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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA93B it is the complementary color #3456C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA93B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA93B shade: #D0A936, #E1BB49, #F2CD5C, #FFDF6F and #FFF182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA93B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA93B shade: #CBA93B, #BA9728, #A98515, #987302 and #876100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA93B shade: #CBA83A, #CB813A, #CB5A3A and #CB3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA93B shade: #CBA83A, #C6CB3A, #9FCB3A, #77CB3A and #50CB3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA93B shade matches the following richer shades: #CBA83A, #DFB325 and #F3BE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA93B shade: #CBA83A, #B69E4E, #A29362, #8E8876 and #7A7E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA93B shade: #CB593A, #CB803A, #CBA63A, #C8CB3A and #A1CB3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA93B shade: #8C7425, #AD8F2E, #CBA83A, #D3B75A and #DCC57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA93B shade: #CBA93B, #41CB3A and #6C3ACB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA93B shade: #CBA93B, #3ACBA6 and #A63ACB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA93B shade: #CBA93B, #41CB3A, #3A5ECB and #C33ACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA93B shade: #CBA93B, #3ACB5E, #3A5ECB and #CB3AA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 71 / 20

HEX #CBA93B

RGB 203 169 59

HSL 45.83, 0.58%, 0.51%

LAB 70.45, 0.84, 58.69

 

Complementary color

CMYK 73 / 56 / 0 / 23

HEX #3456C4

RGB 52 86 196

HSL 225.83, 0.58%, 0.49%

LAB 40.2, 26.2, -61.07

 

CMYK 0 / 19 / 74 / 18

HEX #D0A936

RGB 208 169 54

HSL 44.81, 0.62%, 0.51%

LAB 70.91, 2.78, 61.28

 

CMYK 0 / 17 / 68 / 12

HEX #E1BB49

RGB 225 187 73

HSL 45, 0.72%, 0.58%

LAB 77.3, 1.54, 60.62

 

CMYK 0 / 15 / 62 / 5

HEX #F2CD5C

RGB 242 205 92

HSL 45.2, 0.85%, 0.65%

LAB 83.61, 0.49, 59.65

 

CMYK 0 / 13 / 56 / 0

HEX #FFDF6F

RGB 255 223 111

HSL 46.67, 1%, 0.72%

LAB 89.48, -2.05, 58.04

 

CMYK 0 / 5 / 49 / 0

HEX #FFF182

RGB 255 241 130

HSL 53.28, 1%, 0.75%

LAB 94.22, -9.53, 54.84

 

CMYK 0 / 17 / 71 / 20

HEX #CBA93B

RGB 203 169 59

HSL 45.83, 0.58%, 0.51%

LAB 70.45, 0.84, 58.69

 

CMYK 0 / 19 / 78 / 27

HEX #BA9728

RGB 186 151 40

HSL 45.62, 0.65%, 0.44%

LAB 63.94, 2.18, 59.05

 

CMYK 0 / 21 / 88 / 34

HEX #A98515

RGB 169 133 21

HSL 45.41, 0.78%, 0.37%

LAB 57.33, 3.78, 58.46

 

CMYK 0 / 24 / 99 / 40

HEX #987302

RGB 152 115 2

HSL 45.2, 0.97%, 0.3%

LAB 50.62, 5.67, 56.49

 

CMYK 0 / 28 / 100 / 47

HEX #876100

RGB 135 97 0

HSL 43.11, 1%, 0.26%

LAB 43.8, 7.96, 51.3

 

CMYK 0 / 17 / 71 / 20

HEX #CBA83A

RGB 203 168 58

HSL 45.52, 0.58%, 0.51%

LAB 70.18, 1.33, 58.83

 

CMYK 0 / 36 / 71 / 20

HEX #CB813A

RGB 203 129 58

HSL 29.38, 0.58%, 0.51%

LAB 60.52, 22.46, 48.9

 

CMYK 0 / 56 / 71 / 20

HEX #CB5A3A

RGB 203 90 58

HSL 13.24, 0.58%, 0.51%

LAB 52.19, 42.87, 39.84

 

CMYK 0 / 71 / 71 / 20

HEX #CB3A3A

RGB 203 58 58

HSL 0, 0.58%, 0.51%

LAB 47.01, 56.7, 33.92

 

CMYK 0 / 17 / 71 / 20

HEX #CBA83A

RGB 203 168 58

HSL 45.52, 0.58%, 0.51%

LAB 70.18, 1.33, 58.83

 

CMYK 2 / 0 / 71 / 20

HEX #C6CB3A

RGB 198 203 58

HSL 62.07, 0.58%, 0.51%

LAB 79.05, -18.84, 67.39

 

CMYK 22 / 0 / 71 / 20

HEX #9FCB3A

RGB 159 203 58

HSL 78.21, 0.58%, 0.51%

LAB 76.31, -34.72, 63.77

 

CMYK 41 / 0 / 71 / 20

HEX #77CB3A

RGB 119 203 58

HSL 94.76, 0.58%, 0.51%

LAB 74.15, -49.18, 60.9

 

CMYK 61 / 0 / 71 / 20

HEX #50CB3A

RGB 80 203 58

HSL 110.9, 0.58%, 0.51%

LAB 72.71, -60.19, 58.97

 

CMYK 0 / 17 / 71 / 20

HEX #CBA83A

RGB 203 168 58

HSL 45.52, 0.58%, 0.51%

LAB 70.18, 1.33, 58.83

 

CMYK 0 / 20 / 83 / 13

HEX #DFB325

RGB 223 179 37

HSL 45.81, 0.74%, 0.51%

LAB 74.86, 3.41, 71

 

CMYK 0 / 22 / 93 / 5

HEX #F3BE11

RGB 243 190 17

HSL 45.93, 0.9%, 0.51%

LAB 79.57, 5.92, 79.63

 

