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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 0 / 17 / 15 it is the complementary color CMYK 0 / 59 / 18 / 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 0 / 17 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 25 / 0 / 17 / 15: CMYK 23 / 0 / 19 / 15, CMYK 21 / 0 / 17 / 8, CMYK 20 / 0 / 16 / 1, CMYK 14 / 0 / 9 / 0 and CMYK 7 / 0 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 0 / 17 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 25 / 0 / 17 / 15: CMYK 25 / 0 / 17 / 15, CMYK 27 / 0 / 19 / 22, CMYK 29 / 0 / 22 / 29, CMYK 31 / 0 / 25 / 36 and CMYK 34 / 0 / 28 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 17 / 15

HEX #A3D9B4

RGB 163 217 180

HSL 138.89, 0.42%, 0.75%

LAB 82.22, -24.77, 12.66

 

Complementary color

CMYK 0 / 59 / 18 / 64

HEX #5C264B

RGB 92 38 75

HSL 318.89, 0.42%, 0.25%

LAB 24.22, 29.79, -11.24

 

CMYK 23 / 0 / 19 / 15

HEX #A8D9AF

RGB 168 217 175

HSL 128.57, 0.39%, 0.75%

LAB 82.4, -24.06, 15.59

 

CMYK 21 / 0 / 17 / 8

HEX #B9EBC2

RGB 185 235 194

HSL 130.8, 0.56%, 0.82%

LAB 88.75, -23.88, 14.72

 

CMYK 20 / 0 / 16 / 1

HEX #CAFDD5

RGB 202 253 213

HSL 132.94, 0.93%, 0.89%

LAB 95, -23.72, 13.89

 

CMYK 14 / 0 / 9 / 0

HEX #DBFFE8

RGB 219 255 232

HSL 141.67, 1%, 0.93%

LAB 96.99, -15.83, 7.11

 

CMYK 7 / 0 / 2 / 0

HEX #ECFFFB

RGB 236 255 251

HSL 167.37, 1%, 0.96%

LAB 98.56, -6.9, -0.22

 

CMYK 25 / 0 / 17 / 15

HEX #A3D9B4

RGB 163 217 180

HSL 138.89, 0.42%, 0.75%

LAB 82.22, -24.77, 12.66

 

CMYK 27 / 0 / 19 / 22

HEX #92C7A1

RGB 146 199 161

HSL 136.98, 0.32%, 0.68%

LAB 75.78, -24.98, 13.54

 

CMYK 29 / 0 / 22 / 29

HEX #81B58E

RGB 129 181 142

HSL 135, 0.26%, 0.61%

LAB 69.23, -25.22, 14.48

 

CMYK 31 / 0 / 25 / 36

HEX #70A37B

RGB 112 163 123

HSL 132.94, 0.22%, 0.54%

LAB 62.57, -25.48, 15.48

 

CMYK 34 / 0 / 28 / 43

HEX #5F9168

RGB 95 145 104

HSL 130.8, 0.21%, 0.47%

LAB 55.77, -25.75, 16.57

 

CMYK 25 / 0 / 17 / 15

HEX #A3D9B4

RGB 163 217 180

HSL 138.89, 0.42%, 0.75%

LAB 82.22, -24.77, 12.66

 

CMYK 25 / 0 / 13 / 15

HEX #A4DABD

RGB 164 218 189

HSL 147.78, 0.42%, 0.75%

LAB 82.76, -23.23, 8.67

 

CMYK 25 / 0 / 9 / 15

HEX #A4DAC6

RGB 164 218 198

HSL 157.78, 0.42%, 0.75%

LAB 82.97, -21.44, 4.21

 

CMYK 25 / 0 / 5 / 15

HEX #A4DACF

RGB 164 218 207

HSL 167.78, 0.42%, 0.75%

LAB 83.2, -19.58, -0.24

 

CMYK 25 / 0 / 1 / 15

HEX #A4DAD8

RGB 164 218 216

HSL 177.78, 0.42%, 0.75%

LAB 83.44, -17.65, -4.67

 

