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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB8D56 it is the complementary color #3472A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB8D56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CB8D56: #D08D51, #E19F64, #F2B177, #FFC38A and #FFD59D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB8D56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CB8D56: #CB8D56, #BA7B43, #A96930, #98571D and #87450A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 58 / 20

HEX #CB8D56

RGB 203 141 86

HSL 28.21, 0.53%, 0.57%

LAB 63.69, 17.73, 38.47

 

Complementary color

CMYK 69 / 33 / 0 / 34

HEX #3472A9

RGB 52 114 169

HSL 208.21, 0.53%, 0.43%

LAB 46.48, -1.58, -35.25

 

CMYK 0 / 32 / 61 / 18

HEX #D08D51

RGB 208 141 81

HSL 28.35, 0.57%, 0.57%

LAB 64.2, 19.45, 41.83

 

CMYK 0 / 29 / 56 / 12

HEX #E19F64

RGB 225 159 100

HSL 28.32, 0.68%, 0.64%

LAB 70.68, 18.23, 40.3

 

CMYK 0 / 27 / 51 / 5

HEX #F2B177

RGB 242 177 119

HSL 28.29, 0.83%, 0.71%

LAB 77.07, 17.16, 38.84

 

CMYK 0 / 24 / 46 / 0

HEX #FFC38A

RGB 255 195 138

HSL 29.23, 1%, 0.77%

LAB 82.98, 14.65, 36.87

 

CMYK 0 / 16 / 38 / 0

HEX #FFD59D

RGB 255 213 157

HSL 34.29, 1%, 0.81%

LAB 87.62, 7.28, 33.18

 

CMYK 0 / 31 / 58 / 20

HEX #CB8D56

RGB 203 141 86

HSL 28.21, 0.53%, 0.57%

LAB 63.69, 17.73, 38.47

 

CMYK 0 / 34 / 64 / 27

HEX #BA7B43

RGB 186 123 67

HSL 28.24, 0.47%, 0.5%

LAB 57.09, 19.03, 40.05

 

CMYK 0 / 38 / 72 / 34

HEX #A96930

RGB 169 105 48

HSL 28.26, 0.56%, 0.43%

LAB 50.4, 20.56, 41.64

 

CMYK 0 / 43 / 81 / 40

HEX #98571D

RGB 152 87 29

HSL 28.29, 0.68%, 0.35%

LAB 43.63, 22.36, 43.01

 

CMYK 0 / 49 / 93 / 47

HEX #87450A

RGB 135 69 10

HSL 28.32, 0.86%, 0.28%

LAB 36.8, 24.47, 43.46

 

CMYK 0 / 31 / 58 / 20

HEX #CB8D56

RGB 203 141 86

HSL 28.21, 0.53%, 0.57%

LAB 63.69, 17.73, 38.47

 

CMYK 0 / 21 / 57 / 20

HEX #CBA057

RGB 203 160 87

HSL 37.76, 0.53%, 0.57%

LAB 68.41, 7.47, 43.63

 

CMYK 0 / 11 / 57 / 20

HEX #CBB457

RGB 203 180 87

HSL 48.1, 0.53%, 0.57%

LAB 73.56, -3.2, 49.65

 

CMYK 0 / 2 / 57 / 20

HEX #CBC757

RGB 203 199 87

HSL 57.93, 0.53%, 0.57%

LAB 78.6, -13, 55.36

 

CMYK 8 / 0 / 57 / 20

HEX #BBCB57

RGB 187 203 87

HSL 68.28, 0.53%, 0.57%

LAB 78.44, -21.55, 54.85

 

CMYK 0 / 31 / 58 / 20

HEX #CB8D56

RGB 203 141 86

HSL 28.21, 0.53%, 0.57%

LAB 63.69, 17.73, 38.47

 

CMYK 0 / 31 / 57 / 0

HEX #FEB06C

RGB 254 176 108

HSL 27.95, 0.99%, 0.71%

LAB 78, 21.62, 45.88

 

CMYK 0 / 30 / 58 / 80

HEX #322315

RGB 50 35 21

HSL 28.97, 0.41%, 0.14%

LAB 15.14, 5, 12.16

 

CMYK 0 / 31 / 57 / 60

HEX #65462B

RGB 101 70 43

HSL 27.93, 0.4%, 0.28%

LAB 32.53, 9.89, 21.45

 

CMYK 0 / 30 / 58 / 40

HEX #986A40

RGB 152 106 64

HSL 28.64, 0.41%, 0.42%

LAB 48.7, 13.61, 30.69

 

CMYK 0 / 31 / 58 / 20

HEX #CB8D56

RGB 203 141 86

HSL 28.21, 0.53%, 0.57%

LAB 63.69, 17.73, 38.47

 

CMYK 38 / 0 / 57 / 20

HEX #7DCB57

RGB 125 203 87

HSL 100.34, 0.53%, 0.57%

LAB 74.67, -44.7, 49.55

 

CMYK 54 / 57 / 0 / 20

HEX #5E57CB

RGB 94 87 203

HSL 243.62, 0.53%, 0.57%

LAB 43.52, 34.8, -59.62

 

CMYK 0 / 31 / 58 / 20

HEX #CB8D56

RGB 203 141 86

HSL 28.21, 0.53%, 0.57%

LAB 63.69, 17.73, 38.47

 

CMYK 57 / 0 / 31 / 20

HEX #57CB8D

RGB 87 203 141

HSL 147.93, 0.53%, 0.57%

LAB 73.97, -47.02, 21.3

 

CMYK 31 / 57 / 0 / 20

HEX #8D57CB

RGB 141 87 203

HSL 267.93, 0.53%, 0.57%

LAB 48, 45.25, -52.17

 

CMYK 0 / 31 / 58 / 20

HEX #CB8D56

RGB 203 141 86

HSL 28.21, 0.53%, 0.57%

LAB 63.69, 17.73, 38.47

 

CMYK 38 / 0 / 57 / 20

HEX #7DCB57

RGB 125 203 87

HSL 100.34, 0.53%, 0.57%

LAB 74.67, -44.7, 49.55

 

CMYK 57 / 27 / 0 / 20

HEX #5795CB

RGB 87 149 203

HSL 207.93, 0.53%, 0.57%

LAB 59.74, -4.15, -33.87

 

CMYK 19 / 57 / 0 / 20

HEX #A457CB

RGB 164 87 203

HSL 279.83, 0.53%, 0.57%

LAB 50.71, 50.97, -47.68

 

CMYK 0 / 31 / 58 / 20

HEX #CB8D56

RGB 203 141 86

HSL 28.21, 0.53%, 0.57%

LAB 63.69, 17.73, 38.47

 

CMYK 55 / 0 / 57 / 20

HEX #5BCB57

RGB 91 203 87

HSL 117.93, 0.53%, 0.57%

LAB 73.3, -54.66, 47.6

 

CMYK 57 / 27 / 0 / 20

HEX #5795CB

RGB 87 149 203

HSL 207.93, 0.53%, 0.57%

LAB 59.74, -4.15, -33.87

 

CMYK 2 / 57 / 0 / 20

HEX #C757CB

RGB 199 87 203

HSL 297.93, 0.53%, 0.57%

LAB 55.35, 59.96, -40.04

 

Description

Color code: HEX #CB8D56 | qconv.com Color code: HEX #CB8D56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 141 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 141 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 58% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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