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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBF4A9 it is the complementary color #340B56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBF4A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CBF4A9: #D0F4A4, #E1FFB7, #F2FFCA, #FFFFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBF4A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CBF4A9: #CBF4A9, #BAE296, #A9D083, #98BE70 and #87AC5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

Complementary color

CMYK 40 / 87 / 0 / 66

HEX #340B56

RGB 52 11 86

HSL 272.8, 0.77%, 0.19%

LAB 13.48, 34.65, -36.14

 

CMYK 15 / 0 / 33 / 4

HEX #D0F4A4

RGB 208 244 164

HSL 87, 0.78%, 0.8%

LAB 92.04, -25.02, 34.82

 

CMYK 12 / 0 / 28 / 0

HEX #E1FFB7

RGB 225 255 183

HSL 85, 1%, 0.86%

LAB 96.39, -21.66, 31.29

 

CMYK 5 / 0 / 21 / 0

HEX #F2FFCA

RGB 242 255 202

HSL 74.72, 1%, 0.9%

LAB 97.9, -12.95, 23.95

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 18 / 0 / 34 / 11

HEX #BAE296

RGB 186 226 150

HSL 91.58, 0.57%, 0.74%

LAB 85.52, -26.17, 33

 

CMYK 19 / 0 / 37 / 18

HEX #A9D083

RGB 169 208 131

HSL 90.39, 0.45%, 0.66%

LAB 79.15, -26.24, 34.11

 

CMYK 20 / 0 / 41 / 25

HEX #98BE70

RGB 152 190 112

HSL 89.23, 0.38%, 0.59%

LAB 72.68, -26.29, 35.27

 

CMYK 22 / 0 / 46 / 33

HEX #87AC5D

RGB 135 172 93

HSL 88.1, 0.32%, 0.52%

LAB 66.09, -26.31, 36.47

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 21 / 0 / 30 / 5

HEX #BFF3A9

RGB 191 243 169

HSL 102.16, 0.76%, 0.81%

LAB 90.8, -29.77, 30.46

 

CMYK 26 / 0 / 30 / 5

HEX #B3F3A9

RGB 179 243 169

HSL 111.89, 0.76%, 0.81%

LAB 90.11, -33.77, 29.41

 

CMYK 30 / 0 / 30 / 5

HEX #A9F3AB

RGB 169 243 171

HSL 121.62, 0.76%, 0.81%

LAB 89.62, -36.66, 27.63

 

CMYK 30 / 0 / 24 / 5

HEX #A9F3B8

RGB 169 243 184

HSL 132.16, 0.76%, 0.81%

LAB 89.86, -34.48, 21.32

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 18 / 0 / 30 / 84

HEX #21281C

RGB 33 40 28

HSL 95, 0.18%, 0.13%

LAB 15.09, -5.97, 6.9

 

CMYK 16 / 0 / 31 / 64

HEX #4C5B3F

RGB 76 91 63

HSL 92.14, 0.18%, 0.3%

LAB 36.7, -11.58, 14.29

 

CMYK 17 / 0 / 31 / 44

HEX #768E62

RGB 118 142 98

HSL 92.73, 0.18%, 0.47%

LAB 56.17, -16.93, 20.71

 

CMYK 17 / 0 / 31 / 24

HEX #A1C186

RGB 161 193 134

HSL 92.54, 0.32%, 0.64%

LAB 74.47, -21.38, 26.27

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 30 / 0 / 8 / 5

HEX #A9F3DF

RGB 169 243 223

HSL 163.78, 0.76%, 0.81%

LAB 90.72, -26.98, 2.34

 

CMYK 0 / 30 / 4 / 5

HEX #F3A9E9

RGB 243 169 233

HSL 308.11, 0.76%, 0.81%

LAB 78.06, 37.02, -21.19

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 30 / 16 / 0 / 5

HEX #A9CCF3

RGB 169 204 243

HSL 211.62, 0.76%, 0.81%

LAB 80.79, -2.74, -22.99

 

CMYK 0 / 30 / 16 / 5

HEX #F3A9CC

RGB 243 169 204

HSL 331.62, 0.76%, 0.81%

LAB 77.16, 32.22, -6.79

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 30 / 0 / 8 / 5

HEX #A9F3DF

RGB 169 243 223

HSL 163.78, 0.76%, 0.81%

LAB 90.72, -26.98, 2.34

 

CMYK 14 / 30 / 0 / 5

HEX #D1A9F3

RGB 209 169 243

HSL 272.43, 0.76%, 0.81%

LAB 75.08, 28.23, -31.46

 

CMYK 0 / 30 / 22 / 5

HEX #F3A9BD

RGB 243 169 189

HSL 343.78, 0.76%, 0.81%

LAB 76.74, 29.96, 0.79

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 30 / 1 / 0 / 5

HEX #A9F1F3

RGB 169 241 243

HSL 181.62, 0.76%, 0.81%

LAB 90.7, -21.66, -8.11

 

CMYK 14 / 30 / 0 / 5

HEX #D1A9F3

RGB 209 169 243

HSL 272.43, 0.76%, 0.81%

LAB 75.08, 28.23, -31.46

 

CMYK 0 / 30 / 30 / 5

HEX #F3ABA9

RGB 243 171 169

HSL 1.62, 0.76%, 0.81%

LAB 76.71, 26.17, 11.64

 

Description

Color code: HEX #CBF4A9 | qconv.com Color code: HEX #CBF4A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 244 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 244 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 31 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 31% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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