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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA7C21 it is the complementary color #3583DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA7C21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CA7C21: #CF7C1C, #E08E2F, #F1A042, #FFB255 and #FFC468

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA7C21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CA7C21: #CA7C21, #B96A0E, #A85800, #974600 and #863400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 84 / 21

HEX #CA7C21

RGB 202 124 33

HSL 32.31, 0.72%, 0.46%

LAB 59.05, 23.76, 57.83

 

Complementary color

CMYK 76 / 41 / 0 / 13

HEX #3583DE

RGB 53 131 222

HSL 212.31, 0.72%, 0.54%

LAB 54.31, 7.49, -53.19

 

CMYK 0 / 40 / 86 / 19

HEX #CF7C1C

RGB 207 124 28

HSL 32.18, 0.76%, 0.46%

LAB 59.68, 25.76, 60.26

 

CMYK 0 / 37 / 79 / 12

HEX #E08E2F

RGB 224 142 47

HSL 32.2, 0.74%, 0.53%

LAB 66.06, 23.87, 59.99

 

CMYK 0 / 34 / 73 / 5

HEX #F1A042

RGB 241 160 66

HSL 32.23, 0.86%, 0.6%

LAB 72.39, 22.2, 59.05

 

CMYK 0 / 30 / 67 / 0

HEX #FFB255

RGB 255 178 85

HSL 32.82, 1%, 0.67%

LAB 78.32, 19.49, 57.36

 

CMYK 0 / 23 / 59 / 0

HEX #FFC468

RGB 255 196 104

HSL 36.56, 1%, 0.7%

LAB 82.77, 11.3, 53.54

 

CMYK 0 / 39 / 84 / 21

HEX #CA7C21

RGB 202 124 33

HSL 32.31, 0.72%, 0.46%

LAB 59.05, 23.76, 57.83

 

CMYK 0 / 43 / 92 / 27

HEX #B96A0E

RGB 185 106 14

HSL 32.28, 0.86%, 0.39%

LAB 52.57, 25.83, 57.34

 

CMYK 0 / 48 / 100 / 34

HEX #A85800

RGB 168 88 0

HSL 31.43, 1%, 0.33%

LAB 46.05, 28.14, 54.93

 

CMYK 0 / 54 / 100 / 41

HEX #974600

RGB 151 70 0

HSL 27.81, 1%, 0.3%

LAB 39.51, 30.64, 49.68

 

CMYK 0 / 61 / 100 / 47

HEX #863400

RGB 134 52 0

HSL 23.28, 1%, 0.26%

LAB 32.97, 33.01, 44.41

 

CMYK 0 / 39 / 84 / 21

HEX #CA7C21

RGB 202 124 33

HSL 32.31, 0.72%, 0.46%

LAB 59.05, 23.76, 57.83

 

CMYK 0 / 25 / 84 / 21

HEX #C99720

RGB 201 151 32

HSL 42.25, 0.73%, 0.46%

LAB 65.48, 8.59, 63.58

 

CMYK 0 / 11 / 84 / 21

HEX #C9B320

RGB 201 179 32

HSL 52.19, 0.73%, 0.46%

LAB 72.73, -6.33, 69.67

 

CMYK 2 / 0 / 84 / 21

HEX #C4C920

RGB 196 201 32

HSL 61.78, 0.73%, 0.46%

LAB 78.24, -19.66, 74.08

 

CMYK 17 / 0 / 84 / 21

HEX #A7C920

RGB 167 201 32

HSL 72.07, 0.73%, 0.46%

LAB 76.13, -31.74, 71.46

 

CMYK 0 / 39 / 84 / 21

HEX #CA7C21

RGB 202 124 33

HSL 32.31, 0.72%, 0.46%

LAB 59.05, 23.76, 57.83

 

CMYK 0 / 39 / 84 / 1

HEX #FD9B29

RGB 253 155 41

HSL 32.26, 0.98%, 0.58%

LAB 72.55, 28.89, 69.22

 

CMYK 0 / 39 / 84 / 81

HEX #311E08

RGB 49 30 8

HSL 32.2, 0.72%, 0.11%

LAB 13.22, 6.68, 16.44

 

CMYK 0 / 39 / 84 / 61

HEX #643D10

RGB 100 61 16

HSL 32.14, 0.72%, 0.23%

LAB 29.62, 13.11, 33.01

 

CMYK 0 / 38 / 83 / 41

HEX #975D19

RGB 151 93 25

HSL 32.38, 0.72%, 0.35%

LAB 44.91, 18.35, 45.8

 

CMYK 0 / 39 / 84 / 21

HEX #CA7C21

RGB 202 124 33

HSL 32.31, 0.72%, 0.46%

LAB 59.05, 23.76, 57.83

 

CMYK 62 / 0 / 84 / 21

HEX #4DC920

RGB 77 201 32

HSL 104.02, 0.73%, 0.46%

LAB 71.86, -61.78, 66.08

 

CMYK 73 / 84 / 0 / 21

HEX #3720C9

RGB 55 32 201

HSL 248.17, 0.73%, 0.46%

LAB 29.57, 58.76, -81.45

 

CMYK 0 / 39 / 84 / 21

HEX #CA7C21

RGB 202 124 33

HSL 32.31, 0.72%, 0.46%

LAB 59.05, 23.76, 57.83

 

CMYK 84 / 0 / 39 / 21

HEX #20C97A

RGB 32 201 122

HSL 151.95, 0.73%, 0.46%

LAB 71.88, -58.47, 28.26

 

CMYK 39 / 84 / 0 / 21

HEX #7A20C9

RGB 122 32 201

HSL 271.95, 0.73%, 0.46%

LAB 36.72, 65.55, -69.41

 

CMYK 0 / 39 / 84 / 21

HEX #CA7C21

RGB 202 124 33

HSL 32.31, 0.72%, 0.46%

LAB 59.05, 23.76, 57.83

 

CMYK 62 / 0 / 84 / 21

HEX #4DC920

RGB 77 201 32

HSL 104.02, 0.73%, 0.46%

LAB 71.86, -61.78, 66.08

 

CMYK 84 / 45 / 0 / 21

HEX #206FC9

RGB 32 111 201

HSL 211.95, 0.73%, 0.46%

LAB 46.83, 9.89, -53.27

 

CMYK 22 / 84 / 0 / 21

HEX #9C20C9

RGB 156 32 201

HSL 284.02, 0.73%, 0.46%

LAB 41.72, 70.59, -61.04

 

CMYK 0 / 39 / 84 / 21

HEX #CA7C21

RGB 202 124 33

HSL 32.31, 0.72%, 0.46%

LAB 59.05, 23.76, 57.83

 

CMYK 84 / 0 / 81 / 21

HEX #20C926

RGB 32 201 38

HSL 122.13, 0.73%, 0.46%

LAB 71.02, -68.88, 63.46

 

CMYK 84 / 45 / 0 / 21

HEX #206FC9

RGB 32 111 201

HSL 211.95, 0.73%, 0.46%

LAB 46.83, 9.89, -53.27

 

CMYK 0 / 84 / 2 / 21

HEX #C920C4

RGB 201 32 196

HSL 301.78, 0.73%, 0.46%

LAB 48.8, 77.57, -46.35

 

Description

Color code: HEX #CA7C21 | qconv.com Color code: HEX #CA7C21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 124 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 124 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 84 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 84% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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