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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBD8C it is the complementary color #204273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBD8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBD8C shade: #E4BD87, #F5CF9A, #FFE1AD, #FFF3C0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBD8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBD8C shade: #DFBD8C, #CEAB79, #BD9966, #AC8753 and #9B7540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBD8C shade: #DEBC8B, #DEA68B, #DE8F8B and #DE8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBD8C shade: #DEBC8B, #DED28B, #D3DE8B, #BDDE8B and #A7DE8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBD8C shade matches the following richer shades: #DEBC8B, #EABE7F and #F6C073

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBD8C shade: #DEBC8B, #D2BA97, #C6B8A3, #BAB6AF and #AEB3BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBD8C shade: #DE8F8B, #DEA58B, #DEBB8B, #DED28B and #D4DE8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBD8C shade: #CC974B, #D5A96B, #DEBC8B, #E7CFAB and #F0E1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBD8C shade: #DFBD8C, #9DDE8B and #9A8BDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBD8C shade: #DFBD8C, #8BDEBB and #BB8BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBD8C shade: #DFBD8C, #9DDE8B, #8BAEDE and #CC8BDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBD8C shade: #DFBD8C, #8BDE92, #8BAEDE and #DE8BD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 37 / 13

HEX #DFBD8C

RGB 223 189 140

HSL 35.42, 0.56%, 0.71%

LAB 78.45, 5.38, 29.29

 

Complementary color

CMYK 72 / 43 / 0 / 55

HEX #204273

RGB 32 66 115

HSL 215.42, 0.56%, 0.29%

LAB 27.96, 5.53, -31.85

 

CMYK 0 / 17 / 41 / 11

HEX #E4BD87

RGB 228 189 135

HSL 34.84, 0.63%, 0.71%

LAB 78.83, 6.8, 32.51

 

CMYK 0 / 16 / 37 / 4

HEX #F5CF9A

RGB 245 207 154

HSL 34.95, 0.82%, 0.78%

LAB 85.19, 6.18, 31.32

 

CMYK 0 / 12 / 32 / 0

HEX #FFE1AD

RGB 255 225 173

HSL 38.05, 1%, 0.84%

LAB 90.84, 2.98, 29.26

 

CMYK 0 / 5 / 25 / 0

HEX #FFF3C0

RGB 255 243 192

HSL 48.57, 1%, 0.88%

LAB 95.65, -3.71, 26.09

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 15 / 37 / 13

HEX #DFBD8C

RGB 223 189 140

HSL 35.42, 0.56%, 0.71%

LAB 78.45, 5.38, 29.29

 

CMYK 0 / 17 / 41 / 19

HEX #CEAB79

RGB 206 171 121

HSL 35.29, 0.46%, 0.64%

LAB 71.98, 6, 30.51

 

CMYK 0 / 19 / 46 / 26

HEX #BD9966

RGB 189 153 102

HSL 35.17, 0.4%, 0.57%

LAB 65.41, 6.73, 31.8

 

CMYK 0 / 22 / 52 / 33

HEX #AC8753

RGB 172 135 83

HSL 35.06, 0.35%, 0.5%

LAB 58.72, 7.59, 33.18

 

CMYK 0 / 25 / 59 / 39

HEX #9B7540

RGB 155 117 64

HSL 34.95, 0.42%, 0.43%

LAB 51.91, 8.63, 34.64

 

CMYK 0 / 15 / 37 / 13

HEX #DEBC8B

RGB 222 188 139

HSL 35.42, 0.56%, 0.71%

LAB 78.09, 5.39, 29.32

 

CMYK 0 / 25 / 37 / 13

HEX #DEA68B

RGB 222 166 139

HSL 19.52, 0.56%, 0.71%

LAB 72.67, 17.13, 22.03

 

CMYK 0 / 36 / 37 / 13

HEX #DE8F8B

RGB 222 143 139

HSL 2.89, 0.56%, 0.71%

LAB 67.31, 29.48, 14.62

 

