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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA2A1 it is the complementary color #345D5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA2A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CBA2A1: #D0A29C, #E1B4AF, #F2C6C2, #FFD8D5 and #FFEAE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA2A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CBA2A1: #CBA2A1, #BA908E, #A97E7B, #986C68 and #875A55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 21 / 20

HEX #CBA2A1

RGB 203 162 161

HSL 1.43, 0.29%, 0.71%

LAB 70.25, 14.96, 6.27

 

Complementary color

CMYK 45 / 1 / 0 / 63

HEX #345D5E

RGB 52 93 94

HSL 181.43, 0.29%, 0.29%

LAB 36.68, -14.05, -5.09

 

CMYK 0 / 22 / 25 / 18

HEX #D0A29C

RGB 208 162 156

HSL 6.92, 0.36%, 0.71%

LAB 70.63, 16.1, 9.64

 

CMYK 0 / 20 / 22 / 12

HEX #E1B4AF

RGB 225 180 175

HSL 6, 0.45%, 0.78%

LAB 77.13, 15.52, 8.73

 

CMYK 0 / 18 / 20 / 5

HEX #F2C6C2

RGB 242 198 194

HSL 5, 0.65%, 0.85%

LAB 83.53, 14.99, 7.88

 

CMYK 0 / 15 / 16 / 0

HEX #FFD8D5

RGB 255 216 213

HSL 4.29, 1%, 0.92%

LAB 89.48, 13.09, 6.52

 

CMYK 0 / 8 / 9 / 0

HEX #FFEAE8

RGB 255 234 232

HSL 5.22, 1%, 0.95%

LAB 94.28, 6.79, 3.54

 

CMYK 0 / 20 / 21 / 20

HEX #CBA2A1

RGB 203 162 161

HSL 1.43, 0.29%, 0.71%

LAB 70.25, 14.96, 6.27

 

CMYK 0 / 23 / 24 / 27

HEX #BA908E

RGB 186 144 142

HSL 2.73, 0.24%, 0.64%

LAB 63.62, 15.54, 7.16

 

CMYK 0 / 25 / 27 / 34

HEX #A97E7B

RGB 169 126 123

HSL 3.91, 0.21%, 0.57%

LAB 56.87, 16.21, 8.13

 

CMYK 0 / 29 / 32 / 40

HEX #986C68

RGB 152 108 104

HSL 5, 0.19%, 0.5%

LAB 49.98, 16.97, 9.21

 

CMYK 0 / 33 / 37 / 47

HEX #875A55

RGB 135 90 85

HSL 6, 0.23%, 0.43%

LAB 42.94, 17.86, 10.43

 

CMYK 0 / 20 / 21 / 20

HEX #CBA2A1

RGB 203 162 161

HSL 1.43, 0.29%, 0.71%

LAB 70.25, 14.96, 6.27

 

CMYK 0 / 17 / 21 / 21

HEX #CAA79F

RGB 202 167 159

HSL 11.16, 0.29%, 0.71%

LAB 71.35, 11.55, 8.93

 

CMYK 0 / 14 / 21 / 21

HEX #CAAE9F

RGB 202 174 159

HSL 20.93, 0.29%, 0.71%

LAB 73.11, 7.76, 11.43

 

CMYK 0 / 10 / 21 / 21

HEX #CAB59F

RGB 202 181 159

HSL 30.7, 0.29%, 0.71%

LAB 74.89, 4, 13.95

 

CMYK 0 / 7 / 21 / 21

HEX #CABC9F

RGB 202 188 159

HSL 40.47, 0.29%, 0.71%

LAB 76.69, 0.27, 16.47

 

CMYK 0 / 20 / 21 / 20

HEX #CBA2A1

RGB 203 162 161

HSL 1.43, 0.29%, 0.71%

LAB 70.25, 14.96, 6.27

 

CMYK 0 / 20 / 21 / 0

HEX #FECBC9

RGB 254 203 201

HSL 2.26, 0.96%, 0.89%

LAB 86.01, 17.73, 7.86

 

CMYK 0 / 20 / 20 / 80

HEX #322828

RGB 50 40 40

HSL 0, 0.11%, 0.18%

LAB 17.22, 4.65, 1.74

 

CMYK 0 / 20 / 21 / 60

HEX #655150

RGB 101 81 80

HSL 2.86, 0.12%, 0.35%

LAB 36.42, 8.15, 3.73

 

CMYK 0 / 20 / 20 / 40

HEX #987979

RGB 152 121 121

HSL 0, 0.13%, 0.54%

LAB 53.74, 12.04, 4.58

 

CMYK 0 / 20 / 21 / 20

HEX #CBA2A1

RGB 203 162 161

HSL 1.43, 0.29%, 0.71%

LAB 70.25, 14.96, 6.27

 

CMYK 4 / 0 / 21 / 21

HEX #C1CA9F

RGB 193 202 159

HSL 72.56, 0.29%, 0.71%

LAB 79.66, -10.4, 20.48

 

CMYK 21 / 13 / 0 / 21

HEX #9FB0CA

RGB 159 176 202

HSL 216.28, 0.29%, 0.71%

LAB 71.34, -0.27, -15.17

 

CMYK 0 / 20 / 21 / 20

HEX #CBA2A1

RGB 203 162 161

HSL 1.43, 0.29%, 0.71%

LAB 70.25, 14.96, 6.27

 

CMYK 21 / 0 / 21 / 21

HEX #9FCAA0

RGB 159 202 160

HSL 121.4, 0.29%, 0.71%

LAB 77.37, -22.34, 16.42

 

CMYK 21 / 21 / 0 / 21

HEX #A09FCA

RGB 160 159 202

HSL 241.4, 0.29%, 0.71%

LAB 66.93, 9.46, -21.85

 

CMYK 0 / 20 / 21 / 20

HEX #CBA2A1

RGB 203 162 161

HSL 1.43, 0.29%, 0.71%

LAB 70.25, 14.96, 6.27

 

CMYK 4 / 0 / 21 / 21

HEX #C1CA9F

RGB 193 202 159

HSL 72.56, 0.29%, 0.71%

LAB 79.66, -10.4, 20.48

 

CMYK 21 / 0 / 0 / 21

HEX #9FC9CA

RGB 159 201 202

HSL 181.4, 0.29%, 0.71%

LAB 78.12, -13.55, -5.06

 

CMYK 17 / 21 / 0 / 21

HEX #A89FCA

RGB 168 159 202

HSL 252.56, 0.29%, 0.71%

LAB 67.57, 12.01, -20.82

 

CMYK 0 / 20 / 21 / 20

HEX #CBA2A1

RGB 203 162 161

HSL 1.43, 0.29%, 0.71%

LAB 70.25, 14.96, 6.27

 

CMYK 11 / 0 / 21 / 21

HEX #B4CA9F

RGB 180 202 159

HSL 90.7, 0.29%, 0.71%

LAB 78.72, -15.15, 19.04

 

CMYK 21 / 0 / 0 / 21

HEX #9FC9CA

RGB 159 201 202

HSL 181.4, 0.29%, 0.71%

LAB 78.12, -13.55, -5.06

 

CMYK 10 / 21 / 0 / 21

HEX #B59FCA

RGB 181 159 202

HSL 270.7, 0.29%, 0.71%

LAB 68.67, 16.24, -19.04

 

Description

Color code: HEX #CBA2A1 | qconv.com Color code: HEX #CBA2A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 162 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 162 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 21 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 21% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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