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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAD74 it is the complementary color #33528B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAD74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAD74 shade: #D1AD6F, #E2BF82, #F3D195, #FFE3A8 and #FFF5BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAD74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAD74 shade: #CCAD74, #BB9B61, #AA894E, #99773B and #886528

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAD74 shade: #CCAD75, #CC9675, #CC7E75 and #CC7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAD74 shade: #CCAD75, #CCC475, #BBCC75, #A4CC75 and #8DCC75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAD74 shade matches the following richer shades: #CCAD75, #DBB165, #EAB656 and #F9BA47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAD74 shade: #CCAD75, #BCA884, #ADA493, #9E9FA3 and #8E9BB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAD74 shade: #CC7D75, #CC9575, #CCAC75, #CCC375 and #BDCC75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAD74 shade: #AE8740, #C09B57, #CCAD75, #D7BF93 and #E2D1B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAD74 shade: #CCAD74, #83CC75 and #8975CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAD74 shade: #CCAD74, #75CCAC and #AC75CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAD74 shade: #CCAD74, #83CC75, #7595CC and #BD75CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAD74 shade: #CCAD74, #75CC80, #7595CC and #CC75C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 43 / 20

HEX #CCAD74

RGB 204 173 116

HSL 38.86, 0.46%, 0.63%

LAB 72.22, 3.58, 33.43

 

Complementary color

CMYK 63 / 41 / 0 / 45

HEX #33528B

RGB 51 82 139

HSL 218.86, 0.46%, 0.37%

LAB 35.21, 7.54, -35.17

 

CMYK 0 / 17 / 47 / 18

HEX #D1AD6F

RGB 209 173 111

HSL 37.96, 0.52%, 0.63%

LAB 72.62, 5.12, 36.66

 

CMYK 0 / 15 / 42 / 11

HEX #E2BF82

RGB 226 191 130

HSL 38.13, 0.62%, 0.7%

LAB 79.07, 4.41, 35.38

 

CMYK 0 / 14 / 39 / 5

HEX #F3D195

RGB 243 209 149

HSL 38.3, 0.8%, 0.77%

LAB 85.42, 3.8, 34.17

 

CMYK 0 / 11 / 34 / 0

HEX #FFE3A8

RGB 255 227 168

HSL 40.69, 1%, 0.83%

LAB 91.25, 1.36, 32.37

 

CMYK 0 / 4 / 27 / 0

HEX #FFF5BB

RGB 255 245 187

HSL 51.18, 1%, 0.87%

LAB 96.06, -5.37, 29.2

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD74

RGB 204 173 116

HSL 38.86, 0.46%, 0.63%

LAB 72.22, 3.58, 33.43

 

CMYK 0 / 17 / 48 / 27

HEX #BB9B61

RGB 187 155 97

HSL 38.67, 0.4%, 0.56%

LAB 65.65, 4.3, 34.73

 

CMYK 0 / 19 / 54 / 33

HEX #AA894E

RGB 170 137 78

HSL 38.48, 0.37%, 0.49%

LAB 58.96, 5.16, 36.1

 

CMYK 0 / 22 / 61 / 40

HEX #99773B

RGB 153 119 59

HSL 38.3, 0.44%, 0.42%

LAB 52.15, 6.2, 37.5

 

CMYK 0 / 26 / 71 / 47

HEX #886528

RGB 136 101 40

HSL 38.13, 0.55%, 0.35%

LAB 45.21, 7.49, 38.82

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD75

RGB 204 173 117

HSL 38.62, 0.46%, 0.63%

LAB 72.23, 3.68, 32.92

 

CMYK 0 / 26 / 43 / 20

HEX #CC9675

RGB 204 150 117

HSL 22.76, 0.46%, 0.63%

LAB 66.47, 16.13, 25.35

 

CMYK 0 / 38 / 43 / 20

HEX #CC7E75

RGB 204 126 117

HSL 6.21, 0.46%, 0.63%

LAB 60.82, 29.21, 17.71

 

CMYK 0 / 43 / 43 / 20

HEX #CC7575

RGB 204 117 117

HSL 0, 0.46%, 0.63%

LAB 58.83, 34.04, 14.96

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD75

RGB 204 173 117

HSL 38.62, 0.46%, 0.63%

LAB 72.23, 3.68, 32.92

 

CMYK 0 / 4 / 43 / 20

HEX #CCC475

RGB 204 196 117

HSL 54.48, 0.46%, 0.63%

LAB 78.23, -8.39, 40.56

 

CMYK 8 / 0 / 43 / 20

HEX #BBCC75

RGB 187 204 117

HSL 71.72, 0.46%, 0.63%

LAB 79.06, -19.19, 41.32

 

CMYK 20 / 0 / 43 / 20

HEX #A4CC75

RGB 164 204 117

HSL 87.59, 0.46%, 0.63%

LAB 77.5, -27.96, 39.02

 

CMYK 31 / 0 / 43 / 20

HEX #8DCC75

RGB 141 204 117

HSL 103.45, 0.46%, 0.63%

LAB 76.15, -36.15, 37.04

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD75

RGB 204 173 117

HSL 38.62, 0.46%, 0.63%

LAB 72.23, 3.68, 32.92

 

CMYK 0 / 19 / 54 / 14

HEX #DBB165

RGB 219 177 101

HSL 38.64, 0.62%, 0.63%

LAB 74.47, 6.21, 44.27

 

CMYK 0 / 22 / 63 / 8

HEX #EAB656

RGB 234 182 86

HSL 38.92, 0.78%, 0.63%

LAB 77.05, 8.74, 54.88

 