CMYK 0 / 37 / 37 / 13

HEX #DE8B8B

RGB 222 139 139

HSL 0, 0.56%, 0.71%

LAB 66.41, 31.62, 13.37

 

CMYK 0 / 15 / 37 / 13

HEX #DEBC8B

RGB 222 188 139

HSL 35.42, 0.56%, 0.71%

LAB 78.09, 5.39, 29.32

 

CMYK 0 / 5 / 37 / 13

HEX #DED28B

RGB 222 210 139

HSL 51.33, 0.56%, 0.71%

LAB 83.7, -6.05, 36.7

 

CMYK 5 / 0 / 37 / 13

HEX #D3DE8B

RGB 211 222 139

HSL 67.95, 0.56%, 0.71%

LAB 85.98, -16.35, 39.48

 

CMYK 15 / 0 / 37 / 13

HEX #BDDE8B

RGB 189 222 139

HSL 83.86, 0.56%, 0.71%

LAB 84.45, -24.62, 37.19

 

CMYK 25 / 0 / 37 / 13

HEX #A7DE8B

RGB 167 222 139

HSL 99.76, 0.56%, 0.71%

LAB 83.08, -32.49, 35.16

 

CMYK 0 / 15 / 37 / 13

HEX #DEBC8B

RGB 222 188 139

HSL 35.42, 0.56%, 0.71%

LAB 78.09, 5.39, 29.32

 

CMYK 0 / 19 / 46 / 8

HEX #EABE7F

RGB 234 190 127

HSL 35.33, 0.72%, 0.71%

LAB 79.53, 7.84, 37.68

 

CMYK 0 / 22 / 53 / 4

HEX #F6C073

RGB 246 192 115

HSL 35.27, 0.88%, 0.71%

LAB 81.03, 10.56, 45.89

 

CMYK 0 / 15 / 37 / 13

HEX #DEBC8B

RGB 222 188 139

HSL 35.42, 0.56%, 0.71%

LAB 78.09, 5.39, 29.32

 

CMYK 0 / 11 / 28 / 18

HEX #D2BA97

RGB 210 186 151

HSL 35.59, 0.4%, 0.71%

LAB 76.71, 3.26, 20.9

 

CMYK 0 / 7 / 18 / 22

HEX #C6B8A3

RGB 198 184 163

HSL 36, 0.23%, 0.71%

LAB 75.41, 1.5, 12.46

 

CMYK 0 / 2 / 6 / 27

HEX #BAB6AF

RGB 186 182 175

HSL 38.18, 0.07%, 0.71%

LAB 74.18, 0.15, 4.05

 

CMYK 7 / 4 / 0 / 27

HEX #AEB3BB

RGB 174 179 187

HSL 216.92, 0.09%, 0.71%

LAB 72.78, -0.18, -4.68

 

CMYK 0 / 36 / 37 / 13

HEX #DE8F8B

RGB 222 143 139

HSL 2.89, 0.56%, 0.71%

LAB 67.31, 29.48, 14.62

 

CMYK 0 / 26 / 37 / 13

HEX #DEA58B

RGB 222 165 139

HSL 18.8, 0.56%, 0.71%

LAB 72.43, 17.66, 21.7

 

CMYK 0 / 16 / 37 / 13

HEX #DEBB8B

RGB 222 187 139

HSL 34.7, 0.56%, 0.71%

LAB 77.84, 5.92, 28.99

 

CMYK 0 / 5 / 37 / 13

HEX #DED28B

RGB 222 210 139

HSL 51.33, 0.56%, 0.71%

LAB 83.7, -6.05, 36.7

 

CMYK 5 / 0 / 37 / 13

HEX #D4DE8B

RGB 212 222 139

HSL 67.23, 0.56%, 0.71%

LAB 86.06, -15.97, 39.59

 

