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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAC75 it is the complementary color #33538A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAC75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAC75 shade: #D1AC70, #E2BE83, #F3D096, #FFE2A9 and #FFF4BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAC75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAC75 shade: #CCAC75, #BB9A62, #AA884F, #99763C and #886429

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAC75 shade: #CCAC75, #CC9575, #CC7D75 and #CC7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAC75 shade: #CCAC75, #CCC475, #BDCC75, #A6CC75 and #8ECC75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAC75 shade matches the following richer shades: #CCAC75, #DBB066, #EBB457 and #FAB847

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAC75 shade: #CCAC75, #BDA885, #AEA494, #9EA0A3 and #8F9CB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAC75 shade: #CC7C75, #CC9475, #CCAB75, #CCC275 and #BFCC75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAC75 shade: #AE8640, #C19A57, #CCAC75, #D7BE93 and #E2D0B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAC75 shade: #CCAC75, #85CC75 and #8875CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAC75 shade: #CCAC75, #75CCAB and #AB75CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAC75 shade: #CCAC75, #85CC75, #7597CC and #BC75CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAC75 shade: #CCAC75, #75CC7F, #7597CC and #CC75C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

Complementary color

CMYK 63 / 40 / 0 / 46

HEX #33538A

RGB 51 83 138

HSL 217.93, 0.46%, 0.37%

LAB 35.45, 6.52, -34.17

 

CMYK 0 / 18 / 46 / 18

HEX #D1AC70

RGB 209 172 112

HSL 37.11, 0.51%, 0.63%

LAB 72.38, 5.75, 35.83

 

CMYK 0 / 16 / 42 / 11

HEX #E2BE83

RGB 226 190 131

HSL 37.26, 0.62%, 0.7%

LAB 78.83, 5.04, 34.56

 

CMYK 0 / 14 / 38 / 5

HEX #F3D096

RGB 243 208 150

HSL 37.42, 0.79%, 0.77%

LAB 85.18, 4.43, 33.35

 

CMYK 0 / 11 / 34 / 0

HEX #FFE2A9

RGB 255 226 169

HSL 39.77, 1%, 0.83%

LAB 91.02, 1.99, 31.55

 

CMYK 0 / 4 / 26 / 0

HEX #FFF4BC

RGB 255 244 188

HSL 50.15, 1%, 0.87%

LAB 95.83, -4.74, 28.37

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 0 / 18 / 48 / 27

HEX #BB9A62

RGB 187 154 98

HSL 37.75, 0.4%, 0.56%

LAB 65.4, 4.94, 33.89

 

CMYK 0 / 20 / 54 / 33

HEX #AA884F

RGB 170 136 79

HSL 37.58, 0.37%, 0.49%

LAB 58.71, 5.8, 35.27

 

CMYK 0 / 23 / 61 / 40

HEX #99763C

RGB 153 118 60

HSL 37.42, 0.44%, 0.42%

LAB 51.9, 6.84, 36.69

 

CMYK 0 / 26 / 70 / 47

HEX #886429

RGB 136 100 41

HSL 37.26, 0.54%, 0.35%

LAB 44.95, 8.13, 38.05

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 0 / 27 / 43 / 20

HEX #CC9575

RGB 204 149 117

HSL 22.07, 0.46%, 0.63%

LAB 66.23, 16.68, 25.02

 

CMYK 0 / 39 / 43 / 20

HEX #CC7D75

RGB 204 125 117

HSL 5.52, 0.46%, 0.63%

LAB 60.59, 29.75, 17.4

 

CMYK 0 / 43 / 43 / 20

HEX #CC7575

RGB 204 117 117

HSL 0, 0.46%, 0.63%

LAB 58.83, 34.04, 14.96

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 0 / 4 / 43 / 20

HEX #CCC475

RGB 204 196 117

HSL 54.48, 0.46%, 0.63%

LAB 78.23, -8.39, 40.56

 

CMYK 7 / 0 / 43 / 20

HEX #BDCC75

RGB 189 204 117

HSL 70.34, 0.46%, 0.63%

LAB 79.21, -18.41, 41.54

 

CMYK 19 / 0 / 43 / 20

HEX #A6CC75

RGB 166 204 117

HSL 86.21, 0.46%, 0.63%

LAB 77.62, -27.21, 39.21

 

CMYK 30 / 0 / 43 / 20

HEX #8ECC75

RGB 142 204 117

HSL 102.76, 0.46%, 0.63%

LAB 76.2, -35.81, 37.12

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 0 / 20 / 53 / 14

HEX #DBB066

RGB 219 176 102

HSL 37.95, 0.62%, 0.63%

LAB 74.23, 6.83, 43.48

 

CMYK 0 / 23 / 63 / 8

HEX #EBB457

RGB 235 180 87

HSL 37.7, 0.79%, 0.63%

LAB 76.67, 10.27, 54.02

 

