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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC363500 it is the complementary color #33C9CA00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC363500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC363500 shade: #D1363000, #E2484300, #F35A5600, #FF6C6900 and #FF7E7C00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC363500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC363500 shade: #CC363500, #BB242200, #AA120F00, #99000000 and #88000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC363500 shade: #CC3433 and #CC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC363500 shade: #CC3433, #CC5D33, #CC8733, #CCB033 and #BFCC33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC363500 shade matches the following richer shades: #CC3433, #E1201E and #F50B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC363500 shade: #CC3433, #B74848, #A35D5C, #8E7171 and #798586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC363500 shade: #CC3385, #CC335C, #CC3333, #CC5C33 and #CC8533

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC363500 shade: #8A2322, #AB2C2B, #CC3433, #D45554 and #DD7675

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC363500 shade: #CC3635, #ADCC33 and #3370CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC363500 shade: #CC3635, #33CC33 and #3333CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC363500 shade: #CC3635, #ADCC33, #33CCCC and #5233CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC363500 shade: #CC3635, #80CC33, #33CCCC and #8033CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #CC363500

RGBA 204 54 53 0

HSLA 0.4, 0.6%, 0.5%, 0

LABA 46.62, 58.21, 36.4, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #33C9CA00

RGBA 51 201 202 0

HSLA 180.4, 0.6%, 0.5%, 0

LABA 74.02, -36.92, -11.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1363000

RGBA 209 54 48 0

HSLA 2.24, 0.64%, 0.5%, 0

LABA 47.5, 59.55, 40.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E2484300

RGBA 226 72 67 0

HSLA 1.89, 0.73%, 0.57%, 0

LABA 53.18, 59.16, 37.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F35A5600

RGBA 243 90 86 0

HSLA 1.53, 0.87%, 0.65%, 0

LABA 59.01, 58.42, 33.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6C6900

RGBA 255 108 105 0

HSLA 1.2, 1%, 0.71%, 0

LABA 64.16, 55.79, 30.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF7E7C00

RGBA 255 126 124 0

HSLA 0.92, 1%, 0.74%, 0

LABA 67.75, 48.82, 24.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CC363500

RGBA 204 54 53 0

HSLA 0.4, 0.6%, 0.5%, 0

LABA 46.62, 58.21, 36.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BB242200

RGBA 187 36 34 0

HSLA 0.78, 0.69%, 0.43%, 0

LABA 41.12, 58.02, 40.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AA120F00

RGBA 170 18 15 0

HSLA 1.16, 0.84%, 0.36%, 0

LABA 36.01, 56.87, 43.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99000000

RGBA 153 0 0 0

HSLA 0, 1%, 0.3%, 0

LABA 31.28, 54.71, 45.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #88000000

RGBA 136 0 0 0

HSLA 0, 1%, 0.27%, 0

LABA 27.39, 50.21, 40.43, 0

 

CMYK 0 / 75 / 75 / 20

HEX #CC3433

RGB 204 52 51

HSL 0.39, 0.6%, 0.5%

LAB 46.35, 58.8, 37.24

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 0 / 75 / 75 / 20

HEX #CC3433

RGB 204 52 51

HSL 0.39, 0.6%, 0.5%

LAB 46.35, 58.8, 37.24

 

CMYK 0 / 54 / 75 / 20

HEX #CC5D33

RGB 204 93 51

HSL 16.47, 0.6%, 0.5%

LAB 52.85, 41.45, 44.25

 

CMYK 0 / 34 / 75 / 20

HEX #CC8733

RGB 204 135 51

HSL 32.94, 0.6%, 0.5%

LAB 62, 19.29, 53.61

 

CMYK 0 / 14 / 75 / 20

HEX #CCB033

RGB 204 176 51

HSL 49.02, 0.6%, 0.5%

LAB 72.31, -2.79, 63.6

 

CMYK 6 / 0 / 75 / 20

HEX #BFCC33

RGB 191 204 51

HSL 65.1, 0.6%, 0.5%

LAB 78.75, -22.58, 69.24

 

CMYK 0 / 75 / 75 / 20

HEX #CC3433

RGB 204 52 51

HSL 0.39, 0.6%, 0.5%

LAB 46.35, 58.8, 37.24

 

CMYK 0 / 86 / 87 / 12

HEX #E1201E

RGB 225 32 30

HSL 0.62, 0.76%, 0.5%

LAB 48.43, 69.41, 51.64

 

CMYK 0 / 96 / 96 / 4

HEX #F50B0A

RGB 245 11 10

HSL 0.26, 0.92%, 0.5%

LAB 51.47, 76.99, 62.77

 

CMYK 0 / 75 / 75 / 20

HEX #CC3433

RGB 204 52 51

HSL 0.39, 0.6%, 0.5%

LAB 46.35, 58.8, 37.24

 

CMYK 0 / 61 / 61 / 28

HEX #B74848

RGB 183 72 72

HSL 0, 0.44%, 0.5%

LAB 45.87, 44.98, 23.44

 

