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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9AB7E it is the complementary color #365481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9AB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9AB7E shade: #CEAB79, #DFBD8C, #F0CF9F, #FFE1B2 and #FFF3C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9AB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9AB7E shade: #C9AB7E, #B8996B, #A78758, #967545 and #856332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9AB7E shade: #C9AB7E, #C9967E, #C9827E and #C97E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9AB7E shade: #C9AB7E, #C9BF7E, #BEC97E, #AAC97E and #96C97E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9AB7E shade matches the following richer shades: #C9AB7E, #D8AE6F, #E7B160 and #F5B451

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9AB7E shade: #C9AB7E, #BAA88C, #ABA59B, #9CA2AA and #8D9FB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9AB7E shade: #C9837E, #C9977E, #C9AB7E, #C9BF7E and #BFC97E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9AB7E shade: #AC8448, #BD9860, #C9AB7E, #D5BE9B and #E1D1B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9AB7E shade: #C9AB7E, #8DC97E and #8D7EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9AB7E shade: #C9AB7E, #7EC9AB and #AB7EC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9AB7E shade: #C9AB7E, #8DC97E, #7E9CC9 and #BA7EC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9AB7E shade: #C9AB7E, #7EC985, #7E9CC9 and #C97EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

Complementary color

CMYK 58 / 35 / 0 / 49

HEX #365481

RGB 54 84 129

HSL 216, 0.41%, 0.36%

LAB 35.42, 3.3, -28.69

 

CMYK 0 / 17 / 41 / 19

HEX #CEAB79

RGB 206 171 121

HSL 35.29, 0.46%, 0.64%

LAB 71.98, 6, 30.51

 

CMYK 0 / 15 / 37 / 13

HEX #DFBD8C

RGB 223 189 140

HSL 35.42, 0.56%, 0.71%

LAB 78.45, 5.38, 29.29

 

CMYK 0 / 14 / 34 / 6

HEX #F0CF9F

RGB 240 207 159

HSL 35.56, 0.73%, 0.78%

LAB 84.82, 4.83, 28.15

 

CMYK 0 / 12 / 30 / 0

HEX #FFE1B2

RGB 255 225 178

HSL 36.62, 1%, 0.85%

LAB 90.93, 3.6, 26.81

 

CMYK 0 / 5 / 23 / 0

HEX #FFF3C5

RGB 255 243 197

HSL 47.59, 1%, 0.89%

LAB 95.74, -3.04, 23.67

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 0 / 17 / 42 / 28

HEX #B8996B

RGB 184 153 107

HSL 35.84, 0.35%, 0.57%

LAB 64.99, 5.19, 28.47

 

CMYK 0 / 19 / 47 / 35

HEX #A78758

RGB 167 135 88

HSL 35.7, 0.31%, 0.5%

LAB 58.27, 5.94, 29.8

 

CMYK 0 / 22 / 54 / 41

HEX #967545

RGB 150 117 69

HSL 35.56, 0.37%, 0.43%

LAB 51.42, 6.84, 31.22

 

CMYK 0 / 26 / 62 / 48

HEX #856332

RGB 133 99 50

HSL 35.42, 0.45%, 0.36%

LAB 44.43, 7.96, 32.71

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 0 / 25 / 37 / 21

HEX #C9967E

RGB 201 150 126

HSL 19.2, 0.41%, 0.64%

LAB 66.32, 15.96, 20.13

 

CMYK 0 / 35 / 37 / 21

HEX #C9827E

RGB 201 130 126

HSL 3.2, 0.41%, 0.64%

LAB 61.56, 26.91, 13.55

 

CMYK 0 / 37 / 37 / 21

HEX #C97E7E

RGB 201 126 126

HSL 0, 0.41%, 0.64%

LAB 60.65, 29.08, 12.27

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 0 / 5 / 37 / 21

HEX #C9BF7E

RGB 201 191 126

HSL 52, 0.41%, 0.64%

LAB 76.79, -6.03, 34.07

 

CMYK 5 / 0 / 37 / 21

HEX #BEC97E

RGB 190 201 126

HSL 68.8, 0.41%, 0.64%

LAB 78.59, -15.49, 36.23

 

CMYK 15 / 0 / 37 / 21

HEX #AAC97E

RGB 170 201 126

HSL 84.8, 0.41%, 0.64%

LAB 77.18, -23.13, 34.12

 

CMYK 25 / 0 / 37 / 21

HEX #96C97E

RGB 150 201 126

HSL 100.8, 0.41%, 0.64%

LAB 75.92, -30.39, 32.25

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 0 / 19 / 49 / 15

HEX #D8AE6F

RGB 216 174 111

HSL 36, 0.57%, 0.64%

LAB 73.56, 7.46, 37.98

 

CMYK 0 / 23 / 58 / 9

HEX #E7B160

RGB 231 177 96

HSL 36, 0.74%, 0.64%

LAB 75.62, 10.81, 48.41

 

