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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CCD6C it is the complementary color #B33293. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CCD6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CCD6C shade: #51CD67, #62DF7A, #73F18D, #84FFA0 and #95FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CCD6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CCD6C shade: #4CCD6C, #3BBB59, #2AA946, #199733 and #088520

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CCD6C shade: #4CCD6C, #4FCD4C, #71CD4C, #94CD4C and #B7CD4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CCD6C shade: #4CCD6C, #4CCD8F, #4CCDB1, #4CC5CD and #4CA3CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CCD6C shade matches the following richer shades: #4CCD6C, #39DF63 and #27F259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CCD6C shade: #4CCD6C, #5FBA75, #71A77F, #849588 and #968291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CCD6C shade: #73CD4C, #50CD4C, #4CCD6A, #4CCD8C and #4CCDAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CCD6C shade: #2C9A47, #35BB56, #4CCD6C, #6CD686 and #8CDFA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CCD6C shade: #4CCD6C, #4C95CD and #CD4C61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CCD6C shade: #4CCD6C, #6A4CCD and #CD6A4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CCD6C shade: #4CCD6C, #4C95CD, #CD4CAF and #CD844C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CCD6C shade: #4CCD6C, #4C6ECD, #CD4CAF and #CDAA4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

Complementary color

CMYK 0 / 72 / 18 / 30

HEX #B33293

RGB 179 50 147

HSL 314.88, 0.56%, 0.45%

LAB 44.19, 60.9, -24.88

 

CMYK 60 / 0 / 50 / 20

HEX #51CD67

RGB 81 205 103

HSL 130.65, 0.55%, 0.56%

LAB 73.8, -55.67, 40.52

 

CMYK 56 / 0 / 45 / 13

HEX #62DF7A

RGB 98 223 122

HSL 131.52, 0.66%, 0.63%

LAB 80.05, -55.86, 39.14

 

CMYK 52 / 0 / 41 / 5

HEX #73F18D

RGB 115 241 141

HSL 132.38, 0.82%, 0.7%

LAB 86.25, -55.89, 37.82

 

CMYK 48 / 0 / 37 / 0

HEX #84FFA0

RGB 132 255 160

HSL 133.66, 1%, 0.76%

LAB 91.22, -54.2, 35.03

 

CMYK 42 / 0 / 30 / 0

HEX #95FFB3

RGB 149 255 179

HSL 136.98, 1%, 0.79%

LAB 92.2, -46.51, 26.94

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 68 / 0 / 52 / 27

HEX #3BBB59

RGB 59 187 89

HSL 134.06, 0.52%, 0.48%

LAB 67.42, -55.5, 39.39

 

CMYK 75 / 0 / 59 / 34

HEX #2AA946

RGB 42 169 70

HSL 133.23, 0.6%, 0.41%

LAB 61.05, -54.63, 40.86

 

CMYK 83 / 0 / 66 / 41

HEX #199733

RGB 25 151 51

HSL 132.38, 0.72%, 0.35%

LAB 54.64, -53.18, 42.23

 

CMYK 94 / 0 / 76 / 48

HEX #088520

RGB 8 133 32

HSL 131.52, 0.89%, 0.28%

LAB 48.17, -50.85, 43.21

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 61 / 0 / 63 / 20

HEX #4FCD4C

RGB 79 205 76

HSL 118.6, 0.56%, 0.55%

LAB 73.45, -59.48, 52.56

 

CMYK 45 / 0 / 63 / 20

HEX #71CD4C

RGB 113 205 76

HSL 102.79, 0.56%, 0.55%

LAB 74.63, -50.43, 54.21

 

CMYK 28 / 0 / 63 / 20

HEX #94CD4C

RGB 148 205 76

HSL 86.51, 0.56%, 0.55%

LAB 76.36, -38.55, 56.6

 

CMYK 11 / 0 / 63 / 20

HEX #B7CD4C

RGB 183 205 76

HSL 70.23, 0.56%, 0.55%

LAB 78.61, -24.96, 59.69

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 63 / 0 / 30 / 20

HEX #4CCD8F

RGB 76 205 143

HSL 151.16, 0.56%, 0.55%

LAB 74.31, -49.69, 20.65

 

CMYK 63 / 0 / 14 / 20

HEX #4CCDB1

RGB 76 205 177

HSL 166.98, 0.56%, 0.55%

LAB 75.06, -41.98, 3.52

 

CMYK 63 / 4 / 0 / 20

HEX #4CC5CD

RGB 76 197 205

HSL 183.72, 0.56%, 0.55%

LAB 73.47, -30.81, -14

 

CMYK 63 / 20 / 0 / 20

HEX #4CA3CD

RGB 76 163 205

HSL 199.53, 0.56%, 0.55%

LAB 63.46, -13.41, -29.25

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 74 / 0 / 56 / 13

HEX #39DF63

RGB 57 223 99

HSL 135.18, 0.72%, 0.55%

LAB 78.78, -66.87, 48.35

 

