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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA9C54 it is the complementary color #3563AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA9C54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CA9C54: #CF9C4F, #E0AE62, #F1C075, #FFD288 and #FFE49B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA9C54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CA9C54: #CA9C54, #B98A41, #A8782E, #97661B and #865408

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 58 / 21

HEX #CA9C54

RGB 202 156 84

HSL 36.61, 0.53%, 0.56%

LAB 67.26, 8.98, 43.75

 

Complementary color

CMYK 69 / 42 / 0 / 33

HEX #3563AB

RGB 53 99 171

HSL 216.61, 0.53%, 0.44%

LAB 42.19, 8.65, -43.23

 

CMYK 0 / 25 / 62 / 19

HEX #CF9C4F

RGB 207 156 79

HSL 36.09, 0.57%, 0.56%

LAB 67.73, 10.74, 46.9

 

CMYK 0 / 22 / 56 / 12

HEX #E0AE62

RGB 224 174 98

HSL 36.19, 0.67%, 0.63%

LAB 74.19, 9.64, 45.55

 

CMYK 0 / 20 / 51 / 5

HEX #F1C075

RGB 241 192 117

HSL 36.29, 0.82%, 0.7%

LAB 80.56, 8.7, 44.2

 

CMYK 0 / 18 / 47 / 0

HEX #FFD288

RGB 255 210 136

HSL 37.31, 1%, 0.77%

LAB 86.57, 6.68, 42.48

 

CMYK 0 / 11 / 39 / 0

HEX #FFE49B

RGB 255 228 155

HSL 43.8, 1%, 0.8%

LAB 91.29, -0.61, 39

 

CMYK 0 / 23 / 58 / 21

HEX #CA9C54

RGB 202 156 84

HSL 36.61, 0.53%, 0.56%

LAB 67.26, 8.98, 43.75

 

CMYK 0 / 25 / 65 / 27

HEX #B98A41

RGB 185 138 65

HSL 36.5, 0.48%, 0.49%

LAB 60.67, 10.15, 45.1

 

CMYK 0 / 29 / 73 / 34

HEX #A8782E

RGB 168 120 46

HSL 36.39, 0.57%, 0.42%

LAB 53.98, 11.55, 46.31

 

CMYK 0 / 32 / 82 / 41

HEX #97661B

RGB 151 102 27

HSL 36.29, 0.7%, 0.35%

LAB 47.19, 13.24, 47.07

 

CMYK 0 / 37 / 94 / 47

HEX #865408

RGB 134 84 8

HSL 36.19, 0.89%, 0.28%

LAB 40.29, 15.29, 46.6

 

CMYK 0 / 23 / 58 / 21

HEX #CA9C54

RGB 202 156 84

HSL 36.61, 0.53%, 0.56%

LAB 67.26, 8.98, 43.75

 

CMYK 0 / 14 / 59 / 21

HEX #CAAE53

RGB 202 174 83

HSL 45.88, 0.53%, 0.56%

LAB 71.86, -0.75, 49.57

 

CMYK 0 / 4 / 59 / 21

HEX #CAC253

RGB 202 194 83

HSL 55.97, 0.53%, 0.56%

LAB 77.14, -11.16, 55.5

 

CMYK 6 / 0 / 59 / 21

HEX #BECA53

RGB 190 202 83

HSL 66.05, 0.53%, 0.56%

LAB 78.35, -20.15, 56.58

 

CMYK 16 / 0 / 59 / 21

HEX #AACA53

RGB 170 202 83

HSL 76.13, 0.53%, 0.56%

LAB 76.93, -28.18, 54.6

 

CMYK 0 / 23 / 58 / 21

HEX #CA9C54

RGB 202 156 84

HSL 36.61, 0.53%, 0.56%

LAB 67.26, 8.98, 43.75

 

CMYK 0 / 23 / 58 / 1

HEX #FDC369

RGB 253 195 105

HSL 36.49, 0.97%, 0.7%

LAB 82.34, 11.07, 52.5

 

CMYK 0 / 22 / 59 / 81

HEX #312614

RGB 49 38 20

HSL 37.24, 0.42%, 0.14%

LAB 15.95, 2.27, 13.84

 

CMYK 0 / 23 / 58 / 61

HEX #644D2A

RGB 100 77 42

HSL 36.21, 0.41%, 0.28%

LAB 34.36, 4.99, 24.28

 

CMYK 0 / 23 / 58 / 41

HEX #97753F

RGB 151 117 63

HSL 36.82, 0.41%, 0.42%

LAB 51.45, 6.76, 34.52

 

CMYK 0 / 23 / 58 / 21

HEX #CA9C54

RGB 202 156 84

HSL 36.61, 0.53%, 0.56%

LAB 67.26, 8.98, 43.75

 

CMYK 47 / 0 / 59 / 21

HEX #6BCA53

RGB 107 202 83

HSL 107.9, 0.53%, 0.56%

LAB 73.54, -50.33, 49.85

 

CMYK 47 / 59 / 0 / 21

HEX #6B53CA

RGB 107 83 202

HSL 252.1, 0.53%, 0.56%

LAB 43.62, 39.51, -58.82

 

CMYK 0 / 23 / 58 / 21

HEX #CA9C54

RGB 202 156 84

HSL 36.61, 0.53%, 0.56%

LAB 67.26, 8.98, 43.75

 

CMYK 59 / 0 / 24 / 21

HEX #53CA9A

RGB 83 202 154

HSL 155.8, 0.53%, 0.56%

LAB 73.81, -44.73, 14.13

 

CMYK 24 / 59 / 0 / 21

HEX #9A53CA

RGB 154 83 202

HSL 275.8, 0.53%, 0.56%

LAB 48.66, 50.3, -50.45

 

CMYK 0 / 23 / 58 / 21

HEX #CA9C54

RGB 202 156 84

HSL 36.61, 0.53%, 0.56%

LAB 67.26, 8.98, 43.75

 

CMYK 47 / 0 / 59 / 21

HEX #6BCA53

RGB 107 202 83

HSL 107.9, 0.53%, 0.56%

LAB 73.54, -50.33, 49.85

 

CMYK 59 / 36 / 0 / 21

HEX #5382CA

RGB 83 130 202

HSL 216.3, 0.53%, 0.56%

LAB 54.1, 5.82, -42.16

 

CMYK 12 / 59 / 0 / 21

HEX #B253CA

RGB 178 83 202

HSL 287.9, 0.53%, 0.56%

LAB 51.74, 56.26, -45.36

 

CMYK 0 / 23 / 58 / 21

HEX #CA9C54

RGB 202 156 84

HSL 36.61, 0.53%, 0.56%

LAB 67.26, 8.98, 43.75

 

CMYK 59 / 0 / 53 / 21

HEX #53CA5F

RGB 83 202 95

HSL 126.05, 0.53%, 0.56%

LAB 72.83, -55.21, 43.22

 

CMYK 59 / 36 / 0 / 21

HEX #5382CA

RGB 83 130 202

HSL 216.3, 0.53%, 0.56%

LAB 54.1, 5.82, -42.16

 

CMYK 0 / 59 / 6 / 21

HEX #CA53BE

RGB 202 83 190

HSL 306.05, 0.53%, 0.56%

LAB 54.51, 60.31, -33.86

 

Description

Color code: HEX #CA9C54 | qconv.com Color code: HEX #CA9C54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 156 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 156 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 58 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 58% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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