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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C97DF7 it is the complementary color #368208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C97DF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C97DF7 shade: #CE7DF2, #DF8FFF, #F0A1FF, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C97DF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C97DF7 shade: #C97DF7, #B86BE4, #A759D1, #9647BE and #8535AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C97DF7 shade: #C97EF7, #EA7EF7, #F77EE3, #F77EC2 and #F77EA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C97DF7 shade: #C97EF7, #A87EF7, #887EF7 and #7E7EF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C97DF7 shade matches the following richer shades: #C97EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C97DF7 shade: #C97EF7, #C689EC, #C494E0, #C19FD5 and #BEAACA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C97DF7 shade: #887EF7, #A87EF7, #C87EF7, #E97EF7 and #F77EE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C97DF7 shade: #A930F2, #B957F4, #C97EF7, #D9A4F9 and #E9CBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C97DF7 shade: #C97DF7, #F77E94 and #7EF798

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C97DF7 shade: #C97DF7, #F7C87E and #7EF7C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C97DF7 shade: #C97DF7, #F77E94, #ACF77E and #7EF7E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C97DF7 shade: #C97DF7, #F78C7E, #ACF77E and #7EE9F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 49 / 0 / 3

HEX #C97DF7

RGB 201 125 247

HSL 277.38, 0.88%, 0.73%

LAB 64.8, 50.46, -49.75

 

Complementary color

CMYK 58 / 0 / 94 / 49

HEX #368208

RGB 54 130 8

HSL 97.38, 0.88%, 0.27%

LAB 47.97, -43.28, 50.13

 

CMYK 15 / 48 / 0 / 5

HEX #CE7DF2

RGB 206 125 242

HSL 281.54, 0.82%, 0.72%

LAB 65.12, 50.75, -46.46

 

CMYK 13 / 44 / 0 / 0

HEX #DF8FFF

RGB 223 143 255

HSL 282.86, 1%, 0.78%

LAB 71.25, 48.76, -43.81

 

CMYK 6 / 37 / 0 / 0

HEX #F0A1FF

RGB 240 161 255

HSL 290.43, 1%, 0.82%

LAB 76.82, 44.3, -35

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 19 / 49 / 0 / 3

HEX #C97DF7

RGB 201 125 247

HSL 277.38, 0.88%, 0.73%

LAB 64.8, 50.46, -49.75

 

CMYK 19 / 53 / 0 / 11

HEX #B86BE4

RGB 184 107 228

HSL 278.18, 0.69%, 0.66%

LAB 58.33, 51.26, -49.59

 

CMYK 20 / 57 / 0 / 18

HEX #A759D1

RGB 167 89 209

HSL 279, 0.57%, 0.58%

LAB 51.8, 52.01, -49.36

 

CMYK 21 / 63 / 0 / 25

HEX #9647BE

RGB 150 71 190

HSL 279.83, 0.48%, 0.51%

LAB 45.23, 52.65, -49.02

 

CMYK 22 / 69 / 0 / 33

HEX #8535AB

RGB 133 53 171

HSL 280.68, 0.53%, 0.44%

LAB 38.68, 53.02, -48.47

 

CMYK 19 / 49 / 0 / 3

HEX #C97EF7

RGB 201 126 247

HSL 277.19, 0.88%, 0.73%

LAB 65.01, 49.94, -49.43

 

CMYK 5 / 49 / 0 / 3

HEX #EA7EF7

RGB 234 126 247

HSL 293.55, 0.88%, 0.73%

LAB 68.84, 58.83, -43.12

 

CMYK 0 / 49 / 8 / 3

HEX #F77EE3

RGB 247 126 227

HSL 309.92, 0.88%, 0.73%

LAB 69.64, 59.02, -30.76

 

CMYK 0 / 49 / 21 / 3

HEX #F77EC2

RGB 247 126 194

HSL 326.28, 0.88%, 0.73%

LAB 68.45, 54.03, -14.21

 

CMYK 0 / 49 / 34 / 3

HEX #F77EA2

RGB 247 126 162

HSL 342.15, 0.88%, 0.73%

LAB 67.5, 49.89, 2.4

 

CMYK 19 / 49 / 0 / 3

HEX #C97EF7

RGB 201 126 247

HSL 277.19, 0.88%, 0.73%

LAB 65.01, 49.94, -49.43

 

CMYK 32 / 49 / 0 / 3

HEX #A87EF7

RGB 168 126 247

HSL 260.83, 0.88%, 0.73%

LAB 61.62, 41.36, -55.01

 

