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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB9291 it is the complementary color #346D6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB9291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CB9291: #D0928C, #E1A49F, #F2B6B2, #FFC8C5 and #FFDAD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB9291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CB9291: #CB9291, #BA807E, #A96E6B, #985C58 and #874A45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 29 / 20

HEX #CB9291

RGB 203 146 145

HSL 1.03, 0.36%, 0.68%

LAB 65.98, 21.39, 9.08

 

Complementary color

CMYK 53 / 1 / 0 / 57

HEX #346D6E

RGB 52 109 110

HSL 181.03, 0.36%, 0.32%

LAB 42.45, -18.29, -6.3

 

CMYK 0 / 30 / 33 / 18

HEX #D0928C

RGB 208 146 140

HSL 5.29, 0.42%, 0.68%

LAB 66.41, 22.64, 12.57

 

CMYK 0 / 27 / 29 / 12

HEX #E1A49F

RGB 225 164 159

HSL 4.55, 0.52%, 0.75%

LAB 72.93, 21.87, 11.5

 

CMYK 0 / 25 / 26 / 5

HEX #F2B6B2

RGB 242 182 178

HSL 3.75, 0.71%, 0.82%

LAB 79.36, 21.17, 10.51

 

CMYK 0 / 22 / 23 / 0

HEX #FFC8C5

RGB 255 200 197

HSL 3.1, 1%, 0.89%

LAB 85.3, 19.09, 8.99

 

CMYK 0 / 15 / 15 / 0

HEX #FFDAD8

RGB 255 218 216

HSL 3.08, 1%, 0.92%

LAB 90.03, 12.52, 5.74

 

CMYK 0 / 28 / 29 / 20

HEX #CB9291

RGB 203 146 145

HSL 1.03, 0.36%, 0.68%

LAB 65.98, 21.39, 9.08

 

CMYK 0 / 31 / 32 / 27

HEX #BA807E

RGB 186 128 126

HSL 2, 0.3%, 0.61%

LAB 59.33, 22.18, 10.16

 

CMYK 0 / 35 / 37 / 34

HEX #A96E6B

RGB 169 110 107

HSL 2.9, 0.26%, 0.54%

LAB 52.56, 23.08, 11.37

 

CMYK 0 / 39 / 42 / 40

HEX #985C58

RGB 152 92 88

HSL 3.75, 0.27%, 0.47%

LAB 45.68, 24.1, 12.76

 

CMYK 0 / 45 / 49 / 47

HEX #874A45

RGB 135 74 69

HSL 4.55, 0.32%, 0.4%

LAB 38.69, 25.25, 14.4

 

CMYK 0 / 28 / 29 / 20

HEX #CB9291

RGB 203 146 145

HSL 1.03, 0.36%, 0.68%

LAB 65.98, 21.39, 9.08

 

CMYK 0 / 24 / 29 / 21

HEX #CA9A90

RGB 202 154 144

HSL 10.34, 0.35%, 0.68%

LAB 67.79, 16.48, 12.18

 

CMYK 0 / 19 / 29 / 21

HEX #CAA490

RGB 202 164 144

HSL 20.69, 0.35%, 0.68%

LAB 70.26, 11.03, 15.65

 

CMYK 0 / 14 / 29 / 21

HEX #CAAE90

RGB 202 174 144

HSL 31.03, 0.35%, 0.68%

LAB 72.79, 5.62, 19.16

 

CMYK 0 / 9 / 29 / 21

HEX #CAB890

RGB 202 184 144

HSL 41.38, 0.35%, 0.68%

LAB 75.36, 0.28, 22.68

 

CMYK 0 / 28 / 29 / 20

HEX #CB9291

RGB 203 146 145

HSL 1.03, 0.36%, 0.68%

LAB 65.98, 21.39, 9.08

 

CMYK 0 / 28 / 29 / 0

HEX #FEB7B5

RGB 254 183 181

HSL 1.64, 0.97%, 0.85%

LAB 80.89, 25.46, 11.25

 

CMYK 0 / 28 / 28 / 80

HEX #322424

RGB 50 36 36

HSL 0, 0.16%, 0.17%

LAB 15.84, 6.65, 2.58

 

CMYK 0 / 28 / 29 / 60

HEX #654948

RGB 101 73 72

HSL 2.07, 0.17%, 0.34%

LAB 33.98, 11.77, 5.28

 

CMYK 0 / 28 / 28 / 40

HEX #986D6D

RGB 152 109 109

HSL 0, 0.17%, 0.51%

LAB 50.35, 17.11, 6.78

 

CMYK 0 / 28 / 29 / 20

HEX #CB9291

RGB 203 146 145

HSL 1.03, 0.36%, 0.68%

LAB 65.98, 21.39, 9.08

 

CMYK 6 / 0 / 29 / 21

HEX #BECA90

RGB 190 202 144

HSL 72.41, 0.35%, 0.68%

LAB 79.16, -13.68, 27.66

 

CMYK 29 / 18 / 0 / 21

HEX #90A6CA

RGB 144 166 202

HSL 217.24, 0.35%, 0.68%

LAB 67.63, 0.63, -20.89

 

CMYK 0 / 28 / 29 / 20

HEX #CB9291

RGB 203 146 145

HSL 1.03, 0.36%, 0.68%

LAB 65.98, 21.39, 9.08

 

CMYK 29 / 0 / 28 / 21

HEX #90CA91

RGB 144 202 145

HSL 121.03, 0.35%, 0.68%

LAB 76.2, -29.94, 22.63

 

CMYK 28 / 29 / 0 / 21

HEX #9190CA

RGB 145 144 202

HSL 241.03, 0.35%, 0.68%

LAB 61.85, 13.39, -29.75

 

CMYK 0 / 28 / 29 / 20

HEX #CB9291

RGB 203 146 145

HSL 1.03, 0.36%, 0.68%

LAB 65.98, 21.39, 9.08

 

CMYK 6 / 0 / 29 / 21

HEX #BECA90

RGB 190 202 144

HSL 72.41, 0.35%, 0.68%

LAB 79.16, -13.68, 27.66

 

CMYK 29 / 0 / 0 / 21

HEX #90C9CA

RGB 144 201 202

HSL 181.03, 0.35%, 0.68%

LAB 77.26, -18, -6.42

 

CMYK 23 / 29 / 0 / 21

HEX #9C90CA

RGB 156 144 202

HSL 252.41, 0.35%, 0.68%

LAB 62.74, 16.72, -28.3

 

CMYK 0 / 28 / 29 / 20

HEX #CB9291

RGB 203 146 145

HSL 1.03, 0.36%, 0.68%

LAB 65.98, 21.39, 9.08

 

CMYK 15 / 0 / 29 / 21

HEX #ACCA90

RGB 172 202 144

HSL 91.03, 0.35%, 0.68%

LAB 77.89, -20.36, 25.74

 

CMYK 29 / 0 / 0 / 21

HEX #90C9CA

RGB 144 201 202

HSL 181.03, 0.35%, 0.68%

LAB 77.26, -18, -6.42

 

CMYK 14 / 29 / 0 / 21

HEX #AE90CA

RGB 174 144 202

HSL 271.03, 0.35%, 0.68%

LAB 64.33, 22.38, -25.72

 

Description

Color code: HEX #CB9291 | qconv.com Color code: HEX #CB9291 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 146 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 146 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 29 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 29% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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