CMYK 0 / 43 / 44 / 36

HEX #A35D5C

RGB 163 93 92

HSL 0.85, 0.28%, 0.5%

LAB 47.48, 28.41, 13.07

 

CMYK 0 / 20 / 20 / 44

HEX #8E7171

RGB 142 113 113

HSL 0, 0.11%, 0.5%

LAB 50.4, 11.4, 4.33

 

CMYK 10 / 1 / 0 / 47

HEX #798586

RGB 121 133 134

HSL 184.62, 0.05%, 0.5%

LAB 54.62, -4.16, -2.05

 

CMYK 0 / 75 / 35 / 20

HEX #CC3385

RGB 204 51 133

HSL 327.84, 0.6%, 0.5%

LAB 48.13, 65.21, -10

 

CMYK 0 / 75 / 55 / 20

HEX #CC335C

RGB 204 51 92

HSL 343.92, 0.6%, 0.5%

LAB 46.95, 61.45, 13.35

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 0 / 55 / 75 / 20

HEX #CC5C33

RGB 204 92 51

HSL 16.08, 0.6%, 0.5%

LAB 52.65, 41.95, 44.05

 

CMYK 0 / 35 / 75 / 20

HEX #CC8533

RGB 204 133 51

HSL 32.16, 0.6%, 0.5%

LAB 61.53, 20.38, 53.14

 

CMYK 0 / 75 / 75 / 46

HEX #8A2322

RGB 138 35 34

HSL 0.58, 0.6%, 0.34%

LAB 31.16, 43.08, 26.75

 

CMYK 0 / 74 / 75 / 33

HEX #AB2C2B

RGB 171 44 43

HSL 0.47, 0.6%, 0.42%

LAB 38.96, 50.95, 31.88

 

CMYK 0 / 75 / 75 / 20

HEX #CC3433

RGB 204 52 51

HSL 0.39, 0.6%, 0.5%

LAB 46.35, 58.8, 37.24

 

CMYK 0 / 60 / 60 / 17

HEX #D45554

RGB 212 85 84

HSL 0.47, 0.6%, 0.58%

LAB 53.1, 50.01, 26.61

 

CMYK 0 / 47 / 47 / 13

HEX #DD7675

RGB 221 118 117

HSL 0.58, 0.6%, 0.66%

LAB 61.32, 39.88, 18.75

 

CMYK 0 / 74 / 74 / 20

HEX #CC3635

RGB 204 54 53

HSL 0.4, 0.6%, 0.5%

LAB 46.62, 58.21, 36.4

 

CMYK 15 / 0 / 75 / 20

HEX #ADCC33

RGB 173 204 51

HSL 72.16, 0.6%, 0.5%

LAB 77.47, -29.98, 67.58

 

CMYK 75 / 45 / 0 / 20

HEX #3370CC

RGB 51 112 204

HSL 216.08, 0.6%, 0.5%

LAB 47.82, 12.36, -53.38

 

CMYK 0 / 74 / 74 / 20

HEX #CC3635

RGB 204 54 53

HSL 0.4, 0.6%, 0.5%

LAB 46.62, 58.21, 36.4

 

CMYK 75 / 0 / 75 / 20

HEX #33CC33

RGB 51 204 51

HSL 120, 0.6%, 0.5%

LAB 72.31, -66.6, 60.82

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 74 / 74 / 20

HEX #CC3635

RGB 204 54 53

HSL 0.4, 0.6%, 0.5%

LAB 46.62, 58.21, 36.4

 

CMYK 15 / 0 / 75 / 20

HEX #ADCC33

RGB 173 204 51

HSL 72.16, 0.6%, 0.5%

LAB 77.47, -29.98, 67.58

 

CMYK 75 / 0 / 0 / 20

HEX #33CCCC

RGB 51 204 204

HSL 180, 0.6%, 0.5%

LAB 74.98, -37.72, -11.24

 

CMYK 60 / 75 / 0 / 20

HEX #5233CC

RGB 82 51 204

HSL 252.16, 0.6%, 0.5%

LAB 35.05, 53.51, -74.07

 

CMYK 0 / 74 / 74 / 20

HEX #CC3635

RGB 204 54 53

HSL 0.4, 0.6%, 0.5%

LAB 46.62, 58.21, 36.4

 

CMYK 37 / 0 / 75 / 20

HEX #80CC33

RGB 128 204 51

HSL 89.8, 0.6%, 0.5%

LAB 74.83, -47.01, 64.14

 

CMYK 75 / 0 / 0 / 20

HEX #33CCCC

RGB 51 204 204

HSL 180, 0.6%, 0.5%

LAB 74.98, -37.72, -11.24

 

CMYK 37 / 75 / 0 / 20

HEX #8033CC

RGB 128 51 204

HSL 270.2, 0.6%, 0.5%

LAB 40.11, 60.35, -65.58

 

Description

Color code: HEX #CC363500 | qconv.com Color code: HEX #CC363500 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 54 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 54 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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