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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB838 it is the complementary color #3347C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CCB838: #D1B833, #E2CA46, #F3DC59, #FFEE6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CCB838: #CCB838, #BBA625, #AA9412, #998200 and #887000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 73 / 20

HEX #CCB838

RGB 204 184 56

HSL 51.89, 0.59%, 0.51%

LAB 74.45, -6.75, 63.83

 

Complementary color

CMYK 74 / 64 / 0 / 22

HEX #3347C7

RGB 51 71 199

HSL 231.89, 0.59%, 0.49%

LAB 36.62, 36.79, -68.66

 

CMYK 0 / 12 / 76 / 18

HEX #D1B833

RGB 209 184 51

HSL 50.51, 0.63%, 0.51%

LAB 74.87, -4.81, 66.17

 

CMYK 0 / 11 / 69 / 11

HEX #E2CA46

RGB 226 202 70

HSL 50.77, 0.73%, 0.58%

LAB 81.21, -5.94, 65.87

 

CMYK 0 / 9 / 63 / 5

HEX #F3DC59

RGB 243 220 89

HSL 51.04, 0.87%, 0.65%

LAB 87.47, -6.92, 65.17

 

CMYK 0 / 7 / 58 / 0

HEX #FFEE6C

RGB 255 238 108

HSL 53.06, 1%, 0.71%

LAB 93.23, -9.76, 63.65

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 10 / 73 / 20

HEX #CCB838

RGB 204 184 56

HSL 51.89, 0.59%, 0.51%

LAB 74.45, -6.75, 63.83

 

CMYK 0 / 11 / 80 / 27

HEX #BBA625

RGB 187 166 37

HSL 51.6, 0.67%, 0.44%

LAB 68, -5.52, 63.71

 

CMYK 0 / 13 / 89 / 33

HEX #AA9412

RGB 170 148 18

HSL 51.32, 0.81%, 0.37%

LAB 61.45, -4.05, 62.5

 

CMYK 0 / 15 / 100 / 40

HEX #998200

RGB 153 130 0

HSL 50.98, 1%, 0.3%

LAB 54.8, -2.33, 59.87

 

CMYK 0 / 18 / 100 / 47

HEX #887000

RGB 136 112 0

HSL 49.41, 1%, 0.27%

LAB 48.04, -0.24, 54.28

 

CMYK 0 / 10 / 73 / 20

HEX #CCB838

RGB 204 184 56

HSL 51.89, 0.59%, 0.51%

LAB 74.45, -6.75, 63.83

 

CMYK 1 / 0 / 72 / 20

HEX #C9CB38

RGB 201 203 56

HSL 60.82, 0.59%, 0.51%

LAB 79.28, -17.68, 68.37

 

CMYK 13 / 0 / 72 / 20

HEX #B0CB38

RGB 176 203 56

HSL 71.02, 0.59%, 0.51%

LAB 77.42, -28.04, 65.94

 

CMYK 25 / 0 / 72 / 20

HEX #98CB38

RGB 152 203 56

HSL 80.82, 0.59%, 0.51%

LAB 75.87, -37.54, 63.9

 

CMYK 37 / 0 / 72 / 20

HEX #7FCB38

RGB 127 203 56

HSL 91.02, 0.59%, 0.51%

LAB 74.51, -46.63, 62.11

 

CMYK 0 / 10 / 73 / 20

HEX #CCB838

RGB 204 184 56

HSL 51.89, 0.59%, 0.51%

LAB 74.45, -6.75, 63.83

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 10 / 73 / 80

HEX #332E0E

RGB 51 46 14

HSL 51.89, 0.57%, 0.13%

LAB 18.75, -2.68, 20.79

 

CMYK 0 / 10 / 73 / 60

HEX #665C1C

RGB 102 92 28

HSL 51.89, 0.57%, 0.25%

LAB 38.83, -4.18, 36.69

 

CMYK 0 / 10 / 73 / 40

HEX #998A2A

RGB 153 138 42

HSL 51.89, 0.57%, 0.38%

LAB 57.19, -5.51, 50.74

 

CMYK 0 / 10 / 73 / 20

HEX #CCB838

RGB 204 184 56

HSL 51.89, 0.59%, 0.51%

LAB 74.45, -6.75, 63.83

 

CMYK 72 / 0 / 69 / 20

HEX #38CB3F

RGB 56 203 63

HSL 122.86, 0.59%, 0.51%

LAB 72.17, -64.52, 56.34

 

CMYK 40 / 72 / 0 / 20

HEX #7A38CB

RGB 122 56 203

HSL 266.94, 0.59%, 0.51%

LAB 40.04, 56.91, -65.13

 

CMYK 0 / 10 / 73 / 20

HEX #CCB838

RGB 204 184 56

HSL 51.89, 0.59%, 0.51%

LAB 74.45, -6.75, 63.83

 

CMYK 72 / 0 / 11 / 20

HEX #38CBB5

RGB 56 203 181

HSL 171.02, 0.59%, 0.51%

LAB 74.12, -43.06, -0.06

 

CMYK 11 / 72 / 0 / 20

HEX #B538CB

RGB 181 56 203

HSL 291.02, 0.59%, 0.51%

LAB 48.21, 68.31, -51.53

 

CMYK 0 / 10 / 73 / 20

HEX #CCB838

RGB 204 184 56

HSL 51.89, 0.59%, 0.51%

LAB 74.45, -6.75, 63.83

 

CMYK 72 / 0 / 69 / 20

HEX #38CB3F

RGB 56 203 63

HSL 122.86, 0.59%, 0.51%

LAB 72.17, -64.52, 56.34

 

CMYK 72 / 62 / 0 / 20

HEX #384ECB

RGB 56 78 203

HSL 231.02, 0.59%, 0.51%

LAB 38.9, 34.37, -67.23

 

CMYK 0 / 72 / 3 / 20

HEX #CB38C4

RGB 203 56 196

HSL 302.86, 0.59%, 0.51%

LAB 51.28, 71.79, -42.4

 

CMYK 0 / 10 / 73 / 20

HEX #CCB838

RGB 204 184 56

HSL 51.89, 0.59%, 0.51%

LAB 74.45, -6.75, 63.83

 

CMYK 72 / 0 / 47 / 20

HEX #38CB6B

RGB 56 203 107

HSL 140.82, 0.59%, 0.51%

LAB 72.64, -58.98, 36.96

 

CMYK 72 / 62 / 0 / 20

HEX #384ECB

RGB 56 78 203

HSL 231.02, 0.59%, 0.51%

LAB 38.9, 34.37, -67.23

 

CMYK 0 / 72 / 25 / 20

HEX #CB3898

RGB 203 56 152

HSL 320.82, 0.59%, 0.51%

LAB 49.24, 65.56, -19.74

 

Description

Color code: HEX #CCB838 | qconv.com Color code: HEX #CCB838 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 184 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 184 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 73 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 73% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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