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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CAA4DA it is the complementary color #355B25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CAA4DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CAA4DA shade: #CFA4D5, #E0B6E8, #F1C8FB, #FFDAFF and #FFECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CAA4DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CAA4DA shade: #CAA4DA, #B992C7, #A880B4, #976EA1 and #865C8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CAA4DA shade: #CAA4DA, #D9A4DA, #DAA4CD, #DAA4BF and #DAA4B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CAA4DA shade: #CAA4DA, #BCA4DA, #ADA4DA and #A4A4DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CAA4DA shade matches the following richer shades: #CAA4DA, #CE9AE4, #D390EF and #D786F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CAA4DA shade: #CAA4DA, #C6AFD0, #C2B9C5, #BEC3BB and #B9CEB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CAA4DA shade: #ADA4DA, #BCA4DA, #CAA4DA, #D8A4DA and #DAA4CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CAA4DA shade: #A86AC2, #B987CE, #CAA4DA, #DBC2E6 and #ECDFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CAA4DA shade: #CAA4DA, #DAA4AA and #A4DAB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CAA4DA shade: #CAA4DA, #DACAA4 and #A4DACA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CAA4DA shade: #CAA4DA, #DAA4AA, #B5DAA4 and #A4DAD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CAA4DA shade: #CAA4DA, #DAAFA4, #B5DAA4 and #A4CFDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

Complementary color

CMYK 42 / 0 / 59 / 64

HEX #355B25

RGB 53 91 37

HSL 102.22, 0.42%, 0.25%

LAB 34.75, -24.84, 26.59

 

CMYK 3 / 23 / 0 / 16

HEX #CFA4D5

RGB 207 164 213

HSL 292.65, 0.37%, 0.74%

LAB 72.64, 24.27, -18.85

 

CMYK 3 / 22 / 0 / 9

HEX #E0B6E8

RGB 224 182 232

HSL 290.4, 0.52%, 0.81%

LAB 79.12, 23.73, -19.23

 

CMYK 4 / 20 / 0 / 2

HEX #F1C8FB

RGB 241 200 251

HSL 288.24, 0.86%, 0.88%

LAB 85.49, 23.22, -19.6

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 7 / 27 / 0 / 22

HEX #B992C7

RGB 185 146 199

HSL 284.15, 0.32%, 0.68%

LAB 65.75, 24.19, -21.79

 

CMYK 7 / 29 / 0 / 29

HEX #A880B4

RGB 168 128 180

HSL 286.15, 0.26%, 0.6%

LAB 59.03, 24.82, -21.48

 

CMYK 6 / 32 / 0 / 37

HEX #976EA1

RGB 151 110 161

HSL 288.24, 0.21%, 0.53%

LAB 52.18, 25.5, -21.17

 

CMYK 6 / 35 / 0 / 44

HEX #865C8E

RGB 134 92 142

HSL 290.4, 0.21%, 0.46%

LAB 45.19, 26.25, -20.85

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 0 / 25 / 0 / 15

HEX #D9A4DA

RGB 217 164 218

HSL 298.89, 0.42%, 0.75%

LAB 73.78, 28.52, -19.77

 

CMYK 0 / 25 / 6 / 15

HEX #DAA4CD

RGB 218 164 205

HSL 314.44, 0.42%, 0.75%

LAB 73.46, 26.49, -13.13

 

CMYK 0 / 25 / 12 / 15

HEX #DAA4BF

RGB 218 164 191

HSL 330, 0.42%, 0.75%

LAB 73.04, 24.1, -6.06

 

CMYK 0 / 25 / 19 / 15

HEX #DAA4B0

RGB 218 164 176

HSL 346.67, 0.42%, 0.75%

LAB 72.62, 21.71, 1.6

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 14 / 25 / 0 / 15

HEX #BCA4DA

RGB 188 164 218

HSL 266.67, 0.42%, 0.75%

LAB 71.08, 19.11, -24.13

 

CMYK 21 / 25 / 0 / 15

HEX #ADA4DA

RGB 173 164 218

HSL 250, 0.42%, 0.75%

LAB 69.82, 14.4, -26.17

 

CMYK 25 / 25 / 0 / 15

HEX #A4A4DA

RGB 164 164 218

HSL 240, 0.42%, 0.75%

LAB 69.12, 11.65, -27.31

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 10 / 32 / 0 / 11

HEX #CE9AE4

RGB 206 154 228

HSL 282.16, 0.58%, 0.75%

LAB 70.76, 32.38, -29.97

 

CMYK 12 / 40 / 0 / 6

HEX #D390EF

RGB 211 144 239

HSL 282.32, 0.75%, 0.75%

LAB 69.49, 41.54, -37.93

 

