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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A63ACB it is the complementary color #59C534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A63ACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A63ACB shade: #AB3AC6, #BC4CD9, #CD5EEC, #DE70FF and #EF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A63ACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A63ACB shade: #A63ACB, #9528B8, #8416A5, #730492 and #62007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A63ACB shade: #A63ACB, #CB3AC8, #CB3AA1, #CB3A7A and #CB3A53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A63ACB shade: #A63ACB, #7E3ACB, #573ACB and #3A3ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A63ACB shade matches the following richer shades: #A63ACB, #AF25DF and #B911F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A63ACB shade: #A63ACB, #9C4EB6, #9262A2, #88768E and #7E8A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A63ACB shade: #573ACB, #7D3ACB, #A43ACB, #CB3ACB and #CB3AA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A63ACB shade: #72258C, #8C2EAD, #A63ACB, #B45AD3 and #C37BDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A63ACB shade: #A63ACB, #CB3A43 and #3ACB6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A63ACB shade: #A63ACB, #CBA43A and #3ACBA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A63ACB shade: #A63ACB, #CB3A43, #60CB3A and #3ACBC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A63ACB shade: #A63ACB, #CB5B3A, #60CB3A and #3AA9CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

Complementary color

CMYK 55 / 0 / 74 / 23

HEX #59C534

RGB 89 197 52

HSL 104.69, 0.58%, 0.49%

LAB 71.08, -56.25, 59.57

 

CMYK 14 / 71 / 0 / 22

HEX #AB3AC6

RGB 171 58 198

HSL 288.43, 0.55%, 0.5%

LAB 46.66, 64.58, -51.21

 

CMYK 13 / 65 / 0 / 15

HEX #BC4CD9

RGB 188 76 217

HSL 287.66, 0.65%, 0.57%

LAB 52.81, 64.67, -52.14

 

CMYK 13 / 60 / 0 / 7

HEX #CD5EEC

RGB 205 94 236

HSL 286.9, 0.79%, 0.65%

LAB 59.01, 64.4, -52.81

 

CMYK 13 / 56 / 0 / 0

HEX #DE70FF

RGB 222 112 255

HSL 286.15, 1%, 0.72%

LAB 65.23, 63.91, -53.31

 

CMYK 6 / 49 / 0 / 0

HEX #EF82FF

RGB 239 130 255

HSL 292.32, 1%, 0.75%

LAB 70.55, 59.71, -44.78

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 19 / 78 / 0 / 28

HEX #9528B8

RGB 149 40 184

HSL 285.42, 0.64%, 0.44%

LAB 40.19, 63.87, -53.61

 

CMYK 20 / 87 / 0 / 35

HEX #8416A5

RGB 132 22 165

HSL 286.15, 0.76%, 0.37%

LAB 34.39, 62.26, -51.81

 

CMYK 21 / 97 / 0 / 43

HEX #730492

RGB 115 4 146

HSL 286.9, 0.95%, 0.29%

LAB 28.92, 59.3, -49.23

 

CMYK 23 / 100 / 0 / 50

HEX #62007F

RGB 98 0 127

HSL 286.3, 1%, 0.25%

LAB 24.09, 53.96, -45.33

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 0 / 71 / 1 / 20

HEX #CB3AC8

RGB 203 58 200

HSL 301.24, 0.58%, 0.51%

LAB 51.72, 71.77, -44.02

 

CMYK 0 / 71 / 21 / 20

HEX #CB3AA1

RGB 203 58 161

HSL 317.38, 0.58%, 0.51%

LAB 49.85, 66.06, -24.16

 

CMYK 0 / 71 / 40 / 20

HEX #CB3A7A

RGB 203 58 122

HSL 333.52, 0.58%, 0.51%

LAB 48.42, 61.45, -2.91

 

CMYK 0 / 71 / 59 / 20

HEX #CB3A53

RGB 203 58 83

HSL 349.66, 0.58%, 0.51%

LAB 47.43, 58.12, 19.49

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 38 / 71 / 0 / 20

HEX #7E3ACB

RGB 126 58 203

HSL 268.14, 0.58%, 0.51%

LAB 40.85, 56.72, -63.79

 

CMYK 57 / 71 / 0 / 20

HEX #573ACB

RGB 87 58 203

HSL 252, 0.58%, 0.51%

LAB 36.68, 50.3, -70.79

 

CMYK 71 / 71 / 0 / 20

HEX #3A3ACB

RGB 58 58 203

HSL 240, 0.58%, 0.51%

LAB 34.47, 46.74, -74.5

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 22 / 83 / 0 / 13

HEX #AF25DF

RGB 175 37 223

HSL 284.52, 0.74%, 0.51%

LAB 46.66, 76.49, -65.54

 

