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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB52BB it is the complementary color #34AD44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB52BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CB52BB: #D052B6, #E164C9, #F276DC, #FF88EF and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB52BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CB52BB: #CB52BB, #BA40A8, #A92E95, #981C82 and #870A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

Complementary color

CMYK 70 / 0 / 61 / 32

HEX #34AD44

RGB 52 173 68

HSL 127.93, 0.54%, 0.44%

LAB 62.54, -54.6, 43.57

 

CMYK 0 / 61 / 13 / 18

HEX #D052B6

RGB 208 82 182

HSL 312.38, 0.57%, 0.57%

LAB 54.89, 61.08, -28.59

 

CMYK 0 / 56 / 11 / 12

HEX #E164C9

RGB 225 100 201

HSL 311.52, 0.68%, 0.64%

LAB 61.08, 60.75, -29.68

 

CMYK 0 / 51 / 9 / 5

HEX #F276DC

RGB 242 118 220

HSL 310.65, 0.83%, 0.71%

LAB 67.28, 60.25, -30.58

 

CMYK 0 / 47 / 6 / 0

HEX #FF88EF

RGB 255 136 239

HSL 308.07, 1%, 0.77%

LAB 72.96, 58.48, -32.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 66 / 10 / 27

HEX #BA40A8

RGB 186 64 168

HSL 308.85, 0.49%, 0.49%

LAB 48.18, 60.57, -31.12

 

CMYK 0 / 73 / 12 / 34

HEX #A92E95

RGB 169 46 149

HSL 309.76, 0.57%, 0.42%

LAB 42.09, 60.12, -29.49

 

CMYK 0 / 82 / 14 / 40

HEX #981C82

RGB 152 28 130

HSL 310.65, 0.69%, 0.35%

LAB 36.21, 58.83, -27.28

 

CMYK 0 / 93 / 18 / 47

HEX #870A6F

RGB 135 10 111

HSL 311.52, 0.86%, 0.28%

LAB 30.68, 56.22, -24.2

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 60 / 17 / 20

HEX #CB52A9

RGB 203 82 169

HSL 316.86, 0.54%, 0.56%

LAB 53.6, 57.74, -23.09

 

CMYK 0 / 60 / 27 / 20

HEX #CB5294

RGB 203 82 148

HSL 327.27, 0.54%, 0.56%

LAB 52.81, 54.81, -11.95

 

CMYK 0 / 60 / 37 / 20

HEX #CB5280

RGB 203 82 128

HSL 337.19, 0.54%, 0.56%

LAB 52.16, 52.36, -1.03

 

CMYK 0 / 60 / 47 / 20

HEX #CB526C

RGB 203 82 108

HSL 347.11, 0.54%, 0.56%

LAB 51.63, 50.27, 10.16

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 59 / 8 / 0

HEX #FE67EA

RGB 254 103 234

HSL 307.95, 0.99%, 0.7%

LAB 67.06, 72.26, -38.56

 

CMYK 0 / 60 / 8 / 80

HEX #32142E

RGB 50 20 46

HSL 308, 0.43%, 0.14%

LAB 11.79, 19.57, -10.7

 

CMYK 0 / 59 / 8 / 60

HEX #65295D

RGB 101 41 93

HSL 308, 0.42%, 0.28%

LAB 27.14, 34.41, -18.55

 

CMYK 0 / 60 / 8 / 40

HEX #983D8C

RGB 152 61 140

HSL 307.91, 0.43%, 0.42%

LAB 41.07, 48.17, -25.83

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 41 / 60 / 20

HEX #CB7852

RGB 203 120 82

HSL 18.84, 0.54%, 0.56%

LAB 58.73, 28.83, 34.55

 

CMYK 60 / 0 / 17 / 20

HEX #52CBA9

RGB 82 203 169

HSL 163.14, 0.54%, 0.56%

LAB 74.43, -41.94, 6.94

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 7 / 0 / 60 / 20

HEX #BDCB52

RGB 189 203 82

HSL 66.94, 0.54%, 0.56%

LAB 78.54, -21.12, 57.2

 

CMYK 60 / 7 / 0 / 20

HEX #52BDCB

RGB 82 189 203

HSL 186.94, 0.54%, 0.56%

LAB 71.21, -26.44, -16.28

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 41 / 60 / 20

HEX #CB7852

RGB 203 120 82

HSL 18.84, 0.54%, 0.56%

LAB 58.73, 28.83, 34.55

 

CMYK 60 / 0 / 53 / 20

HEX #52CB60

RGB 82 203 96

HSL 126.94, 0.54%, 0.56%

LAB 73.12, -55.68, 43.09

 

CMYK 60 / 19 / 0 / 20

HEX #52A5CB

RGB 82 165 203

HSL 198.84, 0.54%, 0.56%

LAB 64.17, -14.02, -27.01

 

CMYK 0 / 60 / 8 / 20

HEX #CB52BB

RGB 203 82 187

HSL 307.93, 0.54%, 0.56%

LAB 54.36, 60.52, -32.36

 

CMYK 0 / 23 / 60 / 20

HEX #CB9C52

RGB 203 156 82

HSL 36.69, 0.54%, 0.56%

LAB 67.34, 9.25, 44.87

 

CMYK 60 / 0 / 53 / 20

HEX #52CB60

RGB 82 203 96

HSL 126.94, 0.54%, 0.56%

LAB 73.12, -55.68, 43.09

 

CMYK 60 / 37 / 0 / 20

HEX #5280CB

RGB 82 128 203

HSL 217.19, 0.54%, 0.56%

LAB 53.54, 7.15, -43.62

 

Description

Color code: HEX #CB52BB | qconv.com Color code: HEX #CB52BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 82 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 82 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 8 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 8% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to PANTONE®

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