.16

 

CMYK 15 / 21 / 0 / 5

HEX #CCBFF1

RGB 204 191 241

HSL 255.6, 0.64%, 0.85%

LAB 79.87, 14.28, -23.09

 

CMYK 16 / 22 / 0 / 85

HEX #1F1D25

RGB 31 29 37

HSL 255, 0.12%, 0.13%

LAB 11.3, 3.06, -5.09

 

CMYK 16 / 20 / 0 / 65

HEX #4A4658

RGB 74 70 88

HSL 253.33, 0.11%, 0.31%

LAB 30.74, 5.86, -10.07

 

CMYK 15 / 21 / 0 / 45

HEX #766E8B

RGB 118 110 139

HSL 256.55, 0.12%, 0.49%

LAB 48.09, 9.31, -14.75

 

CMYK 15 / 21 / 0 / 25

HEX #A197BE

RGB 161 151 190

HSL 255.38, 0.23%, 0.67%

LAB 64.51, 11.57, -18.84

 

CMYK 15 / 21 / 0 / 5

HEX #CCBFF1

RGB 204 191 241

HSL 255.6, 0.64%, 0.85%

LAB 79.87, 14.28, -23.09

 

CMYK 0 / 20 / 9 / 5

HEX #F1C0DB

RGB 241 192 219

HSL 326.94, 0.64%, 0.85%

LAB 82.65, 21.76, -6.78

 

CMYK 17 / 0 / 20 / 5

HEX #C7F1C0

RGB 199 241 192

HSL 111.43, 0.64%, 0.85%

LAB 91.17, -22.51, 19.28

 

CMYK 15 / 21 / 0 / 5

HEX #CCBFF1

RGB 204 191 241

HSL 255.6, 0.64%, 0.85%

LAB 79.87, 14.28, -23.09

 

CMYK 0 / 15 / 20 / 5

HEX #F1CCC0

RGB 241 204 192

HSL 14.69, 0.64%, 0.85%

LAB 84.84, 11.18, 10.81

 

CMYK 20 / 0 / 15 / 5

HEX #C0F1CC

RGB 192 241 204

HSL 134.69, 0.64%, 0.85%

LAB 91, -22.74, 12.78

 

CMYK 15 / 21 / 0 / 5

HEX #CCBFF1

RGB 204 191 241

HSL 255.6, 0.64%, 0.85%

LAB 79.87, 14.28, -23.09

 

CMYK 0 / 20 / 9 / 5

HEX #F1C0DB

RGB 241 192 219

HSL 326.94, 0.64%, 0.85%

LAB 82.65, 21.76, -6.78

 

CMYK 5 / 0 / 20 / 5

HEX #E4F1C0

RGB 228 241 192

HSL 75.92, 0.64%, 0.85%

LAB 93.11, -12.47, 22.27

 

CMYK 20 / 0 / 11 / 5

HEX #C0F1D6

RGB 192 241 214

HSL 146.94, 0.64%, 0.85%

LAB 91.22, -20.9, 7.91

 

CMYK 15 / 21 / 0 / 5

HEX #CCBFF1

RGB 204 191 241

HSL 255.6, 0.64%, 0.85%

LAB 79.87, 14.28, -23.09

 

CMYK 0 / 20 / 15 / 5

HEX #F1C0CC

RGB 241 192 204

HSL 345.31, 0.64%, 0.85%

LAB 82.25, 19.33, 0.67

 

CMYK 5 / 0 / 20 / 5

HEX #E4F1C0

RGB 228 241 192

HSL 75.92, 0.64%, 0.85%

LAB 93.11, -12.47, 22.27

 

CMYK 20 / 0 / 5 / 5

HEX #C0F1E4

RGB 192 241 228

HSL 164.08, 0.64%, 0.85%

LAB 91.56, -18.19, 1.11

 

Description

Color code: HEX #CCBFF1 | qconv.com Color code: HEX #CCBFF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 191 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 191 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 21 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 21% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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