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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 80 / 48 / 19 it is the complementary color CMYK 78 / 0 / 31 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 80 / 48 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 80 / 48 / 19: CMYK 0 / 81 / 52 / 17, CMYK 0 / 74 / 47 / 10, CMYK 0 / 69 / 43 / 4, CMYK 0 / 63 / 38 / 0 and CMYK 0 / 56 / 30 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 80 / 48 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 80 / 48 / 19: CMYK 0 / 80 / 48 / 19, CMYK 0 / 88 / 54 / 25, CMYK 0 / 97 / 60 / 32, CMYK 0 / 100 / 68 / 39 and CMYK 0 / 100 / 78 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 48 / 19

HEX #CF296B

RGB 207 41 107

HSL 336.14, 0.67%, 0.49%

LAB 46.86, 66.35, 4.08

 

Complementary color

CMYK 78 / 0 / 31 / 16

HEX #30D694

RGB 48 214 148

HSL 156.14, 0.67%, 0.51%

LAB 76.59, -56.38, 21.07

 

CMYK 0 / 81 / 52 / 17

HEX #D42966

RGB 212 41 102

HSL 338.6, 0.68%, 0.5%

LAB 47.68, 67.25, 8.45

 

CMYK 0 / 74 / 47 / 10

HEX #E53B79

RGB 229 59 121

HSL 338.12, 0.77%, 0.56%

LAB 53.13, 68.18, 5.11

 

CMYK 0 / 69 / 43 / 4

HEX #F64D8C

RGB 246 77 140

HSL 337.63, 0.9%, 0.63%

LAB 58.78, 68.49, 2.38

 

CMYK 0 / 63 / 38 / 0

HEX #FF5F9F

RGB 255 95 159

HSL 336, 1%, 0.69%

LAB 63.3, 66.05, -1.89

 

CMYK 0 / 56 / 30 / 0

HEX #FF71B2

RGB 255 113 178

HSL 332.54, 1%, 0.72%

LAB 66.74, 60.49, -7.65

 

CMYK 0 / 80 / 48 / 19

HEX #CF296B

RGB 207 41 107

HSL 336.14, 0.67%, 0.49%

LAB 46.86, 66.35, 4.08

 

CMYK 0 / 88 / 54 / 25

HEX #BE1758

RGB 190 23 88

HSL 336.65, 0.78%, 0.42%

LAB 41.63, 64.52, 8.03

 

CMYK 0 / 97 / 60 / 32

HEX #AD0545

RGB 173 5 69

HSL 337.14, 0.94%, 0.35%

LAB 36.79, 61.52, 12.92

 

CMYK 0 / 100 / 68 / 39

HEX #9C0032

RGB 156 0 50

HSL 340.77, 1%, 0.31%

LAB 32.48, 56.89, 18.96

 

CMYK 0 / 100 / 78 / 45

HEX #8B001F

RGB 139 0 31

HSL 346.62, 1%, 0.27%

LAB 28.35, 51.73, 25.51

 

CMYK 0 / 80 / 48 / 19

HEX #CF296B

RGB 207 41 107

HSL 336.14, 0.67%, 0.49%

LAB 46.86, 66.35, 4.08

 

CMYK 0 / 80 / 62 / 18

HEX #D02950

RGB 208 41 80

HSL 345.99, 0.67%, 0.49%

LAB 46.41, 64.68, 20.14

 

CMYK 0 / 80 / 75 / 18

HEX #D02934

RGB 208 41 52

HSL 356.05, 0.67%, 0.49%

LAB 45.97, 63.3, 36.45

 

CMYK 0 / 73 / 80 / 18

HEX #D03929

RGB 208 57 41

HSL 5.75, 0.67%, 0.49%

LAB 47.62, 57.98, 44.26

 

CMYK 0 / 59 / 80 / 18

HEX #D05529

RGB 208 85 41

HSL 15.81, 0.67%, 0.49%

LAB 51.91, 46.42, 48.42

 

