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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC3580 it is the complementary color #33CA7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC3580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC3580 shade: #D1357B, #E2478E, #F359A1, #FF6BB4 and #FF7DC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC3580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC3580 shade: #CC3580, #BB236D, #AA115A, #990047 and #880034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC3580 shade: #CC337F, #CC3356 and #CC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC3580 shade: #CC337F, #CC33A8, #C633CC, #9D33CC and #7433CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC3580 shade matches the following richer shades: #CC337F, #E11E7F and #F50A7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC3580 shade: #CC337F, #B7487F, #A35C7F, #8E717F and #798680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC3580 shade: #C733CC, #CC33A8, #CC3380, #CC3357 and #CC3833

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC3580 shade: #8A2256, #AB2B6A, #CC337F, #D45494 and #DD75A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC3580 shade: #CC3580, #CC9E33 and #33BDCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC3580 shade: #CC3580, #80CC33 and #3380CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC3580 shade: #CC3580, #CC9E33, #33CC80 and #3361CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC3580 shade: #CC3580, #CCCC33, #33CC80 and #3333CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 37 / 20

HEX #CC3580

RGB 204 53 128

HSL 330.2, 0.6%, 0.5%

LAB 48.19, 64.03, -6.88

 

Complementary color

CMYK 75 / 0 / 37 / 21

HEX #33CA7F

RGB 51 202 127

HSL 150.2, 0.6%, 0.5%

LAB 72.55, -55.78, 26.59

 

CMYK 0 / 75 / 41 / 18

HEX #D1357B

RGB 209 53 123

HSL 333.08, 0.63%, 0.51%

LAB 48.92, 64.86, -2.66

 

CMYK 0 / 69 / 37 / 11

HEX #E2478E

RGB 226 71 142

HSL 332.52, 0.73%, 0.58%

LAB 54.69, 65.26, -5.2

 

CMYK 0 / 63 / 34 / 5

HEX #F359A1

RGB 243 89 161

HSL 331.95, 0.87%, 0.65%

LAB 60.58, 65.21, -7.27

 

CMYK 0 / 58 / 29 / 0

HEX #FF6BB4

RGB 255 107 180

HSL 330.41, 1%, 0.71%

LAB 65.8, 63.39, -10.18

 

CMYK 0 / 51 / 22 / 0

HEX #FF7DC7

RGB 255 125 199

HSL 325.85, 1%, 0.75%

LAB 69.51, 57.68, -15.32

 

CMYK 0 / 74 / 37 / 20

HEX #CC3580

RGB 204 53 128

HSL 330.2, 0.6%, 0.5%

LAB 48.19, 64.03, -6.88

 

CMYK 0 / 81 / 42 / 27

HEX #BB236D

RGB 187 35 109

HSL 330.79, 0.68%, 0.44%

LAB 42.57, 62.94, -3.89

 

CMYK 0 / 90 / 47 / 33

HEX #AA115A

RGB 170 17 90

HSL 331.37, 0.82%, 0.37%

LAB 37.27, 60.79, -0.04

 

CMYK 0 / 100 / 54 / 40

HEX #990047

RGB 153 0 71

HSL 332.16, 1%, 0.3%

LAB 32.32, 57.5, 4.73

 

CMYK 0 / 100 / 62 / 47

HEX #880034

RGB 136 0 52

HSL 337.06, 1%, 0.27%

LAB 28.07, 52.03, 10.97

 

CMYK 0 / 75 / 38 / 20

HEX #CC337F

RGB 204 51 127

HSL 330.2, 0.6%, 0.5%

LAB 47.93, 64.57, -6.66

 

CMYK 0 / 75 / 58 / 20

HEX #CC3356

RGB 204 51 86

HSL 346.27, 0.6%, 0.5%

LAB 46.81, 61.02, 16.86

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 0 / 75 / 38 / 20

HEX #CC337F

RGB 204 51 127

HSL 330.2, 0.6%, 0.5%

LAB 47.93, 64.57, -6.66

 

CMYK 0 / 75 / 18 / 20

HEX #CC33A8

RGB 204 51 168

HSL 314.12, 0.6%, 0.5%

LAB 49.54, 69.49, -28.78

 

CMYK 3 / 75 / 0 / 20

HEX #C633CC

RGB 198 51 204

HSL 297.65, 0.6%, 0.5%

LAB 50.37, 73.55, -48.5

 

CMYK 23 / 75 / 0 / 20

HEX #9D33CC

RGB 157 51 204

HSL 281.57, 0.6%, 0.5%

LAB 44.08, 65.55, -58.94

 

CMYK 43 / 75 / 0 / 20

HEX #7433CC

RGB 116 51 204

HSL 265.49, 0.6%, 0.5%

LAB 38.62, 58.37, -68.07

 

CMYK 0 / 75 / 38 / 20

HEX #CC337F

RGB 204 51 127

HSL 330.2, 0.6%, 0.5%

LAB 47.93, 64.57, -6.66

 

CMYK 0 / 87 / 44 / 12

HEX #E11E7F

RGB 225 30 127

HSL 330.15, 0.76%, 0.5%

LAB 50.06, 74.82, -3.07

 

CMYK 0 / 96 / 48 / 4

HEX #F50A7F

RGB 245 10 127

HSL 330.13, 0.92%, 0.5%

LAB 53.13, 81.65, 1.88

 

CMYK 0 / 75 / 38 / 20

HEX #CC337F

RGB 204 51 127

HSL 330.2, 0.6%, 0.5%

LAB 47.93, 64.57, -6.66

 