CMYK 84 / 0 / 63 / 5

HEX #27F259

RGB 39 242 89

HSL 134.78, 0.89%, 0.55%

LAB 84.31, -76.06, 59.03

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 49 / 0 / 37 / 27

HEX #5FBA75

RGB 95 186 117

HSL 134.51, 0.4%, 0.55%

LAB 68.63, -42.36, 26.84

 

CMYK 32 / 0 / 24 / 35

HEX #71A77F

RGB 113 167 127

HSL 135.56, 0.23%, 0.55%

LAB 63.9, -26.37, 15.13

 

CMYK 11 / 0 / 9 / 42

HEX #849588

RGB 132 149 136

HSL 134.12, 0.07%, 0.55%

LAB 60.05, -8.7, 4.81

 

CMYK 0 / 13 / 3 / 41

HEX #968291

RGB 150 130 145

HSL 315, 0.09%, 0.55%

LAB 56.58, 10.36, -5.24

 

CMYK 44 / 0 / 63 / 20

HEX #73CD4C

RGB 115 205 76

HSL 101.86, 0.56%, 0.55%

LAB 74.72, -49.81, 54.33

 

CMYK 61 / 0 / 63 / 20

HEX #50CD4C

RGB 80 205 76

HSL 118.14, 0.56%, 0.55%

LAB 73.47, -59.25, 52.6

 

CMYK 63 / 0 / 48 / 20

HEX #4CCD6A

RGB 76 205 106

HSL 133.95, 0.56%, 0.55%

LAB 73.7, -56.29, 38.89

 

CMYK 63 / 0 / 32 / 20

HEX #4CCD8C

RGB 76 205 140

HSL 149.77, 0.56%, 0.55%

LAB 74.25, -50.3, 22.16

 

CMYK 63 / 0 / 15 / 20

HEX #4CCDAF

RGB 76 205 175

HSL 166.05, 0.56%, 0.55%

LAB 75.01, -42.47, 4.53

 

CMYK 71 / 0 / 54 / 40

HEX #2C9A47

RGB 44 154 71

HSL 134.73, 0.56%, 0.39%

LAB 56.19, -48.8, 34.56

 

CMYK 72 / 0 / 54 / 27

HEX #35BB56

RGB 53 187 86

HSL 134.78, 0.56%, 0.47%

LAB 67.25, -56.98, 40.62

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 50 / 0 / 37 / 16

HEX #6CD686

RGB 108 214 134

HSL 134.72, 0.56%, 0.63%

LAB 77.88, -47.86, 30.33

 

CMYK 37 / 0 / 28 / 13

HEX #8CDFA1

RGB 140 223 161

HSL 135.18, 0.56%, 0.71%

LAB 82.34, -38.15, 22.61

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 63 / 27 / 0 / 20

HEX #4C95CD

RGB 76 149 205

HSL 206.05, 0.56%, 0.55%

LAB 59.38, -5.63, -35.58

 

CMYK 0 / 63 / 53 / 20

HEX #CD4C61

RGB 205 76 97

HSL 350.23, 0.56%, 0.55%

LAB 50.7, 52.62, 15.51

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 48 / 63 / 0 / 20

HEX #6A4CCD

RGB 106 76 205

HSL 253.95, 0.56%, 0.55%

LAB 42.22, 44.2, -62.83

 

CMYK 0 / 48 / 63 / 20

HEX #CD6A4C

RGB 205 106 76

HSL 13.95, 0.56%, 0.55%

LAB 55.9, 36.61, 34.43

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 63 / 27 / 0 / 20

HEX #4C95CD

RGB 76 149 205

HSL 206.05, 0.56%, 0.55%

LAB 59.38, -5.63, -35.58

 

CMYK 0 / 63 / 15 / 20

HEX #CD4CAF

RGB 205 76 175

HSL 313.95, 0.56%, 0.55%

LAB 53.21, 61.74, -27.16

 

CMYK 0 / 36 / 63 / 20

HEX #CD844C

RGB 205 132 76

HSL 26.05, 0.56%, 0.55%

LAB 61.66, 22.74, 41.32

 

CMYK 63 / 0 / 47 / 20

HEX #4CCD6C

RGB 76 205 108

HSL 134.88, 0.56%, 0.55%

LAB 73.73, -55.98, 37.93

 

CMYK 63 / 46 / 0 / 20

HEX #4C6ECD

RGB 76 110 205

HSL 224.19, 0.56%, 0.55%

LAB 48.38, 17.77, -52.99

 

CMYK 0 / 63 / 15 / 20

HEX #CD4CAF

RGB 205 76 175

HSL 313.95, 0.56%, 0.55%

LAB 53.21, 61.74, -27.16

 

CMYK 0 / 17 / 63 / 20

HEX #CDAA4C

RGB 205 170 76

HSL 43.72, 0.56%, 0.55%

LAB 71.04, 2.16, 52

 

Description

Color code: HEX #4CCD6C | qconv.com Color code: HEX #4CCD6C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 205 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 205 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 47% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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