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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC4AAB it is the complementary color #33B554. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC4AAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC4AAB shade: #D14AA6, #E25CB9, #F36ECC, #FF80DF and #FF92F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC4AAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC4AAB shade: #CC4AAB, #BB3898, #AA2685, #991472 and #88025F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC4AAB shade: #CD4CAC, #CD4C89, #CD4C67 and #CD4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC4AAB shade: #CD4CAC, #CA4CCD, #A84CCD, #854CCD and #634CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC4AAB shade matches the following richer shades: #CD4CAC, #DF39B5 and #F227BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC4AAB shade: #CD4CAC, #BA5FA3, #A7719A, #958490 and #829687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC4AAB shade: #A84CCD, #CA4CCD, #CD4CAC, #CD4C8A and #CD4C68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC4AAB shade: #9A2C7E, #BB3599, #CD4CAC, #D66CBB and #DF8CCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC4AAB shade: #CC4AAB, #CD864C and #4CCDB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC4AAB shade: #CC4AAB, #ACCD4C and #4CACCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC4AAB shade: #CC4AAB, #CD864C, #4CCD6C and #4C93CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC4AAB shade: #CC4AAB, #CDAC4C, #4CCD6C and #4C6CCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 16 / 20

HEX #CC4AAB

RGB 204 74 171

HSL 315.23, 0.56%, 0.55%

LAB 52.59, 61.7, -25.8

 

Complementary color

CMYK 72 / 0 / 54 / 29

HEX #33B554

RGB 51 181 84

HSL 135.23, 0.56%, 0.45%

LAB 65.27, -55.47, 39.18

 

CMYK 0 / 65 / 21 / 18

HEX #D14AA6

RGB 209 74 166

HSL 319.11, 0.59%, 0.55%

LAB 53.17, 62.34, -21.91

 

CMYK 0 / 59 / 18 / 11

HEX #E25CB9

RGB 226 92 185

HSL 318.36, 0.7%, 0.62%

LAB 59.27, 62.18, -23.33

 

CMYK 0 / 55 / 16 / 5

HEX #F36ECC

RGB 243 110 204

HSL 317.59, 0.85%, 0.69%

LAB 65.41, 61.77, -24.5

 

CMYK 0 / 50 / 13 / 0

HEX #FF80DF

RGB 255 128 223

HSL 315.12, 1%, 0.75%

LAB 70.89, 59.76, -26.54

 

CMYK 0 / 43 / 5 / 0

HEX #FF92F2

RGB 255 146 242

HSL 307.16, 1%, 0.79%

LAB 74.97, 54.09, -30.68

 

CMYK 0 / 64 / 16 / 20

HEX #CC4AAB

RGB 204 74 171

HSL 315.23, 0.56%, 0.55%

LAB 52.59, 61.7, -25.8

 

CMYK 0 / 70 / 19 / 27

HEX #BB3898

RGB 187 56 152

HSL 316.03, 0.54%, 0.48%

LAB 46.53, 61.5, -24.16

 

CMYK 0 / 78 / 22 / 33

HEX #AA2685

RGB 170 38 133

HSL 316.82, 0.63%, 0.41%

LAB 40.61, 60.64, -22.02

 

CMYK 0 / 87 / 25 / 40

HEX #991472

RGB 153 20 114

HSL 317.59, 0.77%, 0.34%

LAB 34.98, 58.76, -19.15

 

CMYK 0 / 99 / 30 / 47

HEX #88025F

RGB 136 2 95

HSL 318.36, 0.97%, 0.27%

LAB 29.67, 55.63, -15.41

 

CMYK 0 / 63 / 16 / 20

HEX #CD4CAC

RGB 205 76 172

HSL 315.35, 0.56%, 0.55%

LAB 53.09, 61.3, -25.6

 

CMYK 0 / 63 / 33 / 20

HEX #CD4C89

RGB 205 76 137

HSL 331.63, 0.56%, 0.55%

LAB 51.79, 56.66, -6.92

 

CMYK 0 / 63 / 50 / 20

HEX #CD4C67

RGB 205 76 103

HSL 347.44, 0.56%, 0.55%

LAB 50.84, 53.14, 12.1

 

CMYK 0 / 63 / 63 / 20

HEX #CD4C4C

RGB 205 76 76

HSL 0, 0.56%, 0.55%

LAB 50.3, 51.09, 27.48

 

CMYK 0 / 63 / 16 / 20

HEX #CD4CAC

RGB 205 76 172

HSL 315.35, 0.56%, 0.55%

LAB 53.09, 61.3, -25.6

 

CMYK 1 / 63 / 0 / 20

HEX #CA4CCD

RGB 202 76 205

HSL 298.6, 0.56%, 0.55%

LAB 54.17, 65.77, -43.02

 

CMYK 18 / 63 / 0 / 20

HEX #A84CCD

RGB 168 76 205

HSL 282.79, 0.56%, 0.55%

LAB 49.38, 57.7, -50.93

 

CMYK 35 / 63 / 0 / 20

HEX #854CCD

RGB 133 76 205

HSL 266.51, 0.56%, 0.55%

LAB 45.03, 49.76, -58.14

 

CMYK 52 / 63 / 0 / 20

HEX #634CCD

RGB 99 76 205

HSL 250.7, 0.56%, 0.55%

LAB 41.58, 42.88, -63.9

 

CMYK 0 / 63 / 16 / 20

HEX #CD4CAC

RGB 205 76 172

HSL 315.35, 0.56%, 0.55%

LAB 53.09, 61.3, -25.6

 

CMYK 0 / 74 / 19 / 13

HEX #DF39B5

RGB 223 57 181

HSL 315.18, 0.72%, 0.55%

LAB 53.97, 73.81, -29.24

 

