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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA2971 it is the complementary color #35D68E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA2971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA2971 shade: #CF296C, #E03B7F, #F14D92, #FF5FA5 and #FF71B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA2971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA2971 shade: #CA2971, #B9175E, #A8054B, #970038 and #860025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA2971 shade: #CB2A72, #CB2A46 and #CB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA2971 shade: #CB2A72, #CB2A9D, #CB2AC9, #A22ACB and #762ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA2971 shade matches the following richer shades: #CB2A72, #DF1670 and #F3026E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA2971 shade: #CB2A72, #B73D74, #A45176, #906578 and #7C797A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA2971 shade: #CB2AC8, #CB2A9D, #CB2A72, #CB2A47 and #CB372A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA2971 shade: #871C4B, #A9235F, #CB2A72, #D94587 and #E0679D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA2971 shade: #CA2971, #CBA32A and #2AB3CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA2971 shade: #CA2971, #72CB2A and #2A72CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA2971 shade: #CA2971, #CBA32A, #2ACB82 and #2A52CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA2971 shade: #CA2971, #C3CB2A, #2ACB82 and #322ACB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 44 / 21

HEX #CA2971

RGB 202 41 113

HSL 333.17, 0.66%, 0.48%

LAB 46.09, 65.58, -0.85

 

Complementary color

CMYK 75 / 0 / 34 / 16

HEX #35D68E

RGB 53 214 142

HSL 153.17, 0.66%, 0.52%

LAB 76.56, -57.03, 24.17

 

CMYK 0 / 80 / 48 / 19

HEX #CF296C

RGB 207 41 108

HSL 335.78, 0.67%, 0.49%

LAB 46.89, 66.43, 3.5

 

CMYK 0 / 74 / 43 / 12

HEX #E03B7F

RGB 224 59 127

HSL 335.27, 0.73%, 0.55%

LAB 52.41, 67.36, 0.35

 

CMYK 0 / 68 / 39 / 5

HEX #F14D92

RGB 241 77 146

HSL 334.76, 0.85%, 0.62%

LAB 58.12, 67.67, -2.22

 

CMYK 0 / 63 / 35 / 0

HEX #FF5FA5

RGB 255 95 165

HSL 333.75, 1%, 0.69%

LAB 63.48, 66.7, -5.08

 

CMYK 0 / 56 / 28 / 0

HEX #FF71B8

RGB 255 113 184

HSL 330, 1%, 0.72%

LAB 66.92, 61.23, -10.77

 

CMYK 0 / 80 / 44 / 21

HEX #CA2971

RGB 202 41 113

HSL 333.17, 0.66%, 0.48%

LAB 46.09, 65.58, -0.85

 

CMYK 0 / 88 / 49 / 27

HEX #B9175E

RGB 185 23 94

HSL 333.7, 0.78%, 0.41%

LAB 40.79, 63.75, 2.89

 

CMYK 0 / 97 / 55 / 34

HEX #A8054B

RGB 168 5 75

HSL 334.23, 0.94%, 0.34%

LAB 35.87, 60.72, 7.59

 

CMYK 0 / 100 / 63 / 41

HEX #970038

RGB 151 0 56

HSL 337.75, 1%, 0.3%

LAB 31.5, 55.99, 13.49

 

CMYK 0 / 100 / 72 / 47

HEX #860025

RGB 134 0 37

HSL 343.43, 1%, 0.26%

LAB 27.3, 50.69, 20.03

 

CMYK 0 / 79 / 44 / 20

HEX #CB2A72

RGB 203 42 114

HSL 333.17, 0.66%, 0.48%

LAB 46.4, 65.66, -0.99

 

CMYK 0 / 79 / 66 / 20

HEX #CB2A46

RGB 203 42 70

HSL 349.57, 0.66%, 0.48%

LAB 45.35, 62.45, 24.72

 

CMYK 0 / 79 / 79 / 20

HEX #CB2A2A

RGB 203 42 42

HSL 0, 0.66%, 0.48%

LAB 44.97, 61.25, 40.75

 

CMYK 0 / 79 / 44 / 20

HEX #CB2A72

RGB 203 42 114

HSL 333.17, 0.66%, 0.48%

LAB 46.4, 65.66, -0.99

 

CMYK 0 / 79 / 23 / 20

HEX #CB2A9D

RGB 203 42 157

HSL 317.14, 0.66%, 0.48%

LAB 47.99, 70.35, -24.66

 

CMYK 0 / 79 / 1 / 20

HEX #CB2AC9

RGB 203 42 201

HSL 300.75, 0.66%, 0.48%

LAB 50.18, 76.5, -47.03

 

CMYK 20 / 79 / 0 / 20

HEX #A22ACB

RGB 162 42 203

HSL 284.72, 0.66%, 0.48%

LAB 43.73, 69.24, -58.91

 

CMYK 42 / 79 / 0 / 20

HEX #762ACB

RGB 118 42 203

HSL 268.32, 0.66%, 0.48%

LAB 37.52, 62.08, -69.29

 

CMYK 0 / 79 / 44 / 20

HEX #CB2A72

RGB 203 42 114

HSL 333.17, 0.66%, 0.48%

LAB 46.4, 65.66, -0.99

 

CMYK 0 / 90 / 50 / 13

HEX #DF1670

RGB 223 22 112

HSL 333.13, 0.82%, 0.48%

LAB 48.8, 74.38, 4.2

 

CMYK 0 / 99 / 55 / 5

HEX #F3026E

RGB 243 2 110

HSL 333.11, 0.98%, 0.48%

LAB 52.09, 80.57, 10.64

 

CMYK 0 / 79 / 44 / 20

HEX #CB2A72

RGB 203 42 114

HSL 333.17, 0.66%, 0.48%

LAB 46.4, 65.66, -0.99

 