CMYK 0 / 27 / 67 / 4

HEX #F5B451

RGB 245 180 81

HSL 36.22, 0.89%, 0.64%

LAB 77.67, 14.08, 58.15

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 0 / 10 / 25 / 27

HEX #BAA88C

RGB 186 168 140

HSL 36.52, 0.25%, 0.64%

LAB 69.71, 2.06, 16.85

 

CMYK 0 / 4 / 9 / 33

HEX #ABA59B

RGB 171 165 155

HSL 37.5, 0.09%, 0.64%

LAB 67.97, 0.37, 5.94

 

CMYK 8 / 5 / 0 / 33

HEX #9CA2AA

RGB 156 162 170

HSL 214.29, 0.08%, 0.64%

LAB 66.38, -0.53, -4.89

 

CMYK 24 / 14 / 0 / 27

HEX #8D9FB9

RGB 141 159 185

HSL 215.45, 0.24%, 0.64%

LAB 64.93, -0.51, -15.54

 

CMYK 0 / 35 / 37 / 21

HEX #C9837E

RGB 201 131 126

HSL 4, 0.41%, 0.64%

LAB 61.79, 26.36, 13.87

 

CMYK 0 / 25 / 37 / 21

HEX #C9977E

RGB 201 151 126

HSL 20, 0.41%, 0.64%

LAB 66.56, 15.41, 20.46

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 0 / 5 / 37 / 21

HEX #C9BF7E

RGB 201 191 126

HSL 52, 0.41%, 0.64%

LAB 76.79, -6.03, 34.07

 

CMYK 5 / 0 / 37 / 21

HEX #BFC97E

RGB 191 201 126

HSL 68, 0.41%, 0.64%

LAB 78.67, -15.1, 36.34

 

CMYK 0 / 23 / 58 / 33

HEX #AC8448

RGB 172 132 72

HSL 36, 0.41%, 0.48%

LAB 57.79, 8.31, 37.88

 

CMYK 0 / 20 / 49 / 26

HEX #BD9860

RGB 189 152 96

HSL 36.13, 0.41%, 0.56%

LAB 65.06, 6.68, 34.56

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 0 / 11 / 27 / 16

HEX #D5BE9B

RGB 213 190 155

HSL 36.21, 0.41%, 0.72%

LAB 78.08, 2.84, 20.68

 

CMYK 0 / 7 / 18 / 12

HEX #E1D1B8

RGB 225 209 184

HSL 36.59, 0.41%, 0.8%

LAB 84.52, 1.53, 14.4

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 30 / 0 / 37 / 21

HEX #8DC97E

RGB 141 201 126

HSL 108, 0.41%, 0.64%

LAB 75.42, -33.49, 31.49

 

CMYK 30 / 37 / 0 / 21

HEX #8D7EC9

RGB 141 126 201

HSL 252, 0.41%, 0.64%

LAB 56.88, 22.42, -36.95

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 37 / 0 / 15 / 21

HEX #7EC9AB

RGB 126 201 171

HSL 156, 0.41%, 0.64%

LAB 75.54, -30.03, 7.68

 

CMYK 15 / 37 / 0 / 21

HEX #AB7EC9

RGB 171 126 201

HSL 276, 0.41%, 0.64%

LAB 59.7, 31.38, -32.33

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 30 / 0 / 37 / 21

HEX #8DC97E

RGB 141 201 126

HSL 108, 0.41%, 0.64%

LAB 75.42, -33.49, 31.49

 

CMYK 37 / 22 / 0 / 21

HEX #7E9CC9

RGB 126 156 201

HSL 216, 0.41%, 0.64%

LAB 63.7, 0.79, -26.45

 

CMYK 7 / 37 / 0 / 21

HEX #BA7EC9

RGB 186 126 201

HSL 288, 0.41%, 0.64%

LAB 61.29, 36.02, -29.75

 

CMYK 0 / 15 / 37 / 21

HEX #C9AB7E

RGB 201 171 126

HSL 36, 0.41%, 0.64%

LAB 71.59, 4.55, 27.23

 

CMYK 37 / 0 / 34 / 21

HEX #7EC985

RGB 126 201 133

HSL 125.6, 0.41%, 0.64%

LAB 74.76, -37.25, 26.84

 

CMYK 37 / 22 / 0 / 21

HEX #7E9CC9

RGB 126 156 201

HSL 216, 0.41%, 0.64%

LAB 63.7, 0.79, -26.45

 

CMYK 0 / 37 / 4 / 21

HEX #C97EC1

RGB 201 126 193

HSL 306.4, 0.41%, 0.64%

LAB 62.67, 39.24, -22.97

 

Description

Color code: HEX #C9AB7E | qconv.com Color code: HEX #C9AB7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 171 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 171 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 37 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 37% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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