CMYK 0 / 17 / 71 / 20

HEX #CBA83A

RGB 203 168 58

HSL 45.52, 0.58%, 0.51%

LAB 70.18, 1.33, 58.83

 

CMYK 0 / 13 / 57 / 29

HEX #B69E4E

RGB 182 158 78

HSL 46.15, 0.42%, 0.51%

LAB 65.71, -1.15, 44.41

 

CMYK 0 / 9 / 40 / 36

HEX #A29362

RGB 162 147 98

HSL 45.94, 0.26%, 0.51%

LAB 61.16, -1.73, 27.97

 

CMYK 0 / 4 / 17 / 44

HEX #8E8876

RGB 142 136 118

HSL 45, 0.1%, 0.51%

LAB 56.75, -0.97, 10.47

 

CMYK 12 / 9 / 0 / 46

HEX #7A7E8A

RGB 122 126 138

HSL 225, 0.06%, 0.51%

LAB 52.83, 1.07, -7

 

CMYK 0 / 56 / 71 / 20

HEX #CB593A

RGB 203 89 58

HSL 12.83, 0.58%, 0.51%

LAB 52, 43.36, 39.63

 

CMYK 0 / 37 / 71 / 20

HEX #CB803A

RGB 203 128 58

HSL 28.97, 0.58%, 0.51%

LAB 60.28, 23, 48.65

 

CMYK 0 / 18 / 71 / 20

HEX #CBA63A

RGB 203 166 58

HSL 44.69, 0.58%, 0.51%

LAB 69.66, 2.39, 58.31

 

CMYK 1 / 0 / 71 / 20

HEX #C8CB3A

RGB 200 203 58

HSL 61.24, 0.58%, 0.51%

LAB 79.21, -18.01, 67.59

 

CMYK 21 / 0 / 71 / 20

HEX #A1CB3A

RGB 161 203 58

HSL 77.38, 0.58%, 0.51%

LAB 76.43, -33.94, 63.94

 

CMYK 0 / 17 / 74 / 45

HEX #8C7425

RGB 140 116 37

HSL 46.02, 0.58%, 0.35%

LAB 49.74, 0.52, 44.99

 

CMYK 0 / 17 / 73 / 32

HEX #AD8F2E

RGB 173 143 46

HSL 45.83, 0.58%, 0.43%

LAB 60.54, 0.99, 53.09

 

CMYK 0 / 17 / 71 / 20

HEX #CBA83A

RGB 203 168 58

HSL 45.52, 0.58%, 0.51%

LAB 70.18, 1.33, 58.83

 

CMYK 0 / 13 / 57 / 17

HEX #D3B75A

RGB 211 183 90

HSL 46.12, 0.58%, 0.59%

LAB 75.11, -1.17, 50.2

 

CMYK 0 / 10 / 44 / 14

HEX #DCC57B

RGB 220 197 123

HSL 45.77, 0.58%, 0.67%

LAB 79.94, -1.85, 39.98

 

CMYK 0 / 17 / 71 / 20

HEX #CBA93B

RGB 203 169 59

HSL 45.83, 0.58%, 0.51%

LAB 70.45, 0.84, 58.69

 

CMYK 68 / 0 / 71 / 20

HEX #41CB3A

RGB 65 203 58

HSL 117.1, 0.58%, 0.51%

LAB 72.32, -63.36, 58.45

 

CMYK 47 / 71 / 0 / 20

HEX #6C3ACB

RGB 108 58 203

HSL 260.69, 0.58%, 0.51%

LAB 38.77, 53.57, -67.28

 

CMYK 0 / 17 / 71 / 20

HEX #CBA93B

RGB 203 169 59

HSL 45.83, 0.58%, 0.51%

LAB 70.45, 0.84, 58.69

 

CMYK 71 / 0 / 18 / 20

HEX #3ACBA6

RGB 58 203 166

HSL 164.69, 0.58%, 0.51%

LAB 73.78, -46.62, 7.56

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 0 / 17 / 71 / 20

HEX #CBA93B

RGB 203 169 59

HSL 45.83, 0.58%, 0.51%

LAB 70.45, 0.84, 58.69

 

CMYK 68 / 0 / 71 / 20

HEX #41CB3A

RGB 65 203 58

HSL 117.1, 0.58%, 0.51%

LAB 72.32, -63.36, 58.45

 

CMYK 71 / 54 / 0 / 20

HEX #3A5ECB

RGB 58 94 203

HSL 225.1, 0.58%, 0.51%

LAB 43.09, 24.39, -60.42

 

CMYK 4 / 71 / 0 / 20

HEX #C33ACB

RGB 195 58 203

HSL 296.69, 0.58%, 0.51%

LAB 50.62, 70.55, -47.57

 

CMYK 0 / 17 / 71 / 20

HEX #CBA93B

RGB 203 169 59

HSL 45.83, 0.58%, 0.51%

LAB 70.45, 0.84, 58.69

 

CMYK 71 / 0 / 54 / 20

HEX #3ACB5E

RGB 58 203 94

HSL 134.9, 0.58%, 0.51%

LAB 72.51, -60.62, 43.16

 

CMYK 71 / 54 / 0 / 20

HEX #3A5ECB

RGB 58 94 203

HSL 225.1, 0.58%, 0.51%

LAB 43.09, 24.39, -60.42

 

CMYK 0 / 71 / 18 / 20

HEX #CB3AA6

RGB 203 58 166

HSL 315.31, 0.58%, 0.51%

LAB 50.07, 66.73, -26.78

 

Description

Color code: HEX #CBA93B | qconv.com Color code: HEX #CBA93B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 169 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 169 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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