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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC1580 it is the complementary color #33EA7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC1580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CC1580: #D1157B, #E2278E, #F339A1, #FF4BB4 and #FF5DC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC1580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CC1580: #CC1580, #BB036D, #AA005A, #990047 and #880034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 37 / 20

HEX #CC1580

RGB 204 21 128

HSL 324.92, 0.81%, 0.44%

LAB 45.54, 71.6, -10.85

 

Complementary color

CMYK 78 / 0 / 46 / 8

HEX #33EA7F

RGB 51 234 127

HSL 144.92, 0.81%, 0.56%

LAB 82.42, -67.16, 39.49

 

CMYK 0 / 90 / 41 / 18

HEX #D1157B

RGB 209 21 123

HSL 327.45, 0.82%, 0.45%

LAB 46.34, 72.24, -6.48

 

CMYK 0 / 83 / 37 / 11

HEX #E2278E

RGB 226 39 142

HSL 326.95, 0.76%, 0.52%

LAB 51.35, 74.69, -10.18

 

CMYK 0 / 77 / 34 / 5

HEX #F339A1

RGB 243 57 161

HSL 326.45, 0.89%, 0.59%

LAB 56.64, 76.19, -13.18

 

CMYK 0 / 71 / 29 / 0

HEX #FF4BB4

RGB 255 75 180

HSL 325, 1%, 0.65%

LAB 61.3, 75.75, -16.96

 

CMYK 0 / 64 / 22 / 0

HEX #FF5DC7

RGB 255 93 199

HSL 320.74, 1%, 0.68%

LAB 64.33, 71.56, -23.17

 

CMYK 0 / 90 / 37 / 20

HEX #CC1580

RGB 204 21 128

HSL 324.92, 0.81%, 0.44%

LAB 45.54, 71.6, -10.85

 

CMYK 0 / 98 / 42 / 27

HEX #BB036D

RGB 187 3 109

HSL 325.43, 0.97%, 0.37%

LAB 40.79, 68.08, -6.53

 

CMYK 0 / 100 / 47 / 33

HEX #AA005A

RGB 170 0 90

HSL 328.24, 1%, 0.33%

LAB 36.53, 62.96, -1.14

 

CMYK 0 / 100 / 54 / 40

HEX #990047

RGB 153 0 71

HSL 332.16, 1%, 0.3%

LAB 32.32, 57.5, 4.73

 

CMYK 0 / 100 / 62 / 47

HEX #880034

RGB 136 0 52

HSL 337.06, 1%, 0.27%

LAB 28.07, 52.03, 10.97

 

CMYK 0 / 90 / 37 / 20

HEX #CC1580

RGB 204 21 128

HSL 324.92, 0.81%, 0.44%

LAB 45.54, 71.6, -10.85

 

CMYK 0 / 90 / 51 / 20

HEX #CB1564

RGB 203 21 100

HSL 333.96, 0.81%, 0.44%

LAB 44.45, 68.91, 4.86

 

CMYK 0 / 90 / 66 / 20

HEX #CB1545

RGB 203 21 69

HSL 344.18, 0.81%, 0.44%

LAB 43.74, 66.93, 23.28

 

CMYK 0 / 90 / 81 / 20

HEX #CB1527

RGB 203 21 39

HSL 354.07, 0.81%, 0.44%

LAB 43.33, 65.75, 40.76

 

CMYK 0 / 84 / 90 / 20

HEX #CB2115

RGB 203 33 21

HSL 3.96, 0.81%, 0.44%

LAB 44, 63.05, 50.27

 

CMYK 0 / 90 / 37 / 20

HEX #CC1580

RGB 204 21 128

HSL 324.92, 0.81%, 0.44%

LAB 45.54, 71.6, -10.85

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 90 / 37 / 80

HEX #330520

RGB 51 5 32

HSL 324.78, 0.82%, 0.11%

LAB 8.28, 25.61, -5.6

 

CMYK 0 / 89 / 37 / 60

HEX #660B40

RGB 102 11 64

HSL 325.05, 0.81%, 0.22%

LAB 21.71, 42.2, -7.41

 

CMYK 0 / 90 / 37 / 40

HEX #991060

RGB 153 16 96

HSL 324.96, 0.81%, 0.33%

LAB 33.96, 57.45, -9.21

 

CMYK 0 / 90 / 37 / 20

HEX #CC1580

RGB 204 21 128

HSL 324.92, 0.81%, 0.44%

LAB 45.54, 71.6, -10.85

 

CMYK 0 / 36 / 90 / 20

HEX #CB8215

RGB 203 130 21

HSL 35.93, 0.81%, 0.44%

LAB 60.53, 20.65, 62.67

 

CMYK 90 / 0 / 0 / 20

HEX #15CBCB

RGB 21 203 203

HSL 180, 0.81%, 0.44%

LAB 74.31, -39.81, -11.74

 

CMYK 0 / 90 / 37 / 20

HEX #CC1580

RGB 204 21 128

HSL 324.92, 0.81%, 0.44%

LAB 45.54, 71.6, -10.85

 

CMYK 36 / 0 / 90 / 20

HEX #82CB15

RGB 130 203 21

HSL 84.07, 0.81%, 0.44%

LAB 74.52, -47.11, 71.39

 

CMYK 90 / 36 / 0 / 20

HEX #1582CB

RGB 21 130 203

HSL 204.07, 0.81%, 0.44%

LAB 52.33, -1.79, -45.65

 

CMYK 0 / 90 / 37 / 20

HEX #CC1580

RGB 204 21 128

HSL 324.92, 0.81%, 0.44%

LAB 45.54, 71.6, -10.85

 

CMYK 0 / 36 / 90 / 20

HEX #CB8215

RGB 203 130 21

HSL 35.93, 0.81%, 0.44%

LAB 60.53, 20.65, 62.67

 

CMYK 90 / 0 / 54 / 20

HEX #15CB5E

RGB 21 203 94

HSL 144.07, 0.81%, 0.44%

LAB 72.01, -64.73, 42.45

 

CMYK 90 / 54 / 0 / 20

HEX #155ECB

RGB 21 94 203

HSL 215.93, 0.81%, 0.44%

LAB 41.96, 20.91, -62.29

 

CMYK 0 / 90 / 37 / 20

HEX #CC1580

RGB 204 21 128

HSL 324.92, 0.81%, 0.44%

LAB 45.54, 71.6, -10.85

 

CMYK 0 / 9 / 90 / 20

HEX #CBB815

RGB 203 184 21

HSL 53.74, 0.81%, 0.44%

LAB 74.21, -8.29, 73.26

 

CMYK 90 / 0 / 54 / 20

HEX #15CB5E

RGB 21 203 94

HSL 144.07, 0.81%, 0.44%

LAB 72.01, -64.73, 42.45

 

CMYK 90 / 81 / 0 / 20

HEX #1527CB

RGB 21 39 203

HSL 234.07, 0.81%, 0.44%

LAB 29.22, 54.64, -83.25

 

Description

Color code: HEX #CC1580 | qconv.com Color code: HEX #CC1580 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 21 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 21 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 37 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 37% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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