CMYK 0 / 26 / 72 / 2

HEX #FAB847

RGB 250 184 71

HSL 37.88, 0.95%, 0.63%

LAB 79.08, 13.56, 64.08

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 0 / 11 / 30 / 26

HEX #BDA885

RGB 189 168 133

HSL 37.5, 0.3%, 0.63%

LAB 69.84, 2.27, 20.9

 

CMYK 0 / 6 / 15 / 32

HEX #AEA494

RGB 174 164 148

HSL 36.92, 0.14%, 0.63%

LAB 67.79, 0.86, 9.6

 

CMYK 3 / 2 / 0 / 36

HEX #9EA0A3

RGB 158 160 163

HSL 216, 0.03%, 0.63%

LAB 65.79, -0.13, -1.82

 

CMYK 20 / 12 / 0 / 30

HEX #8F9CB2

RGB 143 156 178

HSL 217.71, 0.19%, 0.63%

LAB 64.02, 0.17, -12.97

 

CMYK 0 / 39 / 43 / 20

HEX #CC7C75

RGB 204 124 117

HSL 4.83, 0.46%, 0.63%

LAB 60.37, 30.29, 17.09

 

CMYK 0 / 27 / 43 / 20

HEX #CC9475

RGB 204 148 117

HSL 21.38, 0.46%, 0.63%

LAB 65.98, 17.22, 24.7

 

CMYK 0 / 16 / 43 / 20

HEX #CCAB75

RGB 204 171 117

HSL 37.24, 0.46%, 0.63%

LAB 71.72, 4.75, 32.26

 

CMYK 0 / 5 / 43 / 20

HEX #CCC275

RGB 204 194 117

HSL 53.1, 0.46%, 0.63%

LAB 77.7, -7.36, 39.9

 

CMYK 6 / 0 / 43 / 20

HEX #BFCC75

RGB 191 204 117

HSL 68.97, 0.46%, 0.63%

LAB 79.35, -17.63, 41.76

 

CMYK 0 / 23 / 63 / 32

HEX #AE8640

RGB 174 134 64

HSL 38.18, 0.46%, 0.47%

LAB 58.43, 7.47, 42.75

 

CMYK 0 / 20 / 55 / 24

HEX #C19A57

RGB 193 154 87

HSL 37.92, 0.46%, 0.55%

LAB 65.86, 6.47, 40.33

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 0 / 12 / 32 / 16

HEX #D7BE93

RGB 215 190 147

HSL 37.94, 0.46%, 0.71%

LAB 78.1, 2.56, 25

 

CMYK 0 / 8 / 22 / 11

HEX #E2D0B1

RGB 226 208 177

HSL 37.96, 0.46%, 0.79%

LAB 84.2, 1.39, 17.67

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 35 / 0 / 43 / 20

HEX #85CC75

RGB 133 204 117

HSL 108.97, 0.46%, 0.63%

LAB 75.73, -38.82, 36.42

 

CMYK 33 / 43 / 0 / 20

HEX #8875CC

RGB 136 117 204

HSL 253.1, 0.46%, 0.63%

LAB 54.36, 27.07, -42.65

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 43 / 0 / 16 / 20

HEX #75CCAB

RGB 117 204 171

HSL 157.24, 0.46%, 0.63%

LAB 76.01, -33.91, 8.3

 

CMYK 16 / 43 / 0 / 20

HEX #AB75CC

RGB 171 117 204

HSL 277.24, 0.46%, 0.63%

LAB 57.79, 37.07, -37.02

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 35 / 0 / 43 / 20

HEX #85CC75

RGB 133 204 117

HSL 108.97, 0.46%, 0.63%

LAB 75.73, -38.82, 36.42

 

CMYK 43 / 26 / 0 / 20

HEX #7597CC

RGB 117 151 204

HSL 216.55, 0.46%, 0.63%

LAB 61.89, 2.04, -30.96

 

CMYK 8 / 43 / 0 / 20

HEX #BC75CC

RGB 188 117 204

HSL 288.97, 0.46%, 0.63%

LAB 59.68, 42.12, -33.92

 

CMYK 0 / 16 / 43 / 20

HEX #CCAC75

RGB 204 172 117

HSL 37.93, 0.46%, 0.63%

LAB 71.98, 4.22, 32.59

 

CMYK 43 / 0 / 38 / 20

HEX #75CC7F

RGB 117 204 127

HSL 126.9, 0.46%, 0.63%

LAB 75.14, -42.27, 30.39

 

CMYK 43 / 26 / 0 / 20

HEX #7597CC

RGB 117 151 204

HSL 216.55, 0.46%, 0.63%

LAB 61.89, 2.04, -30.96

 

CMYK 0 / 43 / 5 / 20

HEX #CC75C2

RGB 204 117 194

HSL 306.9, 0.46%, 0.63%

LAB 61.18, 45.12, -25.79

 

Description

Color code: HEX #CCAC75 | qconv.com Color code: HEX #CCAC75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 172 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 172 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 43 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 43% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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