CMYK 0 / 67 / 37 / 28

HEX #B73D74

RGB 183 61 116

HSL 332.95, 0.5%, 0.48%

LAB 45.17, 53.88, -4.44

 

CMYK 0 / 51 / 28 / 36

HEX #A45176

RGB 164 81 118

HSL 333.25, 0.34%, 0.48%

LAB 45.75, 38.59, -5.13

 

CMYK 0 / 30 / 17 / 44

HEX #906578

RGB 144 101 120

HSL 333.49, 0.18%, 0.48%

LAB 47.74, 20.37, -3.68

 

CMYK 0 / 2 / 2 / 51

HEX #7C797A

RGB 124 121 122

HSL 340, 0.01%, 0.48%

LAB 51.11, 1.34, -0.15

 

CMYK 0 / 79 / 1 / 20

HEX #CB2AC8

RGB 203 42 200

HSL 301.12, 0.66%, 0.48%

LAB 50.12, 76.35, -46.55

 

CMYK 0 / 79 / 23 / 20

HEX #CB2A9D

RGB 203 42 157

HSL 317.14, 0.66%, 0.48%

LAB 47.99, 70.35, -24.66

 

CMYK 0 / 79 / 44 / 20

HEX #CB2A72

RGB 203 42 114

HSL 333.17, 0.66%, 0.48%

LAB 46.4, 65.66, -0.99

 

CMYK 0 / 79 / 65 / 20

HEX #CB2A47

RGB 203 42 71

HSL 349.19, 0.66%, 0.48%

LAB 45.37, 62.51, 24.13

 

CMYK 0 / 73 / 79 / 20

HEX #CB372A

RGB 203 55 42

HSL 4.84, 0.66%, 0.48%

LAB 46.44, 57.15, 42.25

 

CMYK 0 / 79 / 44 / 47

HEX #871C4B

RGB 135 28 75

HSL 333.64, 0.66%, 0.32%

LAB 30.62, 47.63, -0.85

 

CMYK 0 / 79 / 44 / 34

HEX #A9235F

RGB 169 35 95

HSL 333.13, 0.66%, 0.4%

LAB 38.66, 56.89, -1.23

 

CMYK 0 / 79 / 44 / 20

HEX #CB2A72

RGB 203 42 114

HSL 333.17, 0.66%, 0.48%

LAB 46.4, 65.66, -0.99

 

CMYK 0 / 68 / 38 / 15

HEX #D94587

RGB 217 69 135

HSL 333.24, 0.66%, 0.56%

LAB 52.68, 62.73, -4.18

 

CMYK 0 / 54 / 30 / 12

HEX #E0679D

RGB 224 103 157

HSL 333.22, 0.66%, 0.64%

LAB 59.87, 52.82, -6.32

 

CMYK 0 / 80 / 44 / 21

HEX #CA2971

RGB 202 41 113

HSL 333.17, 0.66%, 0.48%

LAB 46.09, 65.58, -0.85

 

CMYK 0 / 20 / 79 / 20

HEX #CBA32A

RGB 203 163 42

HSL 45.09, 0.66%, 0.48%

LAB 68.79, 3.32, 63.42

 

CMYK 79 / 12 / 0 / 20

HEX #2AB3CB

RGB 42 179 203

HSL 188.94, 0.66%, 0.48%

LAB 67.31, -26.98, -22.29

 

CMYK 0 / 80 / 44 / 21

HEX #CA2971

RGB 202 41 113

HSL 333.17, 0.66%, 0.48%

LAB 46.09, 65.58, -0.85

 

CMYK 44 / 0 / 79 / 20

HEX #72CB2A

RGB 114 203 42

HSL 93.17, 0.66%, 0.48%

LAB 73.84, -51.75, 65.75

 

CMYK 79 / 44 / 0 / 20

HEX #2A72CB

RGB 42 114 203

HSL 213.17, 0.66%, 0.48%

LAB 48.06, 9.7, -52.44

 

CMYK 0 / 80 / 44 / 21

HEX #CA2971

RGB 202 41 113

HSL 333.17, 0.66%, 0.48%

LAB 46.09, 65.58, -0.85

 

CMYK 0 / 20 / 79 / 20

HEX #CBA32A

RGB 203 163 42

HSL 45.09, 0.66%, 0.48%

LAB 68.79, 3.32, 63.42

 

CMYK 79 / 0 / 36 / 20

HEX #2ACB82

RGB 42 203 130

HSL 152.8, 0.66%, 0.48%

LAB 72.77, -56.65, 25.29

 

CMYK 79 / 60 / 0 / 20

HEX #2A52CB

RGB 42 82 203

HSL 225.09, 0.66%, 0.48%

LAB 39.31, 30.31, -66.6

 

CMYK 0 / 80 / 44 / 21

HEX #CA2971

RGB 202 41 113

HSL 333.17, 0.66%, 0.48%

LAB 46.09, 65.58, -0.85

 

CMYK 4 / 0 / 79 / 20

HEX #C3CB2A

RGB 195 203 42

HSL 62.98, 0.66%, 0.48%

LAB 78.74, -20.76, 72

 

CMYK 79 / 0 / 36 / 20

HEX #2ACB82

RGB 42 203 130

HSL 152.8, 0.66%, 0.48%

LAB 72.77, -56.65, 25.29

 

CMYK 75 / 79 / 0 / 20

HEX #322ACB

RGB 50 42 203

HSL 242.98, 0.66%, 0.48%

LAB 30.99, 54.58, -80.27

 

Description

Color code: HEX #CA2971 | qconv.com Color code: HEX #CA2971 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 41 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 41 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 44 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 44% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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