CMYK 0 / 26 / 63 / 20

HEX #CC974B

RGB 204 151 75

HSL 35.35, 0.56%, 0.55%

LAB 66.12, 11.9, 46.93

 

CMYK 0 / 21 / 50 / 16

HEX #D5A96B

RGB 213 169 107

HSL 35.09, 0.56%, 0.63%

LAB 71.95, 8.52, 37.97

 

CMYK 0 / 15 / 37 / 13

HEX #DEBC8B

RGB 222 188 139

HSL 35.42, 0.56%, 0.71%

LAB 78.09, 5.39, 29.32

 

CMYK 0 / 10 / 26 / 9

HEX #E7CFAB

RGB 231 207 171

HSL 36, 0.56%, 0.79%

LAB 84.25, 2.94, 20.97

 

CMYK 0 / 6 / 15 / 6

HEX #F0E1CC

RGB 240 225 204

HSL 35, 0.55%, 0.87%

LAB 90.2, 1.72, 12.11

 

CMYK 0 / 15 / 37 / 13

HEX #DFBD8C

RGB 223 189 140

HSL 35.42, 0.56%, 0.71%

LAB 78.45, 5.38, 29.29

 

CMYK 29 / 0 / 37 / 13

HEX #9DDE8B

RGB 157 222 139

HSL 106.99, 0.56%, 0.71%

LAB 82.53, -35.89, 34.32

 

CMYK 31 / 37 / 0 / 13

HEX #9A8BDE

RGB 154 139 222

HSL 250.84, 0.56%, 0.71%

LAB 62.18, 23.94, -40.36

 

CMYK 0 / 15 / 37 / 13

HEX #DFBD8C

RGB 223 189 140

HSL 35.42, 0.56%, 0.71%

LAB 78.45, 5.38, 29.29

 

CMYK 37 / 0 / 16 / 13

HEX #8BDEBB

RGB 139 222 187

HSL 154.7, 0.56%, 0.71%

LAB 82.55, -32.97, 9.26

 

CMYK 16 / 37 / 0 / 13

HEX #BB8BDE

RGB 187 139 222

HSL 274.7, 0.56%, 0.71%

LAB 65.2, 33.56, -35.41

 

CMYK 0 / 15 / 37 / 13

HEX #DFBD8C

RGB 223 189 140

HSL 35.42, 0.56%, 0.71%

LAB 78.45, 5.38, 29.29

 

CMYK 29 / 0 / 37 / 13

HEX #9DDE8B

RGB 157 222 139

HSL 106.99, 0.56%, 0.71%

LAB 82.53, -35.89, 34.32

 

CMYK 37 / 22 / 0 / 13

HEX #8BAEDE

RGB 139 174 222

HSL 214.7, 0.56%, 0.71%

LAB 70.2, -0.11, -27.99

 

CMYK 8 / 37 / 0 / 13

HEX #CC8BDE

RGB 204 139 222

HSL 286.99, 0.56%, 0.71%

LAB 66.96, 38.7, -32.55

 

CMYK 0 / 15 / 37 / 13

HEX #DFBD8C

RGB 223 189 140

HSL 35.42, 0.56%, 0.71%

LAB 78.45, 5.38, 29.29

 

CMYK 37 / 0 / 34 / 13

HEX #8BDE92

RGB 139 222 146

HSL 125.06, 0.56%, 0.71%

LAB 81.73, -40.56, 29.54

 

CMYK 37 / 22 / 0 / 13

HEX #8BAEDE

RGB 139 174 222

HSL 214.7, 0.56%, 0.71%

LAB 70.2, -0.11, -27.99

 

CMYK 0 / 37 / 3 / 13

HEX #DE8BD7

RGB 222 139 215

HSL 305.06, 0.56%, 0.71%

LAB 68.68, 42.95, -25.85

 

Description

Color code: HEX #DFBD8C | qconv.com Color code: HEX #DFBD8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 189 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 189 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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