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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC52BB it is the complementary color #33AD44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC52BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC52BB shade: #D152B6, #E264C9, #F376DC, #FF88EF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC52BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC52BB shade: #CC52BB, #BB40A8, #AA2E95, #991C82 and #880A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC52BB shade: #CB52BB, #CB529A, #CB5279, #CB5258 and #CB5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC52BB shade: #CB52BB, #BC52CB, #9B52CB, #7A52CB and #5A52CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC52BB shade matches the following richer shades: #CB52BB, #DE40C8 and #F02ED5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC52BB shade: #CB52BB, #B964AD, #A777A0, #958993 and #839B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC52BB shade: #9B52CB, #BB52CB, #CB52BB, #CB529B and #CB527B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC52BB shade: #9C2F8D, #BC38AA, #CB52BB, #D572C7 and #DE92D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC52BB shade: #CC52BB, #CB7B52 and #52CBAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC52BB shade: #CC52BB, #BBCB52 and #52BBCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC52BB shade: #CC52BB, #CB7B52, #52CB62 and #52A3CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC52BB shade: #CC52BB, #CB9F52, #52CB62 and #527FCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 8 / 20

HEX #CC52BB

RGB 204 82 187

HSL 308.36, 0.54%, 0.56%

LAB 54.51, 60.79, -32.11

 

Complementary color

CMYK 71 / 0 / 61 / 32

HEX #33AD44

RGB 51 173 68

HSL 128.36, 0.54%, 0.44%

LAB 62.51, -54.78, 43.54

 

CMYK 0 / 61 / 13 / 18

HEX #D152B6

RGB 209 82 182

HSL 312.76, 0.58%, 0.57%

LAB 55.04, 61.35, -28.35

 

CMYK 0 / 56 / 11 / 11

HEX #E264C9

RGB 226 100 201

HSL 311.9, 0.68%, 0.64%

LAB 61.22, 61.03, -29.45

 

CMYK 0 / 51 / 9 / 5

HEX #F376DC

RGB 243 118 220

HSL 311.04, 0.84%, 0.71%

LAB 67.41, 60.53, -30.36

 

CMYK 0 / 47 / 6 / 0

HEX #FF88EF

RGB 255 136 239

HSL 308.07, 1%, 0.77%

LAB 72.96, 58.48, -32.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 60 / 8 / 20

HEX #CC52BB

RGB 204 82 187

HSL 308.36, 0.54%, 0.56%

LAB 54.51, 60.79, -32.11

 

CMYK 0 / 66 / 10 / 27

HEX #BB40A8

RGB 187 64 168

HSL 309.27, 0.49%, 0.49%

LAB 48.33, 60.83, -30.86

 

CMYK 0 / 73 / 12 / 33

HEX #AA2E95

RGB 170 46 149

HSL 310.16, 0.57%, 0.42%

LAB 42.26, 60.36, -29.21

 

CMYK 0 / 82 / 15 / 40

HEX #991C82

RGB 153 28 130

HSL 311.04, 0.69%, 0.35%

LAB 36.39, 59.05, -26.97

 

CMYK 0 / 93 / 18 / 47

HEX #880A6F

RGB 136 10 111

HSL 311.9, 0.86%, 0.29%

LAB 30.88, 56.43, -23.88

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 60 / 24 / 20

HEX #CB529A

RGB 203 82 154

HSL 324.3, 0.54%, 0.56%

LAB 53.02, 55.61, -15.17

 

CMYK 0 / 60 / 40 / 20

HEX #CB5279

RGB 203 82 121

HSL 340.66, 0.54%, 0.56%

LAB 51.96, 51.59, 2.86

 

CMYK 0 / 60 / 57 / 20

HEX #CB5258

RGB 203 82 88

HSL 357.02, 0.54%, 0.56%

LAB 51.19, 48.55, 21.49

 

CMYK 0 / 60 / 60 / 20

HEX #CB5252

RGB 203 82 82

HSL 0, 0.54%, 0.56%

LAB 51.08, 48.11, 24.89

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 7 / 60 / 0 / 20

HEX #BC52CB

RGB 188 82 203

HSL 292.56, 0.54%, 0.56%

LAB 52.99, 59.42, -43.86

 

CMYK 24 / 60 / 0 / 20

HEX #9B52CB

RGB 155 82 203

HSL 276.2, 0.54%, 0.56%

LAB 48.65, 51.27, -51.03

 

CMYK 40 / 60 / 0 / 20

HEX #7A52CB

RGB 122 82 203

HSL 259.83, 0.54%, 0.56%

LAB 44.92, 43.59, -57.23

 

CMYK 56 / 60 / 0 / 20

HEX #5A52CB

RGB 90 82 203

HSL 243.97, 0.54%, 0.56%

LAB 42.03, 37.07, -62.04

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 71 / 10 / 13

HEX #DE40C8

RGB 222 64 200

HSL 308.35, 0.71%, 0.56%

LAB 55.45, 74.03, -37.93

 

CMYK 0 / 81 / 11 / 6

HEX #F02ED5

RGB 240 46 213

HSL 308.35, 0.87%, 0.56%

LAB 57.35, 84.54, -42.15

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 46 / 6 / 27

HEX #B964AD

RGB 185 100 173

HSL 308.47, 0.38%, 0.56%

LAB 54.5, 44.36, -24.24

 

