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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D491 it is the complementary color #362B6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D491. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C9D491: #CED48C, #DFE69F, #F0F8B2, #FFFFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D491. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C9D491: #C9D491, #B8C27E, #A7B06B, #969E58 and #858C45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 32 / 17

HEX #C9D491

RGB 201 212 145

HSL 69.85, 0.44%, 0.7%

LAB 82.67, -14.44, 31.97

 

Complementary color

CMYK 51 / 61 / 0 / 57

HEX #362B6E

RGB 54 43 110

HSL 249.85, 0.44%, 0.3%

LAB 22.44, 24.14, -37.44

 

CMYK 3 / 0 / 34 / 17

HEX #CED48C

RGB 206 212 140

HSL 65, 0.46%, 0.69%

LAB 82.97, -13.16, 34.99

 

CMYK 3 / 0 / 31 / 10

HEX #DFE69F

RGB 223 230 159

HSL 65.92, 0.59%, 0.76%

LAB 89.29, -13.36, 33.89

 

CMYK 3 / 0 / 28 / 3

HEX #F0F8B2

RGB 240 248 178

HSL 66.86, 0.83%, 0.84%

LAB 95.53, -13.53, 32.83

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 5 / 0 / 32 / 17

HEX #C9D491

RGB 201 212 145

HSL 69.85, 0.44%, 0.7%

LAB 82.67, -14.44, 31.97

 

CMYK 5 / 0 / 35 / 24

HEX #B8C27E

RGB 184 194 126

HSL 68.82, 0.36%, 0.63%

LAB 76.24, -14.28, 33.1

 

CMYK 5 / 0 / 39 / 31

HEX #A7B06B

RGB 167 176 107

HSL 67.83, 0.3%, 0.55%

LAB 69.7, -14.07, 34.27

 

CMYK 5 / 0 / 44 / 38

HEX #969E58

RGB 150 158 88

HSL 66.86, 0.28%, 0.48%

LAB 63.05, -13.8, 35.49

 

CMYK 5 / 0 / 51 / 45

HEX #858C45

RGB 133 140 69

HSL 65.92, 0.34%, 0.41%

LAB 56.26, -13.45, 36.71

 

CMYK 5 / 0 / 32 / 17

HEX #C9D491

RGB 201 212 145

HSL 69.85, 0.44%, 0.7%

LAB 82.67, -14.44, 31.97

 

CMYK 10 / 0 / 32 / 17

HEX #BED490

RGB 190 212 144

HSL 79.41, 0.44%, 0.7%

LAB 81.86, -18.71, 31.27

 

CMYK 16 / 0 / 32 / 17

HEX #B3D490

RGB 179 212 144

HSL 89.12, 0.44%, 0.7%

LAB 81.12, -22.75, 30.15

 

CMYK 21 / 0 / 32 / 17

HEX #A8D490

RGB 168 212 144

HSL 98.82, 0.44%, 0.7%

LAB 80.42, -26.69, 29.09

 

CMYK 26 / 0 / 32 / 17

HEX #9DD490

RGB 157 212 144

HSL 108.53, 0.44%, 0.7%

LAB 79.77, -30.5, 28.1

 

CMYK 5 / 0 / 32 / 17

HEX #C9D491

RGB 201 212 145

HSL 69.85, 0.44%, 0.7%

LAB 82.67, -14.44, 31.97

 

CMYK 0 / 0 / 37 / 97

HEX #080805

RGB 8 8 5

HSL 60, 0.23%, 0.03%

LAB 2.13, -0.42, 1.13

 

CMYK 5 / 0 / 32 / 77

HEX #383B28

RGB 56 59 40

HSL 69.47, 0.19%, 0.19%

LAB 24.07, -5.15, 11.39

 

CMYK 5 / 0 / 32 / 57

HEX #686E4B

RGB 104 110 75

HSL 70.29, 0.19%, 0.36%

LAB 45.09, -8.66, 18.8

 

CMYK 5 / 0 / 32 / 37

HEX #99A16E

RGB 153 161 110

HSL 69.41, 0.21%, 0.53%

LAB 64.47, -11.44, 25.66

 

CMYK 5 / 0 / 32 / 17

HEX #C9D491

RGB 201 212 145

HSL 69.85, 0.44%, 0.7%

LAB 82.67, -14.44, 31.97

 

CMYK 32 / 0 / 21 / 17

HEX #90D4A8

RGB 144 212 168

HSL 141.18, 0.44%, 0.7%

LAB 79.52, -30.56, 15.06

 

CMYK 8 / 32 / 0 / 17

HEX #C390D4

RGB 195 144 212

HSL 285, 0.44%, 0.7%

LAB 66.75, 31.17, -27.4

 

CMYK 5 / 0 / 32 / 17

HEX #C9D491

RGB 201 212 145

HSL 69.85, 0.44%, 0.7%

LAB 82.67, -14.44, 31.97

 

CMYK 32 / 5 / 0 / 17

HEX #90CAD4

RGB 144 202 212

HSL 188.82, 0.44%, 0.7%

LAB 77.83, -16.17, -10.97

 

CMYK 0 / 32 / 5 / 17

HEX #D490CA

RGB 212 144 202

HSL 308.82, 0.44%, 0.7%

LAB 68.17, 34.76, -19.51

 

CMYK 5 / 0 / 32 / 17

HEX #C9D491

RGB 201 212 145

HSL 69.85, 0.44%, 0.7%

LAB 82.67, -14.44, 31.97

 

CMYK 32 / 0 / 21 / 17

HEX #90D4A8

RGB 144 212 168

HSL 141.18, 0.44%, 0.7%

LAB 79.52, -30.56, 15.06

 

CMYK 27 / 32 / 0 / 17

HEX #9A90D4

RGB 154 144 212

HSL 248.82, 0.44%, 0.7%

LAB 62.99, 18.55, -33.53

 

CMYK 0 / 32 / 11 / 17

HEX #D490BC

RGB 212 144 188

HSL 321.18, 0.44%, 0.7%

LAB 67.71, 32.34, -12.4

 

CMYK 5 / 0 / 32 / 17

HEX #C9D491

RGB 201 212 145

HSL 69.85, 0.44%, 0.7%

LAB 82.67, -14.44, 31.97

 

CMYK 32 / 0 / 11 / 17

HEX #90D4BC

RGB 144 212 188

HSL 158.82, 0.44%, 0.7%

LAB 79.98, -26.56, 5.07

 

CMYK 27 / 32 / 0 / 17

HEX #9A90D4

RGB 154 144 212

HSL 248.82, 0.44%, 0.7%

LAB 62.99, 18.55, -33.53

 

CMYK 0 / 32 / 21 / 17

HEX #D490A8

RGB 212 144 168

HSL 338.82, 0.44%, 0.7%

LAB 67.1, 29.14, -2.09

 

Description

Color code: HEX #C9D491 | qconv.com Color code: HEX #C9D491 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 212 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 212 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 32 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 32% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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