CMYK 14 / 46 / 0 / 2

HEX #D786F9

RGB 215 134 249

HSL 282.26, 0.91%, 0.75%

LAB 68.27, 49.99, -45.28

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 5 / 16 / 0 / 18

HEX #C6AFD0

RGB 198 175 208

HSL 281.82, 0.26%, 0.75%

LAB 74.33, 14.28, -13.65

 

CMYK 2 / 6 / 0 / 23

HEX #C2B9C5

RGB 194 185 197

HSL 285, 0.09%, 0.75%

LAB 76.19, 5.38, -4.92

 

CMYK 3 / 0 / 4 / 24

HEX #BEC3BB

RGB 190 195 187

HSL 97.5, 0.06%, 0.75%

LAB 78.21, -3.19, 3.4

HEX #BEC3BB

CMYK 10 / 0 / 14 / 19

HEX #B9CEB1

RGB 185 206 177

HSL 103.45, 0.23%, 0.75%

LAB 80.53, -12.43, 12.05

HEX #B9CEB1

CMYK 21 / 25 / 0 / 15

HEX #ADA4DA

RGB 173 164 218

HSL 250, 0.42%, 0.75%

LAB 69.82, 14.4, -26.17

 

CMYK 14 / 25 / 0 / 15

HEX #BCA4DA

RGB 188 164 218

HSL 266.67, 0.42%, 0.75%

LAB 71.08, 19.11, -24.13

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 1 / 25 / 0 / 15

HEX #D8A4DA

RGB 216 164 218

HSL 297.78, 0.42%, 0.75%

LAB 73.68, 28.19, -19.93

 

CMYK 0 / 25 / 6 / 15

HEX #DAA4CE

RGB 218 164 206

HSL 313.33, 0.42%, 0.75%

LAB 73.49, 26.67, -13.63

 

CMYK 13 / 45 / 0 / 24

HEX #A86AC2

RGB 168 106 194

HSL 282.27, 0.42%, 0.59%

LAB 54.58, 40.09, -36.37

 

CMYK 10 / 34 / 0 / 19

HEX #B987CE

RGB 185 135 206

HSL 282.25, 0.42%, 0.67%

LAB 63.42, 31.76, -29.27

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 5 / 16 / 0 / 10

HEX #DBC2E6

RGB 219 194 230

HSL 281.67, 0.42%, 0.83%

LAB 81.49, 15.26, -14.63

 

CMYK 2 / 8 / 0 / 5

HEX #ECDFF2

RGB 236 223 242

HSL 281.05, 0.42%, 0.91%

LAB 90.33, 7.8, -7.66

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 0 / 25 / 22 / 15

HEX #DAA4AA

RGB 218 164 170

HSL 353.33, 0.42%, 0.75%

LAB 72.47, 20.8, 4.68

 

CMYK 25 / 0 / 17 / 15

HEX #A4DAB5

RGB 164 218 181

HSL 138.89, 0.42%, 0.75%

LAB 82.58, -24.75, 12.64

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 0 / 7 / 25 / 15

HEX #DACAA4

RGB 218 202 164

HSL 42.22, 0.42%, 0.75%

LAB 81.74, -0.32, 21.02

 

CMYK 25 / 0 / 7 / 15

HEX #A4DACA

RGB 164 218 202

HSL 162.22, 0.42%, 0.75%

LAB 83.07, -20.62, 2.23

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 0 / 25 / 22 / 15

HEX #DAA4AA

RGB 218 164 170

HSL 353.33, 0.42%, 0.75%

LAB 72.47, 20.8, 4.68

 

CMYK 17 / 0 / 25 / 15

HEX #B5DAA4

RGB 181 218 164

HSL 101.11, 0.42%, 0.75%

LAB 83.26, -21.98, 22.67

 

CMYK 25 / 0 / 2 / 15

HEX #A4DAD5

RGB 164 218 213

HSL 174.44, 0.42%, 0.75%

LAB 83.36, -18.3, -3.19

 

CMYK 7 / 25 / 0 / 15

HEX #CAA4DA

RGB 202 164 218

HSL 282.22, 0.42%, 0.75%

LAB 72.34, 23.62, -22.09

 

CMYK 0 / 20 / 25 / 15

HEX #DAAFA4

RGB 218 175 164

HSL 12.22, 0.42%, 0.75%

LAB 74.98, 14, 11.56

 

CMYK 17 / 0 / 25 / 15

HEX #B5DAA4

RGB 181 218 164

HSL 101.11, 0.42%, 0.75%

LAB 83.26, -21.98, 22.67

 

CMYK 25 / 5 / 0 / 15

HEX #A4CFDA

RGB 164 207 218

HSL 192.22, 0.42%, 0.75%

LAB 80.5, -11.6, -10.08

 

Description

Color code: HEX #CAA4DA | qconv.com Color code: HEX #CAA4DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 164 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 164 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 25 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 25% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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