CMYK 0 / 29 / 4 / 35

HEX #A777A0

RGB 167 119 160

HSL 308.75, 0.21%, 0.56%

LAB 56.03, 25.64, -14.56

 

CMYK 0 / 8 / 1 / 42

HEX #958993

RGB 149 137 147

HSL 310, 0.05%, 0.56%

LAB 58.4, 6.38, -3.71

 

CMYK 15 / 0 / 14 / 39

HEX #839B86

RGB 131 155 134

HSL 127.5, 0.11%, 0.56%

LAB 61.64, -12.68, 8.21

 

CMYK 24 / 60 / 0 / 20

HEX #9B52CB

RGB 155 82 203

HSL 276.2, 0.54%, 0.56%

LAB 48.65, 51.27, -51.03

 

CMYK 8 / 60 / 0 / 20

HEX #BB52CB

RGB 187 82 203

HSL 292.07, 0.54%, 0.56%

LAB 52.85, 59.17, -44.09

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 60 / 24 / 20

HEX #CB529B

RGB 203 82 155

HSL 323.8, 0.54%, 0.56%

LAB 53.06, 55.75, -15.7

 

CMYK 0 / 60 / 39 / 20

HEX #CB527B

RGB 203 82 123

HSL 339.67, 0.54%, 0.56%

LAB 52.02, 51.8, 1.75

 

CMYK 0 / 70 / 10 / 39

HEX #9C2F8D

RGB 156 47 141

HSL 308.26, 0.54%, 0.4%

LAB 39.62, 55.32, -28.65

 

CMYK 0 / 70 / 10 / 26

HEX #BC38AA

RGB 188 56 170

HSL 308.18, 0.54%, 0.48%

LAB 47.52, 64.37, -33.3

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 46 / 7 / 16

HEX #D572C7

RGB 213 114 199

HSL 308.48, 0.54%, 0.64%

LAB 61.92, 50.26, -27.39

 

CMYK 0 / 34 / 5 / 13

HEX #DE92D4

RGB 222 146 212

HSL 307.89, 0.54%, 0.72%

LAB 70.06, 38.72, -22.08

 

CMYK 0 / 60 / 8 / 20

HEX #CC52BB

RGB 204 82 187

HSL 308.36, 0.54%, 0.56%

LAB 54.51, 60.79, -32.11

 

CMYK 0 / 39 / 60 / 20

HEX #CB7B52

RGB 203 123 82

HSL 20.33, 0.54%, 0.56%

LAB 59.41, 27.22, 35.38

 

CMYK 60 / 0 / 16 / 20

HEX #52CBAB

RGB 82 203 171

HSL 164.13, 0.54%, 0.56%

LAB 74.47, -41.47, 5.93

 

CMYK 0 / 60 / 8 / 20

HEX #CC52BB

RGB 204 82 187

HSL 308.36, 0.54%, 0.56%

LAB 54.51, 60.79, -32.11

 

CMYK 8 / 0 / 60 / 20

HEX #BBCB52

RGB 187 203 82

HSL 67.93, 0.54%, 0.56%

LAB 78.4, -21.93, 57

 

CMYK 60 / 8 / 0 / 20

HEX #52BBCB

RGB 82 187 203

HSL 187.93, 0.54%, 0.56%

LAB 70.63, -25.45, -17.17

 

CMYK 0 / 60 / 8 / 20

HEX #CC52BB

RGB 204 82 187

HSL 308.36, 0.54%, 0.56%

LAB 54.51, 60.79, -32.11

 

CMYK 0 / 39 / 60 / 20

HEX #CB7B52

RGB 203 123 82

HSL 20.33, 0.54%, 0.56%

LAB 59.41, 27.22, 35.38

 

CMYK 60 / 0 / 52 / 20

HEX #52CB62

RGB 82 203 98

HSL 127.93, 0.54%, 0.56%

LAB 73.15, -55.4, 42.15

 

CMYK 60 / 20 / 0 / 20

HEX #52A3CB

RGB 82 163 203

HSL 199.83, 0.54%, 0.56%

LAB 63.59, -12.94, -27.91

 

CMYK 0 / 60 / 8 / 20

HEX #CC52BB

RGB 204 82 187

HSL 308.36, 0.54%, 0.56%

LAB 54.51, 60.79, -32.11

 

CMYK 0 / 22 / 60 / 20

HEX #CB9F52

RGB 203 159 82

HSL 38.18, 0.54%, 0.56%

LAB 68.1, 7.63, 45.75

 

CMYK 60 / 0 / 52 / 20

HEX #52CB62

RGB 82 203 98

HSL 127.93, 0.54%, 0.56%

LAB 73.15, -55.4, 42.15

 

CMYK 60 / 37 / 0 / 20

HEX #527FCB

RGB 82 127 203

HSL 217.69, 0.54%, 0.56%

LAB 53.26, 7.76, -44.06

 

Description

Color code: HEX #CC52BB | qconv.com Color code: HEX #CC52BB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 82 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 82 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 8 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 8% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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