CMYK 0 / 80 / 48 / 19

HEX #CF296B

RGB 207 41 107

HSL 336.14, 0.67%, 0.49%

LAB 46.86, 66.35, 4.08

 

CMYK 0 / 67 / 33 / 99

HEX #030102

RGB 3 1 2

HSL 330, 0.5%, 0.01%

LAB 0.41, 0.66, -0.19

 

CMYK 0 / 80 / 48 / 79

HEX #360B1C

RGB 54 11 28

HSL 336.28, 0.66%, 0.13%

LAB 9.86, 23.06, -0.11

 

CMYK 0 / 80 / 49 / 59

HEX #691536

RGB 105 21 54

HSL 336.43, 0.67%, 0.25%

LAB 23.02, 38.97, 1.53

 

CMYK 0 / 80 / 48 / 39

HEX #9C1F51

RGB 156 31 81

HSL 336, 0.67%, 0.37%

LAB 35.29, 53.2, 2.53

 

CMYK 0 / 80 / 48 / 19

HEX #CF296B

RGB 207 41 107

HSL 336.14, 0.67%, 0.49%

LAB 46.86, 66.35, 4.08

 

CMYK 0 / 16 / 80 / 18

HEX #D0AF29

RGB 208 175 41

HSL 48.14, 0.67%, 0.49%

LAB 72.38, -0.9, 67.12

 

CMYK 80 / 16 / 0 / 18

HEX #29AFD0

RGB 41 175 208

HSL 191.86, 0.67%, 0.49%

LAB 66.28, -23.43, -26.63

 

CMYK 0 / 80 / 48 / 19

HEX #CF296B

RGB 207 41 107

HSL 336.14, 0.67%, 0.49%

LAB 46.86, 66.35, 4.08

 

CMYK 48 / 0 / 80 / 18

HEX #6CD029

RGB 108 208 41

HSL 95.93, 0.67%, 0.49%

LAB 75.11, -55.58, 67.11

 

CMYK 80 / 48 / 0 / 18

HEX #296CD0

RGB 41 108 208

HSL 215.93, 0.67%, 0.49%

LAB 46.65, 15.3, -57.57

 

CMYK 0 / 80 / 48 / 19

HEX #CF296B

RGB 207 41 107

HSL 336.14, 0.67%, 0.49%

LAB 46.86, 66.35, 4.08

 

CMYK 0 / 16 / 80 / 18

HEX #D0AF29

RGB 208 175 41

HSL 48.14, 0.67%, 0.49%

LAB 72.38, -0.9, 67.12

 

CMYK 80 / 0 / 32 / 18

HEX #29D08D

RGB 41 208 141

HSL 155.93, 0.67%, 0.49%

LAB 74.51, -56.35, 21.88

 

CMYK 80 / 64 / 0 / 18

HEX #294AD0

RGB 41 74 208

HSL 228.14, 0.67%, 0.49%

LAB 37.7, 37.2, -72.11

 

CMYK 0 / 80 / 48 / 19

HEX #CF296B

RGB 207 41 107

HSL 336.14, 0.67%, 0.49%

LAB 46.86, 66.35, 4.08

 

CMYK 8 / 0 / 80 / 18

HEX #BFD029

RGB 191 208 41

HSL 66.11, 0.67%, 0.49%

LAB 79.81, -24.9, 73.1

 

CMYK 80 / 0 / 32 / 18

HEX #29D08D

RGB 41 208 141

HSL 155.93, 0.67%, 0.49%

LAB 74.51, -56.35, 21.88

 

CMYK 73 / 80 / 0 / 18

HEX #3929D0

RGB 57 41 208

HSL 245.75, 0.67%, 0.49%

LAB 31.83, 57.05, -81.77

 

Description

Color code: CMYK 0 / 80 / 48 / 19 | qconv.com Color code: CMYK 0 / 80 / 48 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 41 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 41 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 48 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 48% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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