CMYK 24 / 93 / 0 / 5

HEX #B911F3

RGB 185 17 243

HSL 284.6, 0.9%, 0.51%

LAB 48.49, 85.06, -73.82

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 14 / 57 / 0 / 29

HEX #9C4EB6

RGB 156 78 182

HSL 285, 0.42%, 0.51%

LAB 46.84, 49, -41.75

 

CMYK 10 / 40 / 0 / 36

HEX #9262A2

RGB 146 98 162

HSL 285, 0.26%, 0.51%

LAB 48.83, 30.98, -26.97

 

CMYK 4 / 17 / 0 / 44

HEX #88768E

RGB 136 118 142

HSL 285, 0.1%, 0.51%

LAB 52, 11.62, -10.46

 

CMYK 9 / 0 / 12 / 46

HEX #7E8A7A

RGB 126 138 122

HSL 105, 0.06%, 0.51%

LAB 56.11, -7.55, 7.08

 

CMYK 57 / 71 / 0 / 20

HEX #573ACB

RGB 87 58 203

HSL 252, 0.58%, 0.51%

LAB 36.68, 50.3, -70.79

 

CMYK 38 / 71 / 0 / 20

HEX #7D3ACB

RGB 125 58 203

HSL 267.72, 0.58%, 0.51%

LAB 40.73, 56.53, -64

 

CMYK 19 / 71 / 0 / 20

HEX #A43ACB

RGB 164 58 203

HSL 283.86, 0.58%, 0.51%

LAB 45.95, 64.09, -55.3

 

CMYK 0 / 71 / 0 / 20

HEX #CB3ACB

RGB 203 58 203

HSL 300, 0.58%, 0.51%

LAB 51.88, 72.25, -45.49

 

CMYK 0 / 71 / 19 / 20

HEX #CB3AA4

RGB 203 58 164

HSL 316.14, 0.58%, 0.51%

LAB 49.98, 66.46, -25.73

 

CMYK 19 / 74 / 0 / 45

HEX #72258C

RGB 114 37 140

HSL 284.85, 0.58%, 0.35%

LAB 31.33, 49.12, -41.63

 

CMYK 19 / 73 / 0 / 32

HEX #8C2EAD

RGB 140 46 173

HSL 284.41, 0.58%, 0.43%

LAB 38.81, 57.83, -49.4

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 15 / 57 / 0 / 17

HEX #B45AD3

RGB 180 90 211

HSL 284.63, 0.58%, 0.59%

LAB 53.73, 55.21, -47.33

 

CMYK 11 / 44 / 0 / 14

HEX #C37BDC

RGB 195 123 220

HSL 284.54, 0.58%, 0.67%

LAB 62.45, 44.2, -38.53

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 0 / 71 / 67 / 20

HEX #CB3A43

RGB 203 58 67

HSL 356.28, 0.58%, 0.51%

LAB 47.14, 57.15, 28.78

 

CMYK 71 / 0 / 48 / 20

HEX #3ACB6A

RGB 58 203 106

HSL 139.86, 0.58%, 0.51%

LAB 72.66, -58.83, 37.5

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 0 / 19 / 71 / 20

HEX #CBA43A

RGB 203 164 58

HSL 43.86, 0.58%, 0.51%

LAB 69.15, 3.46, 57.8

 

CMYK 71 / 0 / 19 / 20

HEX #3ACBA4

RGB 58 203 164

HSL 163.86, 0.58%, 0.51%

LAB 73.73, -47.11, 8.57

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 0 / 71 / 67 / 20

HEX #CB3A43

RGB 203 58 67

HSL 356.28, 0.58%, 0.51%

LAB 47.14, 57.15, 28.78

 

CMYK 53 / 0 / 71 / 20

HEX #60CB3A

RGB 96 203 58

HSL 104.28, 0.58%, 0.51%

LAB 73.22, -56.13, 59.66

 

CMYK 71 / 0 / 5 / 20

HEX #3ACBC1

RGB 58 203 193

HSL 175.86, 0.58%, 0.51%

LAB 74.48, -39.57, -6.01

 

CMYK 18 / 71 / 0 / 20

HEX #A63ACB

RGB 166 58 203

HSL 284.69, 0.58%, 0.51%

LAB 46.24, 64.5, -54.82

 

CMYK 0 / 55 / 71 / 20

HEX #CB5B3A

RGB 203 91 58

HSL 13.66, 0.58%, 0.51%

LAB 52.38, 42.38, 40.05

 

CMYK 53 / 0 / 71 / 20

HEX #60CB3A

RGB 96 203 58

HSL 104.28, 0.58%, 0.51%

LAB 73.22, -56.13, 59.66

 

CMYK 71 / 17 / 0 / 20

HEX #3AA9CB

RGB 58 169 203

HSL 194.07, 0.58%, 0.51%

LAB 64.63, -20.05, -26.37

 

Description

Color code: HEX #A63ACB | qconv.com Color code: HEX #A63ACB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 58 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 58 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 71 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 71% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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