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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB817B it is the complementary color #347E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB817B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CB817B: #D08176, #E19389, #F2A59C, #FFB7AF and #FFC9C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB817B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CB817B: #CB817B, #BA6F68, #A95D55, #984B42 and #87392F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 39 / 20

HEX #CB817B

RGB 203 129 123

HSL 4.5, 0.43%, 0.64%

LAB 61.5, 27.87, 15.22

 

Complementary color

CMYK 61 / 5 / 0 / 48

HEX #347E84

RGB 52 126 132

HSL 184.5, 0.43%, 0.36%

LAB 48.66, -20.81, -10.14

 

CMYK 0 / 38 / 43 / 18

HEX #D08176

RGB 208 129 118

HSL 7.33, 0.49%, 0.64%

LAB 62.01, 29.25, 18.85

 

CMYK 0 / 35 / 39 / 12

HEX #E19389

RGB 225 147 137

HSL 6.82, 0.59%, 0.71%

LAB 68.52, 28.26, 17.48

 

CMYK 0 / 32 / 36 / 5

HEX #F2A59C

RGB 242 165 156

HSL 6.28, 0.77%, 0.78%

LAB 74.94, 27.35, 16.24

 

CMYK 0 / 28 / 31 / 0

HEX #FFB7AF

RGB 255 183 175

HSL 6, 1%, 0.84%

LAB 80.86, 25.06, 14.45

 

CMYK 0 / 21 / 24 / 0

HEX #FFC9C2

RGB 255 201 194

HSL 6.89, 1%, 0.88%

LAB 85.47, 18.15, 10.82

 

CMYK 0 / 36 / 39 / 20

HEX #CB817B

RGB 203 129 123

HSL 4.5, 0.43%, 0.64%

LAB 61.5, 27.87, 15.22

 

CMYK 0 / 40 / 44 / 27

HEX #BA6F68

RGB 186 111 104

HSL 5.12, 0.37%, 0.57%

LAB 54.87, 28.91, 16.65

 

CMYK 0 / 45 / 50 / 34

HEX #A95D55

RGB 169 93 85

HSL 5.71, 0.33%, 0.5%

LAB 48.16, 30.06, 18.31

 

CMYK 0 / 51 / 57 / 40

HEX #984B42

RGB 152 75 66

HSL 6.28, 0.39%, 0.43%

LAB 41.38, 31.32, 20.27

 

CMYK 0 / 58 / 65 / 47

HEX #87392F

RGB 135 57 47

HSL 6.82, 0.48%, 0.36%

LAB 34.56, 32.66, 22.65

 

CMYK 0 / 36 / 39 / 20

HEX #CB817B

RGB 203 129 123

HSL 4.5, 0.43%, 0.64%

LAB 61.5, 27.87, 15.22

 

CMYK 0 / 30 / 39 / 21

HEX #CA8E7B

RGB 202 142 123

HSL 14.43, 0.43%, 0.64%

LAB 64.43, 20.38, 19.23

 

CMYK 0 / 23 / 39 / 21

HEX #CA9B7B

RGB 202 155 123

HSL 24.3, 0.43%, 0.64%

LAB 67.6, 13.27, 23.53

 

CMYK 0 / 17 / 39 / 21

HEX #CAA87B

RGB 202 168 123

HSL 34.18, 0.43%, 0.64%

LAB 70.87, 6.22, 27.9

 

CMYK 0 / 10 / 39 / 21

HEX #CAB57B

RGB 202 181 123

HSL 44.05, 0.43%, 0.64%

LAB 74.21, -0.72, 32.3

 

CMYK 0 / 36 / 39 / 20

HEX #CB817B

RGB 203 129 123

HSL 4.5, 0.43%, 0.64%

LAB 61.5, 27.87, 15.22

 

CMYK 0 / 37 / 39 / 0

HEX #FEA19A

RGB 254 161 154

HSL 4.2, 0.98%, 0.8%

LAB 75.39, 33.7, 18.15

 

CMYK 0 / 36 / 40 / 80

HEX #32201E

RGB 50 32 30

HSL 6, 0.25%, 0.16%

LAB 14.43, 8.39, 4.86

 

CMYK 0 / 37 / 40 / 60

HEX #65403D

RGB 101 64 61

HSL 4.5, 0.25%, 0.32%

LAB 31.28, 15.72, 8.5

 

CMYK 0 / 36 / 39 / 40

HEX #98615C

RGB 152 97 92

HSL 5, 0.25%, 0.48%

LAB 46.97, 21.72, 12.14

 

CMYK 0 / 36 / 39 / 20

HEX #CB817B

RGB 203 129 123

HSL 4.5, 0.43%, 0.64%

LAB 61.5, 27.87, 15.22

 

CMYK 10 / 0 / 39 / 21

HEX #B5CA7B

RGB 181 202 123

HSL 75.95, 0.43%, 0.64%

LAB 78.17, -19.83, 37.08

 

CMYK 39 / 26 / 0 / 21

HEX #7B96CA

RGB 123 150 202

HSL 219.49, 0.43%, 0.64%

LAB 61.9, 3.64, -29.8

 

CMYK 0 / 36 / 39 / 20

HEX #CB817B

RGB 203 129 123

HSL 4.5, 0.43%, 0.64%

LAB 61.5, 27.87, 15.22

 

CMYK 39 / 0 / 37 / 21

HEX #7BCA80

RGB 123 202 128

HSL 123.8, 0.43%, 0.64%

LAB 74.83, -39.44, 29.51

 

CMYK 37 / 39 / 0 / 21

HEX #807BCA

RGB 128 123 202

HSL 243.8, 0.43%, 0.64%

LAB 55.09, 20.81, -40.4

 

CMYK 0 / 36 / 39 / 20

HEX #CB817B

RGB 203 129 123

HSL 4.5, 0.43%, 0.64%

LAB 61.5, 27.87, 15.22

 

CMYK 10 / 0 / 39 / 21

HEX #B5CA7B

RGB 181 202 123

HSL 75.95, 0.43%, 0.64%

LAB 78.17, -19.83, 37.08

 

CMYK 39 / 2 / 0 / 21

HEX #7BC5CA

RGB 123 197 202

HSL 183.8, 0.43%, 0.64%

LAB 75.08, -21.7, -9.78

 

CMYK 29 / 39 / 0 / 21

HEX #907BCA

RGB 144 123 202

HSL 255.95, 0.43%, 0.64%

LAB 56.45, 25.29, -38.18

 

CMYK 0 / 36 / 39 / 20

HEX #CB817B

RGB 203 129 123

HSL 4.5, 0.43%, 0.64%

LAB 61.5, 27.87, 15.22

 

CMYK 22 / 0 / 39 / 21

HEX #9DCA7B

RGB 157 202 123

HSL 94.18, 0.43%, 0.64%

LAB 76.58, -28.79, 34.73

 

CMYK 39 / 2 / 0 / 21

HEX #7BC5CA

RGB 123 197 202

HSL 183.8, 0.43%, 0.64%

LAB 75.08, -21.7, -9.78

 

CMYK 17 / 39 / 0 / 21

HEX #A87BCA

RGB 168 123 202

HSL 274.18, 0.43%, 0.64%

LAB 58.75, 32.38, -34.41

 

Description

Color code: HEX #CB817B | qconv.com Color code: HEX #CB817B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 129 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 129 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 39 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 39% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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