CMYK 0 / 61 / 31 / 28

HEX #B7487F

RGB 183 72 127

HSL 330.27, 0.44%, 0.5%

LAB 47.28, 50.46, -8

 

CMYK 0 / 44 / 22 / 36

HEX #A35C7F

RGB 163 92 127

HSL 330.42, 0.28%, 0.5%

LAB 48.23, 33.66, -6.9

 

CMYK 0 / 20 / 11 / 44

HEX #8E717F

RGB 142 113 127

HSL 331.03, 0.11%, 0.5%

LAB 50.8, 13.83, -3.36

 

CMYK 10 / 0 / 4 / 47

HEX #798680

RGB 121 134 128

HSL 152.31, 0.05%, 0.5%

LAB 54.73, -5.98, 1.6

 

CMYK 2 / 75 / 0 / 20

HEX #C733CC

RGB 199 51 204

HSL 298.04, 0.6%, 0.5%

LAB 50.53, 73.76, -48.24

 

CMYK 0 / 75 / 18 / 20

HEX #CC33A8

RGB 204 51 168

HSL 314.12, 0.6%, 0.5%

LAB 49.54, 69.49, -28.78

 

CMYK 0 / 75 / 37 / 20

HEX #CC3380

RGB 204 51 128

HSL 329.8, 0.6%, 0.5%

LAB 47.96, 64.67, -7.22

 

CMYK 0 / 75 / 57 / 20

HEX #CC3357

RGB 204 51 87

HSL 345.88, 0.6%, 0.5%

LAB 46.83, 61.09, 16.27

 

CMYK 0 / 73 / 75 / 20

HEX #CC3833

RGB 204 56 51

HSL 1.96, 0.6%, 0.5%

LAB 46.85, 57.43, 37.79

 

CMYK 0 / 75 / 38 / 46

HEX #8A2256

RGB 138 34 86

HSL 330, 0.6%, 0.34%

LAB 32.3, 47.65, -5.51

 

CMYK 0 / 75 / 38 / 33

HEX #AB2B6A

RGB 171 43 106

HSL 330.47, 0.6%, 0.42%

LAB 40.29, 56.05, -5.72

 

CMYK 0 / 75 / 38 / 20

HEX #CC337F

RGB 204 51 127

HSL 330.2, 0.6%, 0.5%

LAB 47.93, 64.57, -6.66

 

CMYK 0 / 60 / 30 / 17

HEX #D45494

RGB 212 84 148

HSL 330, 0.6%, 0.58%

LAB 54.53, 56.64, -9.23

 

CMYK 0 / 47 / 24 / 13

HEX #DD75A8

RGB 221 117 168

HSL 330.58, 0.6%, 0.66%

LAB 62.44, 46.46, -8.87

 

CMYK 0 / 74 / 37 / 20

HEX #CC3580

RGB 204 53 128

HSL 330.2, 0.6%, 0.5%

LAB 48.19, 64.03, -6.88

 

CMYK 0 / 23 / 75 / 20

HEX #CC9E33

RGB 204 158 51

HSL 41.96, 0.6%, 0.5%

LAB 67.67, 6.8, 59.16

 

CMYK 75 / 7 / 0 / 20

HEX #33BDCC

RGB 51 189 204

HSL 185.88, 0.6%, 0.5%

LAB 70.5, -30.66, -17.99

 

CMYK 0 / 74 / 37 / 20

HEX #CC3580

RGB 204 53 128

HSL 330.2, 0.6%, 0.5%

LAB 48.19, 64.03, -6.88

 

CMYK 37 / 0 / 75 / 20

HEX #80CC33

RGB 128 204 51

HSL 89.8, 0.6%, 0.5%

LAB 74.83, -47.01, 64.14

 

CMYK 75 / 37 / 0 / 20

HEX #3380CC

RGB 51 128 204

HSL 209.8, 0.6%, 0.5%

LAB 52.4, 2.49, -46.07

 

CMYK 0 / 74 / 37 / 20

HEX #CC3580

RGB 204 53 128

HSL 330.2, 0.6%, 0.5%

LAB 48.19, 64.03, -6.88

 

CMYK 0 / 23 / 75 / 20

HEX #CC9E33

RGB 204 158 51

HSL 41.96, 0.6%, 0.5%

LAB 67.67, 6.8, 59.16

 

CMYK 75 / 0 / 37 / 20

HEX #33CC80

RGB 51 204 128

HSL 150.2, 0.6%, 0.5%

LAB 73.19, -56.33, 26.92

 

CMYK 75 / 52 / 0 / 20

HEX #3361CC

RGB 51 97 204

HSL 221.96, 0.6%, 0.5%

LAB 43.67, 21.93, -60.06

 

CMYK 0 / 74 / 37 / 20

HEX #CC3580

RGB 204 53 128

HSL 330.2, 0.6%, 0.5%

LAB 48.19, 64.03, -6.88

 

CMYK 0 / 0 / 75 / 20

HEX #CCCC33

RGB 204 204 51

HSL 60, 0.6%, 0.5%

LAB 79.76, -17.12, 70.54

 

CMYK 75 / 0 / 37 / 20

HEX #33CC80

RGB 51 204 128

HSL 150.2, 0.6%, 0.5%

LAB 73.19, -56.33, 26.92

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

Description

Color code: HEX #CC3580 | qconv.com Color code: HEX #CC3580 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 53 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 53 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 37 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 37% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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