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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9632 it is the complementary color #3369CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CC9632: #D1962D, #E2A840, #F3BA53, #FFCC66 and #FFDE79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CC9632: #CC9632, #BB841F, #AA720C, #996000 and #884E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 75 / 20

HEX #CC9632

RGB 204 150 50

HSL 38.96, 0.61%, 0.5%

LAB 65.66, 11.08, 57.61

 

Complementary color

CMYK 75 / 49 / 0 / 20

HEX #3369CD

RGB 51 105 205

HSL 218.96, 0.61%, 0.5%

LAB 45.93, 17.18, -56.99

 

CMYK 0 / 28 / 78 / 18

HEX #D1962D

RGB 209 150 45

HSL 38.41, 0.65%, 0.5%

LAB 66.18, 13.06, 60.22

 

CMYK 0 / 26 / 72 / 11

HEX #E2A840

RGB 226 168 64

HSL 38.52, 0.74%, 0.57%

LAB 72.59, 11.54, 59.57

 

CMYK 0 / 23 / 66 / 5

HEX #F3BA53

RGB 243 186 83

HSL 38.63, 0.87%, 0.64%

LAB 78.92, 10.22, 58.55

 

CMYK 0 / 20 / 60 / 0

HEX #FFCC66

RGB 255 204 102

HSL 40, 1%, 0.7%

LAB 84.69, 7.02, 56.68

 

CMYK 0 / 13 / 53 / 0

HEX #FFDE79

RGB 255 222 121

HSL 45.22, 1%, 0.74%

LAB 89.34, -0.77, 53.22

 

CMYK 0 / 26 / 75 / 20

HEX #CC9632

RGB 204 150 50

HSL 38.96, 0.61%, 0.5%

LAB 65.66, 11.08, 57.61

 

CMYK 0 / 29 / 83 / 27

HEX #BB841F

RGB 187 132 31

HSL 38.85, 0.72%, 0.43%

LAB 59.13, 12.75, 57.85

 

CMYK 0 / 33 / 93 / 33

HEX #AA720C

RGB 170 114 12

HSL 38.73, 0.87%, 0.36%

LAB 52.52, 14.71, 56.86

 

CMYK 0 / 37 / 100 / 40

HEX #996000

RGB 153 96 0

HSL 37.65, 1%, 0.3%

LAB 45.82, 16.99, 53.74

 

CMYK 0 / 43 / 100 / 47

HEX #884E00

RGB 136 78 0

HSL 34.41, 1%, 0.27%

LAB 39.04, 19.56, 48.23

 

CMYK 0 / 26 / 75 / 20

HEX #CC9632

RGB 204 150 50

HSL 38.96, 0.61%, 0.5%

LAB 65.66, 11.08, 57.61

 

CMYK 0 / 15 / 76 / 20

HEX #CDAE31

RGB 205 174 49

HSL 48.08, 0.61%, 0.5%

LAB 71.87, -1.39, 63.93

 

CMYK 0 / 2 / 76 / 20

HEX #CDC831

RGB 205 200 49

HSL 58.08, 0.61%, 0.5%

LAB 78.76, -14.78, 70.28

 

CMYK 10 / 0 / 76 / 20

HEX #B8CD31

RGB 184 205 49

HSL 68.08, 0.61%, 0.5%

LAB 78.51, -26.05, 69.45

 

CMYK 23 / 0 / 76 / 20

HEX #9ECD31

RGB 158 205 49

HSL 78.08, 0.61%, 0.5%

LAB 76.77, -36.49, 67.21

 

CMYK 0 / 26 / 75 / 20

HEX #CC9632

RGB 204 150 50

HSL 38.96, 0.61%, 0.5%

LAB 65.66, 11.08, 57.61

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 25 / 75 / 80

HEX #33260D

RGB 51 38 13

HSL 39.47, 0.59%, 0.13%

LAB 16.1, 2.63, 18.07

 

CMYK 0 / 26 / 75 / 60

HEX #664B19

RGB 102 75 25

HSL 38.96, 0.61%, 0.25%

LAB 33.83, 5.89, 32.98

 

CMYK 0 / 26 / 75 / 40

HEX #997126

RGB 153 113 38

HSL 39.13, 0.6%, 0.37%

LAB 50.36, 8.31, 45.65

 

CMYK 0 / 26 / 75 / 20

HEX #CC9632

RGB 204 150 50

HSL 38.96, 0.61%, 0.5%

LAB 65.66, 11.08, 57.61

 

CMYK 63 / 0 / 76 / 20

HEX #4BCD31

RGB 75 205 49

HSL 110, 0.61%, 0.5%

LAB 73.14, -62.65, 62.47

 

CMYK 58 / 76 / 0 / 20

HEX #5631CD

RGB 86 49 205

HSL 254.23, 0.61%, 0.5%

LAB 35.17, 55.27, -74.44

 

CMYK 0 / 26 / 75 / 20

HEX #CC9632

RGB 204 150 50

HSL 38.96, 0.61%, 0.5%

LAB 65.66, 11.08, 57.61

 

CMYK 76 / 0 / 28 / 20

HEX #31CD94

RGB 49 205 148

HSL 158.08, 0.61%, 0.5%

LAB 73.84, -52.8, 17.26

 

CMYK 28 / 76 / 0 / 20

HEX #9431CD

RGB 148 49 205

HSL 278.08, 0.61%, 0.5%

LAB 42.61, 64.83, -61.96

 

CMYK 0 / 26 / 75 / 20

HEX #CC9632

RGB 204 150 50

HSL 38.96, 0.61%, 0.5%

LAB 65.66, 11.08, 57.61

 

CMYK 63 / 0 / 76 / 20

HEX #4BCD31

RGB 75 205 49

HSL 110, 0.61%, 0.5%

LAB 73.14, -62.65, 62.47

 

CMYK 76 / 48 / 0 / 20

HEX #316ACD

RGB 49 106 205

HSL 218.08, 0.61%, 0.5%

LAB 46.14, 16.3, -56.66

 

CMYK 13 / 76 / 0 / 20

HEX #B331CD

RGB 179 49 205

HSL 290, 0.61%, 0.5%

LAB 47.22, 70.59, -54.29

 

CMYK 0 / 26 / 75 / 20

HEX #CC9632

RGB 204 150 50

HSL 38.96, 0.61%, 0.5%

LAB 65.66, 11.08, 57.61

 

CMYK 76 / 0 / 66 / 20

HEX #31CD46

RGB 49 205 70

HSL 128.08, 0.61%, 0.5%

LAB 72.73, -65.55, 54.11

 

CMYK 76 / 48 / 0 / 20

HEX #316ACD

RGB 49 106 205

HSL 218.08, 0.61%, 0.5%

LAB 46.14, 16.3, -56.66

 

CMYK 0 / 76 / 10 / 20

HEX #CD31B8

RGB 205 49 184

HSL 308.08, 0.61%, 0.5%

LAB 50.26, 72.53, -37.02

 

Description

Color code: HEX #CC9632 | qconv.com Color code: HEX #CC9632 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 150 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 150 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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