CMYK 25 / 0 / 17 / 15

HEX #A3D9B4

RGB 163 217 180

HSL 138.89, 0.42%, 0.75%

LAB 82.22, -24.77, 12.66

 

CMYK 23 / 0 / 15 / 95

HEX #0A0D0B

RGB 10 13 11

HSL 140, 0.13%, 0.05%

LAB 3.4, -1.16, 0.54

 

CMYK 25 / 0 / 17 / 75

HEX #304035

RGB 48 64 53

HSL 138.75, 0.14%, 0.22%

LAB 25.42, -9.15, 4.64

 

CMYK 25 / 0 / 17 / 55

HEX #56735F

RGB 86 115 95

HSL 138.62, 0.14%, 0.39%

LAB 45.72, -14.98, 7.69

 

CMYK 25 / 0 / 17 / 35

HEX #7DA68A

RGB 125 166 138

HSL 139.02, 0.19%, 0.57%

LAB 64.54, -19.76, 10.03

 

CMYK 25 / 0 / 17 / 15

HEX #A3D9B4

RGB 163 217 180

HSL 138.89, 0.42%, 0.75%

LAB 82.22, -24.77, 12.66

 

CMYK 25 / 12 / 0 / 15

HEX #A4BFDA

RGB 164 191 218

HSL 210, 0.42%, 0.75%

LAB 76.2, -3.17, -16.53

 

CMYK 0 / 25 / 22 / 15

HEX #DAA4A9

RGB 218 164 169

HSL 354.44, 0.42%, 0.75%

LAB 72.44, 20.65, 5.2

 

CMYK 25 / 0 / 17 / 15

HEX #A3D9B4

RGB 163 217 180

HSL 138.89, 0.42%, 0.75%

LAB 82.22, -24.77, 12.66

 

CMYK 17 / 25 / 0 / 15

HEX #B4A4DA

RGB 180 164 218

HSL 257.78, 0.42%, 0.75%

LAB 70.4, 16.58, -25.24

 

CMYK 0 / 17 / 25 / 15

HEX #DAB4A4

RGB 218 180 164

HSL 17.78, 0.42%, 0.75%

LAB 76.21, 11.32, 13.3

 

CMYK 25 / 0 / 17 / 15

HEX #A3D9B4

RGB 163 217 180

HSL 138.89, 0.42%, 0.75%

LAB 82.22, -24.77, 12.66

 

CMYK 25 / 12 / 0 / 15

HEX #A4BFDA

RGB 164 191 218

HSL 210, 0.42%, 0.75%

LAB 76.2, -3.17, -16.53

 

CMYK 0 / 25 / 8 / 15

HEX #DAA4C9

RGB 218 164 201

HSL 318.89, 0.42%, 0.75%

LAB 73.33, 25.79, -11.12

 

CMYK 0 / 12 / 25 / 15

HEX #DABFA4

RGB 218 191 164

HSL 30, 0.42%, 0.75%

LAB 78.95, 5.46, 17.15

 

CMYK 25 / 0 / 17 / 15

HEX #A3D9B4

RGB 163 217 180

HSL 138.89, 0.42%, 0.75%

LAB 82.22, -24.77, 12.66

 

CMYK 25 / 20 / 0 / 15

HEX #A4AFDA

RGB 164 175 218

HSL 227.78, 0.42%, 0.75%

LAB 71.97, 5.53, -22.95

 

CMYK 0 / 25 / 8 / 15

HEX #DAA4C9

RGB 218 164 201

HSL 318.89, 0.42%, 0.75%

LAB 73.33, 25.79, -11.12

 

CMYK 0 / 5 / 25 / 15

HEX #DACFA4

RGB 218 207 164

HSL 47.78, 0.42%, 0.75%

LAB 83.03, -2.91, 22.78

 

Description

Color code: CMYK 25 / 0 / 17 / 15 | qconv.com Color code: CMYK 25 / 0 / 17 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 217 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 217 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 17% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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