CMYK 0 / 84 / 21 / 5

HEX #F227BE

RGB 242 39 190

HSL 315.37, 0.89%, 0.55%

LAB 56.13, 83.45, -30.85

 

CMYK 0 / 63 / 16 / 20

HEX #CD4CAC

RGB 205 76 172

HSL 315.35, 0.56%, 0.55%

LAB 53.09, 61.3, -25.6

 

CMYK 0 / 49 / 12 / 27

HEX #BA5FA3

RGB 186 95 163

HSL 315.16, 0.4%, 0.55%

LAB 53.24, 45.54, -20.34

 

CMYK 0 / 32 / 8 / 35

HEX #A7719A

RGB 167 113 154

HSL 314.44, 0.23%, 0.55%

LAB 54.41, 27.92, -13.53

 

CMYK 0 / 11 / 3 / 42

HEX #958490

RGB 149 132 144

HSL 317.65, 0.07%, 0.55%

LAB 56.98, 8.65, -4.08

 

CMYK 13 / 0 / 10 / 41

HEX #829687

RGB 130 150 135

HSL 135, 0.09%, 0.55%

LAB 60.17, -10.15, 5.52

 

CMYK 18 / 63 / 0 / 20

HEX #A84CCD

RGB 168 76 205

HSL 282.79, 0.56%, 0.55%

LAB 49.38, 57.7, -50.93

 

CMYK 1 / 63 / 0 / 20

HEX #CA4CCD

RGB 202 76 205

HSL 298.6, 0.56%, 0.55%

LAB 54.17, 65.77, -43.02

 

CMYK 0 / 63 / 16 / 20

HEX #CD4CAC

RGB 205 76 172

HSL 315.35, 0.56%, 0.55%

LAB 53.09, 61.3, -25.6

 

CMYK 0 / 63 / 33 / 20

HEX #CD4C8A

RGB 205 76 138

HSL 331.16, 0.56%, 0.55%

LAB 51.82, 56.78, -7.46

 

CMYK 0 / 63 / 49 / 20

HEX #CD4C68

RGB 205 76 104

HSL 346.98, 0.56%, 0.55%

LAB 50.86, 53.23, 11.53

 

CMYK 0 / 71 / 18 / 40

HEX #9A2C7E

RGB 154 44 126

HSL 315.27, 0.56%, 0.39%

LAB 38.16, 53.65, -21.72

 

CMYK 0 / 72 / 18 / 27

HEX #BB3599

RGB 187 53 153

HSL 315.22, 0.56%, 0.47%

LAB 46.19, 62.7, -25.27

 

CMYK 0 / 63 / 16 / 20

HEX #CD4CAC

RGB 205 76 172

HSL 315.35, 0.56%, 0.55%

LAB 53.09, 61.3, -25.6

 

CMYK 0 / 50 / 13 / 16

HEX #D66CBB

RGB 214 108 187

HSL 315.28, 0.56%, 0.63%

LAB 60.44, 51.57, -22.84

 

CMYK 0 / 37 / 9 / 13

HEX #DF8CCA

RGB 223 140 202

HSL 315.18, 0.56%, 0.71%

LAB 68.54, 40.49, -18.84

 

CMYK 0 / 64 / 16 / 20

HEX #CC4AAB

RGB 204 74 171

HSL 315.23, 0.56%, 0.55%

LAB 52.59, 61.7, -25.8

 

CMYK 0 / 35 / 63 / 20

HEX #CD864C

RGB 205 134 76

HSL 26.98, 0.56%, 0.55%

LAB 62.13, 21.65, 41.87

 

CMYK 63 / 0 / 10 / 20

HEX #4CCDB9

RGB 76 205 185

HSL 170.7, 0.56%, 0.55%

LAB 75.27, -39.96, -0.49

 

CMYK 0 / 64 / 16 / 20

HEX #CC4AAB

RGB 204 74 171

HSL 315.23, 0.56%, 0.55%

LAB 52.59, 61.7, -25.8

 

CMYK 16 / 0 / 63 / 20

HEX #ACCD4C

RGB 172 205 76

HSL 75.35, 0.56%, 0.55%

LAB 77.85, -29.36, 58.65

 

CMYK 63 / 16 / 0 / 20

HEX #4CACCD

RGB 76 172 205

HSL 195.35, 0.56%, 0.55%

LAB 66.1, -18.22, -25.18

 

CMYK 0 / 64 / 16 / 20

HEX #CC4AAB

RGB 204 74 171

HSL 315.23, 0.56%, 0.55%

LAB 52.59, 61.7, -25.8

 

CMYK 0 / 35 / 63 / 20

HEX #CD864C

RGB 205 134 76

HSL 26.98, 0.56%, 0.55%

LAB 62.13, 21.65, 41.87

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 63 / 28 / 0 / 20

HEX #4C93CD

RGB 76 147 205

HSL 206.98, 0.56%, 0.55%

LAB 58.8, -4.49, -36.49

 

CMYK 0 / 64 / 16 / 20

HEX #CC4AAB

RGB 204 74 171

HSL 315.23, 0.56%, 0.55%

LAB 52.59, 61.7, -25.8

 

CMYK 0 / 16 / 63 / 20

HEX #CDAC4C

RGB 205 172 76

HSL 44.65, 0.56%, 0.55%

LAB 71.56, 1.1, 52.57

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 63 / 47 / 0 / 20

HEX #4C6CCD

RGB 76 108 205

HSL 225.12, 0.56%, 0.55%

LAB 47.84, 19.03, -53.86

 

Description

Color code: HEX #CC4AAB | qconv.com Color code: HEX #CC4AAB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 74 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 74 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 16 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 16% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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