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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9EC99 it is the complementary color #361366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9EC99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C9EC99: #CEEC94, #DFFEA7, #F0FFBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9EC99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C9EC99: #C9EC99, #B8DA86, #A7C873, #96B660 and #85A44D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 35 / 7

HEX #C9EC99

RGB 201 236 153

HSL 85.3, 0.69%, 0.76%

LAB 89.26, -25.17, 36.58

 

Complementary color

CMYK 47 / 81 / 0 / 60

HEX #361366

RGB 54 19 102

HSL 265.3, 0.69%, 0.24%

LAB 16.55, 35.8, -41.8

 

CMYK 13 / 0 / 37 / 7

HEX #CEEC94

RGB 206 236 148

HSL 80.45, 0.7%, 0.75%

LAB 89.51, -23.98, 39.47

 

CMYK 12 / 0 / 34 / 0

HEX #DFFEA7

RGB 223 254 167

HSL 81.38, 0.98%, 0.83%

LAB 95.73, -24.02, 38.37

 

CMYK 6 / 0 / 27 / 0

HEX #F0FFBA

RGB 240 255 186

HSL 73.04, 1%, 0.86%

LAB 97.47, -15.9, 31.42

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 15 / 0 / 35 / 7

HEX #C9EC99

RGB 201 236 153

HSL 85.3, 0.69%, 0.76%

LAB 89.26, -25.17, 36.58

 

CMYK 16 / 0 / 39 / 15

HEX #B8DA86

RGB 184 218 134

HSL 84.29, 0.53%, 0.69%

LAB 82.94, -25.17, 37.7

 

CMYK 17 / 0 / 43 / 22

HEX #A7C873

RGB 167 200 115

HSL 83.29, 0.44%, 0.62%

LAB 76.53, -25.15, 38.85

 

CMYK 18 / 0 / 47 / 29

HEX #96B660

RGB 150 182 96

HSL 82.33, 0.37%, 0.55%

LAB 70.02, -25.09, 40.03

 

CMYK 19 / 0 / 53 / 36

HEX #85A44D

RGB 133 164 77

HSL 81.38, 0.36%, 0.47%

LAB 63.4, -24.97, 41.19

 

CMYK 15 / 0 / 35 / 7

HEX #C9EC99

RGB 201 236 153

HSL 85.3, 0.69%, 0.76%

LAB 89.26, -25.17, 36.58

 

CMYK 21 / 0 / 36 / 7

HEX #BAEC97

RGB 186 236 151

HSL 95.29, 0.69%, 0.76%

LAB 88.29, -30.77, 36.14

 

CMYK 27 / 0 / 36 / 7

HEX #ACEC97

RGB 172 236 151

HSL 105.18, 0.69%, 0.76%

LAB 87.48, -35.56, 34.93

 

CMYK 33 / 0 / 36 / 7

HEX #9EEC97

RGB 158 236 151

HSL 115.06, 0.69%, 0.76%

LAB 86.75, -40.11, 33.82

 

CMYK 36 / 0 / 33 / 7

HEX #97EC9E

RGB 151 236 158

HSL 124.94, 0.69%, 0.76%

LAB 86.52, -41.18, 29.92

 

CMYK 15 / 0 / 35 / 7

HEX #C9EC99

RGB 201 236 153

HSL 85.3, 0.69%, 0.76%

LAB 89.26, -25.17, 36.58

 

CMYK 16 / 0 / 34 / 87

HEX #1B2015

RGB 27 32 21

HSL 87.27, 0.21%, 0.1%

LAB 11.42, -4.94, 6.72

 

CMYK 14 / 0 / 35 / 67

HEX #475336

RGB 71 83 54

HSL 84.83, 0.21%, 0.27%

LAB 33.55, -10.6, 15.47

 

CMYK 15 / 0 / 35 / 47

HEX #728657

RGB 114 134 87

HSL 85.53, 0.21%, 0.43%

LAB 53.29, -15.95, 22.99

 

CMYK 15 / 0 / 35 / 27

HEX #9EB978

RGB 158 185 120

HSL 84.92, 0.32%, 0.6%

LAB 71.77, -20.5, 30.03

 

CMYK 15 / 0 / 35 / 7

HEX #C9EC99

RGB 201 236 153

HSL 85.3, 0.69%, 0.76%

LAB 89.26, -25.17, 36.58

 

CMYK 36 / 0 / 14 / 7

HEX #97ECCB

RGB 151 236 203

HSL 156.71, 0.69%, 0.76%

LAB 87.43, -32.88, 7.91

 

CMYK 0 / 36 / 1 / 7

HEX #EC97EA

RGB 236 151 234

HSL 301.41, 0.69%, 0.76%

LAB 73.48, 44.42, -28.79

 

CMYK 15 / 0 / 35 / 7

HEX #C9EC99

RGB 201 236 153

HSL 85.3, 0.69%, 0.76%

LAB 89.26, -25.17, 36.58

 

CMYK 36 / 15 / 0 / 7

HEX #97C8EC

RGB 151 200 236

HSL 205.41, 0.69%, 0.76%

LAB 78.43, -7.32, -22.93

 

CMYK 0 / 36 / 15 / 7

HEX #EC97C8

RGB 236 151 200

HSL 325.41, 0.69%, 0.76%

LAB 72.32, 38.69, -11.88

 

CMYK 15 / 0 / 35 / 7

HEX #C9EC99

RGB 201 236 153

HSL 85.3, 0.69%, 0.76%

LAB 89.26, -25.17, 36.58

 

CMYK 36 / 0 / 14 / 7

HEX #97ECCB

RGB 151 236 203

HSL 156.71, 0.69%, 0.76%

LAB 87.43, -32.88, 7.91

 

CMYK 21 / 36 / 0 / 7

HEX #BA97EC

RGB 186 151 236

HSL 264.71, 0.69%, 0.76%

LAB 68.48, 29.71, -38.04

 

CMYK 0 / 36 / 22 / 7

HEX #EC97B7

RGB 236 151 183

HSL 337.41, 0.69%, 0.76%

LAB 71.82, 36.13, -3.22

 

CMYK 15 / 0 / 35 / 7

HEX #C9EC99

RGB 201 236 153

HSL 85.3, 0.69%, 0.76%

LAB 89.26, -25.17, 36.58

 

CMYK 36 / 0 / 3 / 7

HEX #97ECE4

RGB 151 236 228

HSL 174.35, 0.69%, 0.76%

LAB 88.05, -27.44, -4.28

 

CMYK 21 / 36 / 0 / 7

HEX #BA97EC

RGB 186 151 236

HSL 264.71, 0.69%, 0.76%

LAB 68.48, 29.71, -38.04

 

CMYK 0 / 36 / 33 / 7

HEX #EC979E

RGB 236 151 158

HSL 355.06, 0.69%, 0.76%

LAB 71.17, 32.76, 9.72

 

Description

Color code: HEX #C9EC99 | qconv.com Color code: HEX #C9EC99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 236 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 236 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 35 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 35% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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