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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA3370 it is the complementary color #35CC8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA3370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CA3370: #CF336B, #E0457E, #F15791, #FF69A4 and #FF7BB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA3370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CA3370: #CA3370, #B9215D, #A80F4A, #970037 and #860024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 45 / 21

HEX #CA3370

RGB 202 51 112

HSL 335.76, 0.6%, 0.5%

LAB 47.1, 62.55, 1.23

 

Complementary color

CMYK 74 / 0 / 30 / 20

HEX #35CC8F

RGB 53 204 143

HSL 155.76, 0.6%, 0.5%

LAB 73.5, -53, 19.46

 

CMYK 0 / 75 / 48 / 19

HEX #CF336B

RGB 207 51 107

HSL 338.46, 0.62%, 0.51%

LAB 47.87, 63.48, 5.53

 

CMYK 0 / 69 / 44 / 12

HEX #E0457E

RGB 224 69 126

HSL 337.94, 0.71%, 0.57%

LAB 53.61, 63.83, 2.7

 

CMYK 0 / 64 / 40 / 5

HEX #F15791

RGB 241 87 145

HSL 337.4, 0.85%, 0.64%

LAB 59.49, 63.71, 0.38

 

CMYK 0 / 59 / 36 / 0

HEX #FF69A4

RGB 255 105 164

HSL 336.4, 1%, 0.71%

LAB 65, 62.4, -2.26

 

CMYK 0 / 52 / 28 / 0

HEX #FF7BB7

RGB 255 123 183

HSL 332.73, 1%, 0.74%

LAB 68.64, 56.5, -7.65

 

CMYK 0 / 75 / 45 / 21

HEX #CA3370

RGB 202 51 112

HSL 335.76, 0.6%, 0.5%

LAB 47.1, 62.55, 1.23

 

CMYK 0 / 82 / 50 / 27

HEX #B9215D

RGB 185 33 93

HSL 336.32, 0.7%, 0.43%

LAB 41.52, 61.5, 4.57

 

CMYK 0 / 91 / 56 / 34

HEX #A80F4A

RGB 168 15 74

HSL 336.86, 0.84%, 0.36%

LAB 36.29, 59.35, 8.83

 

CMYK 0 / 100 / 64 / 41

HEX #970037

RGB 151 0 55

HSL 338.15, 1%, 0.3%

LAB 31.47, 55.93, 14.12

 

CMYK 0 / 100 / 73 / 47

HEX #860024

RGB 134 0 36

HSL 343.88, 1%, 0.26%

LAB 27.29, 50.64, 20.68

 

CMYK 0 / 75 / 45 / 21

HEX #CA3370

RGB 202 51 112

HSL 335.76, 0.6%, 0.5%

LAB 47.1, 62.55, 1.23

 

CMYK 0 / 75 / 56 / 20

HEX #CC3359

RGB 204 51 89

HSL 345.1, 0.6%, 0.5%

LAB 46.88, 61.23, 15.11

 

CMYK 0 / 75 / 69 / 20

HEX #CC333F

RGB 204 51 63

HSL 355.29, 0.6%, 0.5%

LAB 46.4, 59.66, 30.29

 

CMYK 0 / 69 / 75 / 20

HEX #CC3F33

RGB 204 63 51

HSL 4.71, 0.6%, 0.5%

LAB 47.79, 54.84, 38.83

 

CMYK 0 / 56 / 75 / 20

HEX #CC5933

RGB 204 89 51

HSL 14.9, 0.6%, 0.5%

LAB 52.09, 43.41, 43.45

 

CMYK 0 / 75 / 45 / 21

HEX #CA3370

RGB 202 51 112

HSL 335.76, 0.6%, 0.5%

LAB 47.1, 62.55, 1.23

 

CMYK 0 / 75 / 45 / 1

HEX #FD408C

RGB 253 64 140

HSL 335.87, 0.98%, 0.62%

LAB 58.46, 74.67, 2.05

 

CMYK 0 / 76 / 45 / 81

HEX #310C1B

RGB 49 12 27

HSL 335.68, 0.61%, 0.12%

LAB 8.95, 20.49, -0.8

 

CMYK 0 / 75 / 45 / 61

HEX #641937

RGB 100 25 55

HSL 336, 0.6%, 0.25%

LAB 22.59, 35.96, 0.08

 

CMYK 0 / 75 / 44 / 41

HEX #972654

RGB 151 38 84

HSL 335.58, 0.6%, 0.37%

LAB 35.21, 49.79, 0.36

 

CMYK 0 / 75 / 45 / 21

HEX #CA3370

RGB 202 51 112

HSL 335.76, 0.6%, 0.5%

LAB 47.1, 62.55, 1.23

 

CMYK 0 / 17 / 75 / 20

HEX #CCAA33

RGB 204 170 51

HSL 46.67, 0.6%, 0.5%

LAB 70.75, 0.38, 62.12

 

CMYK 75 / 14 / 0 / 20

HEX #33AFCC

RGB 51 175 204

HSL 191.37, 0.6%, 0.5%

LAB 66.31, -23.7, -24.36

 

CMYK 0 / 75 / 45 / 21

HEX #CA3370

RGB 202 51 112

HSL 335.76, 0.6%, 0.5%

LAB 47.1, 62.55, 1.23

 

CMYK 44 / 0 / 75 / 20

HEX #72CC33

RGB 114 204 51

HSL 95.29, 0.6%, 0.5%

LAB 74.19, -51.65, 63.3

 

CMYK 75 / 44 / 0 / 20

HEX #3372CC

RGB 51 114 204

HSL 215.29, 0.6%, 0.5%

LAB 48.38, 11.11, -52.47

 

CMYK 0 / 75 / 45 / 21

HEX #CA3370

RGB 202 51 112

HSL 335.76, 0.6%, 0.5%

LAB 47.1, 62.55, 1.23

 

CMYK 0 / 17 / 75 / 20

HEX #CCAA33

RGB 204 170 51

HSL 46.67, 0.6%, 0.5%

LAB 70.75, 0.38, 62.12

 

CMYK 75 / 0 / 31 / 20

HEX #33CC8C

RGB 51 204 140

HSL 154.9, 0.6%, 0.5%

LAB 73.4, -53.9, 20.91

 

CMYK 75 / 59 / 0 / 20

HEX #3354CC

RGB 51 84 204

HSL 227.06, 0.6%, 0.5%

LAB 40.25, 30.32, -65.62

 

CMYK 0 / 75 / 45 / 21

HEX #CA3370

RGB 202 51 112

HSL 335.76, 0.6%, 0.5%

LAB 47.1, 62.55, 1.23

 

CMYK 6 / 0 / 75 / 20

HEX #BFCC33

RGB 191 204 51

HSL 65.1, 0.6%, 0.5%

LAB 78.75, -22.58, 69.24

 

CMYK 75 / 0 / 31 / 20

HEX #33CC8C

RGB 51 204 140

HSL 154.9, 0.6%, 0.5%

LAB 73.4, -53.9, 20.91

 

CMYK 69 / 75 / 0 / 20

HEX #3F33CC

RGB 63 51 204

HSL 244.71, 0.6%, 0.5%

LAB 33.53, 51.4, -76.62

 

Description

Color code: HEX #CA3370 | qconv.com Color code: HEX #CA3370 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 51 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 51 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 45 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 45% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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