CMYK 0 / 25 / 71 / 2

HEX #F9BA47

RGB 249 186 71

HSL 38.76, 0.94%, 0.63%

LAB 79.45, 12.1, 64.42

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD75

RGB 204 173 117

HSL 38.62, 0.46%, 0.63%

LAB 72.23, 3.68, 32.92

 

CMYK 0 / 11 / 30 / 26

HEX #BCA884

RGB 188 168 132

HSL 38.57, 0.29%, 0.63%

LAB 69.73, 1.74, 21.28

 

CMYK 0 / 5 / 15 / 32

HEX #ADA493

RGB 173 164 147

HSL 39.23, 0.14%, 0.63%

LAB 67.68, 0.31, 9.98

 

CMYK 3 / 2 / 0 / 36

HEX #9E9FA3

RGB 158 159 163

HSL 228, 0.03%, 0.63%

LAB 65.52, 0.42, -2.21

 

CMYK 20 / 13 / 0 / 30

HEX #8E9BB2

RGB 142 155 178

HSL 218.33, 0.19%, 0.63%

LAB 63.68, 0.41, -13.5

 

CMYK 0 / 39 / 43 / 20

HEX #CC7D75

RGB 204 125 117

HSL 5.52, 0.46%, 0.63%

LAB 60.59, 29.75, 17.4

 

CMYK 0 / 27 / 43 / 20

HEX #CC9575

RGB 204 149 117

HSL 22.07, 0.46%, 0.63%

LAB 66.23, 16.68, 25.02

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 0 / 4 / 43 / 20

HEX #CCC375

RGB 204 195 117

HSL 53.79, 0.46%, 0.63%

LAB 77.96, -7.88, 40.23

 

CMYK 7 / 0 / 43 / 20

HEX #BDCC75

RGB 189 204 117

HSL 70.34, 0.46%, 0.63%

LAB 79.21, -18.41, 41.54

 

CMYK 0 / 22 / 63 / 32

HEX #AE8740

RGB 174 135 64

HSL 38.73, 0.46%, 0.47%

LAB 58.69, 6.92, 43.04

 

CMYK 0 / 19 / 55 / 25

HEX #C09B57

RGB 192 155 87

HSL 38.86, 0.45%, 0.55%

LAB 66.01, 5.5, 40.49

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD75

RGB 204 173 117

HSL 38.62, 0.46%, 0.63%

LAB 72.23, 3.68, 32.92

 

CMYK 0 / 11 / 32 / 16

HEX #D7BF93

RGB 215 191 147

HSL 38.82, 0.46%, 0.71%

LAB 78.35, 2.04, 25.34

 

CMYK 0 / 8 / 22 / 11

HEX #E2D1B1

RGB 226 209 177

HSL 39.18, 0.46%, 0.79%

LAB 84.45, 0.87, 18.02

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD74

RGB 204 173 116

HSL 38.86, 0.46%, 0.63%

LAB 72.22, 3.58, 33.43

 

CMYK 36 / 0 / 43 / 20

HEX #83CC75

RGB 131 204 117

HSL 110.34, 0.46%, 0.63%

LAB 75.63, -39.47, 36.27

 

CMYK 33 / 43 / 0 / 20

HEX #8975CC

RGB 137 117 204

HSL 253.79, 0.46%, 0.63%

LAB 54.45, 27.35, -42.5

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD74

RGB 204 173 116

HSL 38.86, 0.46%, 0.63%

LAB 72.22, 3.58, 33.43

 

CMYK 43 / 0 / 16 / 20

HEX #75CCAC

RGB 117 204 172

HSL 157.93, 0.46%, 0.63%

LAB 76.04, -33.69, 7.8

 

CMYK 16 / 43 / 0 / 20

HEX #AC75CC

RGB 172 117 204

HSL 277.93, 0.46%, 0.63%

LAB 57.9, 37.36, -36.84

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD74

RGB 204 173 116

HSL 38.86, 0.46%, 0.63%

LAB 72.22, 3.58, 33.43

 

CMYK 36 / 0 / 43 / 20

HEX #83CC75

RGB 131 204 117

HSL 110.34, 0.46%, 0.63%

LAB 75.63, -39.47, 36.27

 

CMYK 43 / 27 / 0 / 20

HEX #7595CC

RGB 117 149 204

HSL 217.93, 0.46%, 0.63%

LAB 61.34, 3.18, -31.82

 

CMYK 7 / 43 / 0 / 20

HEX #BD75CC

RGB 189 117 204

HSL 289.66, 0.46%, 0.63%

LAB 59.8, 42.42, -33.73

 

CMYK 0 / 15 / 43 / 20

HEX #CCAD74

RGB 204 173 116

HSL 38.86, 0.46%, 0.63%

LAB 72.22, 3.58, 33.43

 

CMYK 43 / 0 / 37 / 20

HEX #75CC80

RGB 117 204 128

HSL 127.59, 0.46%, 0.63%

LAB 75.16, -42.11, 29.89

 

CMYK 43 / 27 / 0 / 20

HEX #7595CC

RGB 117 149 204

HSL 217.93, 0.46%, 0.63%

LAB 61.34, 3.18, -31.82

 

CMYK 0 / 43 / 6 / 20

HEX #CC75C0

RGB 204 117 192

HSL 308.28, 0.46%, 0.63%

LAB 61.1, 44.77, -24.77

 

Description

Color code: HEX #CCAD74 | qconv.com Color code: HEX #CCAD74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 173 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 173 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 43 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 43% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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