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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC5F0C it is the complementary color #33A0F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC5F0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CC5F0C: #D15F07, #E2711A, #F3832D, #FF9540 and #FFA753

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC5F0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CC5F0C: #CC5F0C, #BB4D00, #AA3B00, #992900 and #881700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

Complementary color

CMYK 79 / 34 / 0 / 5

HEX #33A0F3

RGB 51 160 243

HSL 205.94, 0.89%, 0.58%

LAB 63.6, -2.26, -50.06

 

CMYK 0 / 55 / 97 / 18

HEX #D15F07

RGB 209 95 7

HSL 26.14, 0.94%, 0.42%

LAB 53.77, 41.32, 61.28

 

CMYK 0 / 50 / 88 / 11

HEX #E2711A

RGB 226 113 26

HSL 26.1, 0.79%, 0.49%

LAB 59.94, 39.26, 62.2

 

CMYK 0 / 46 / 81 / 5

HEX #F3832D

RGB 243 131 45

HSL 26.06, 0.89%, 0.56%

LAB 66.12, 37.33, 61.73

 

CMYK 0 / 42 / 75 / 0

HEX #FF9540

RGB 255 149 64

HSL 26.7, 1%, 0.63%

LAB 71.64, 33.56, 59.72

 

CMYK 0 / 35 / 67 / 0

HEX #FFA753

RGB 255 167 83

HSL 29.3, 1%, 0.66%

LAB 75.77, 25.13, 55.5

 

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

CMYK 0 / 59 / 100 / 27

HEX #BB4D00

RGB 187 77 0

HSL 24.71, 1%, 0.37%

LAB 46.81, 41.52, 56.93

 

CMYK 0 / 65 / 100 / 33

HEX #AA3B00

RGB 170 59 0

HSL 20.82, 1%, 0.33%

LAB 40.69, 43.52, 52.07

 

CMYK 0 / 73 / 100 / 40

HEX #992900

RGB 153 41 0

HSL 16.08, 1%, 0.3%

LAB 34.72, 45, 47.28

 

CMYK 0 / 83 / 100 / 47

HEX #881700

RGB 136 23 0

HSL 10.15, 1%, 0.27%

LAB 29.02, 45.54, 41.78

 

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

CMYK 0 / 40 / 95 / 21

HEX #CA7A0B

RGB 202 122 11

HSL 34.87, 0.9%, 0.42%

LAB 58.51, 24.41, 63.23

 

CMYK 0 / 24 / 95 / 21

HEX #CA9A0B

RGB 202 154 11

HSL 44.92, 0.9%, 0.42%

LAB 66.28, 7, 68.8

 

CMYK 0 / 8 / 95 / 21

HEX #CABA0B

RGB 202 186 11

HSL 54.97, 0.9%, 0.42%

LAB 74.63, -9.9, 74.98

 

CMYK 8 / 0 / 95 / 21

HEX #BACA0B

RGB 186 202 11

HSL 65.03, 0.9%, 0.42%

LAB 77.7, -24.77, 76.73

 

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 53 / 94 / 80

HEX #331803

RGB 51 24 3

HSL 26.25, 0.89%, 0.11%

LAB 11.71, 11.52, 16.49

 

CMYK 0 / 53 / 94 / 60

HEX #663006

RGB 102 48 6

HSL 26.25, 0.89%, 0.21%

LAB 26.6, 21.59, 34.67

 

CMYK 0 / 54 / 94 / 40

HEX #994709

RGB 153 71 9

HSL 25.83, 0.89%, 0.32%

LAB 40.08, 31.1, 47.44

 

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

CMYK 58 / 0 / 95 / 21

HEX #54CA0B

RGB 84 202 11

HSL 97.07, 0.9%, 0.42%

LAB 72.33, -61.07, 70.2

 

CMYK 93 / 95 / 0 / 21

HEX #0E0BCA

RGB 14 11 202

HSL 240.94, 0.9%, 0.42%

LAB 25.55, 64.26, -88.77

 

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

CMYK 95 / 0 / 55 / 21

HEX #0BCA5B

RGB 11 202 91

HSL 145.13, 0.9%, 0.42%

LAB 71.6, -65.35, 43.36

 

CMYK 55 / 95 / 0 / 21

HEX #5B0BCA

RGB 91 11 202

HSL 265.13, 0.9%, 0.42%

LAB 31.18, 67.41, -79.26

 

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

CMYK 58 / 0 / 95 / 21

HEX #54CA0B

RGB 84 202 11

HSL 97.07, 0.9%, 0.42%

LAB 72.33, -61.07, 70.2

 

CMYK 95 / 40 / 0 / 21

HEX #0B7ACA

RGB 11 122 202

HSL 205.13, 0.9%, 0.42%

LAB 49.8, 2.21, -49.1

 

CMYK 36 / 95 / 0 / 21

HEX #810BCA

RGB 129 11 202

HSL 277.07, 0.9%, 0.42%

LAB 36.31, 71.09, -70.62

 

CMYK 0 / 53 / 94 / 20

HEX #CC5F0C

RGB 204 95 12

HSL 25.94, 0.89%, 0.42%

LAB 53, 39.42, 59.39

 

CMYK 87 / 0 / 95 / 21

HEX #1BCA0B

RGB 27 202 11

HSL 114.97, 0.9%, 0.42%

LAB 71.21, -70.64, 68.82

 

CMYK 95 / 40 / 0 / 21

HEX #0B7ACA

RGB 11 122 202

HSL 205.13, 0.9%, 0.42%

LAB 49.8, 2.21, -49.1

 

CMYK 8 / 95 / 0 / 21

HEX #BA0BCA

RGB 186 11 202

HSL 294.97, 0.9%, 0.42%

LAB 45.56, 78.96, -55.18

 

Description

Color code: HEX #CC5F0C | qconv.com Color code: HEX #CC5F0C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 95 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 95 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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