CMYK 45 / 49 / 0 / 3

HEX #887EF7

RGB 136 126 247

HSL 244.96, 0.88%, 0.73%

LAB 58.86, 33.68, -59.58

 

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

CMYK 19 / 49 / 0 / 3

HEX #C97EF7

RGB 201 126 247

HSL 277.19, 0.88%, 0.73%

LAB 65.01, 49.94, -49.43

 

CMYK 19 / 49 / 0 / 3

HEX #C97EF7

RGB 201 126 247

HSL 277.19, 0.88%, 0.73%

LAB 65.01, 49.94, -49.43

 

CMYK 16 / 42 / 0 / 7

HEX #C689EC

RGB 198 137 236

HSL 276.97, 0.72%, 0.73%

LAB 66.48, 40.9, -41.07

 

CMYK 13 / 34 / 0 / 12

HEX #C494E0

RGB 196 148 224

HSL 277.89, 0.55%, 0.73%

LAB 68.24, 31.75, -31.74

 

CMYK 9 / 25 / 0 / 16

HEX #C19FD5

RGB 193 159 213

HSL 277.78, 0.39%, 0.73%

LAB 70.13, 22.44, -22.79

 

CMYK 6 / 16 / 0 / 21

HEX #BEAACA

RGB 190 170 202

HSL 277.5, 0.23%, 0.73%

LAB 72.2, 13.15, -13.63

 

CMYK 45 / 49 / 0 / 3

HEX #887EF7

RGB 136 126 247

HSL 244.96, 0.88%, 0.73%

LAB 58.86, 33.68, -59.58

 

CMYK 32 / 49 / 0 / 3

HEX #A87EF7

RGB 168 126 247

HSL 260.83, 0.88%, 0.73%

LAB 61.62, 41.36, -55.01

 

CMYK 19 / 49 / 0 / 3

HEX #C87EF7

RGB 200 126 247

HSL 276.69, 0.88%, 0.73%

LAB 64.9, 49.67, -49.61

 

CMYK 6 / 49 / 0 / 3

HEX #E97EF7

RGB 233 126 247

HSL 293.06, 0.88%, 0.73%

LAB 68.72, 58.56, -43.32

 

CMYK 0 / 49 / 7 / 3

HEX #F77EE5

RGB 247 126 229

HSL 308.93, 0.88%, 0.73%

LAB 69.72, 59.34, -31.74

 

CMYK 30 / 80 / 0 / 5

HEX #A930F2

RGB 169 48 242

HSL 277.42, 0.88%, 0.57%

LAB 48.21, 76.23, -73.82

 

CMYK 24 / 64 / 0 / 4

HEX #B957F4

RGB 185 87 244

HSL 277.45, 0.88%, 0.65%

LAB 55.75, 64.64, -62.64

 

CMYK 19 / 49 / 0 / 3

HEX #C97EF7

RGB 201 126 247

HSL 277.19, 0.88%, 0.73%

LAB 65.01, 49.94, -49.43

 

CMYK 13 / 34 / 0 / 2

HEX #D9A4F9

RGB 217 164 249

HSL 277.41, 0.88%, 0.81%

LAB 74.91, 34.62, -34.9

 

CMYK 8 / 19 / 0 / 1

HEX #E9CBFC

RGB 233 203 252

HSL 276.73, 0.89%, 0.89%

LAB 85.54, 19.26, -20.13

 

CMYK 19 / 49 / 0 / 3

HEX #C97DF7

RGB 201 125 247

HSL 277.38, 0.88%, 0.73%

LAB 64.8, 50.46, -49.75

 

CMYK 0 / 49 / 40 / 3

HEX #F77E94

RGB 247 126 148

HSL 349.09, 0.88%, 0.73%

LAB 67.15, 48.32, 9.8

 

CMYK 49 / 0 / 38 / 3

HEX #7EF798

RGB 126 247 152

HSL 132.89, 0.88%, 0.73%

LAB 88.55, -53.79, 35.45

 

CMYK 19 / 49 / 0 / 3

HEX #C97DF7

RGB 201 125 247

HSL 277.38, 0.88%, 0.73%

LAB 64.8, 50.46, -49.75

 

CMYK 0 / 19 / 49 / 3

HEX #F7C87E

RGB 247 200 126

HSL 36.69, 0.88%, 0.73%

LAB 83.23, 7.74, 43.13

 

CMYK 49 / 0 / 19 / 3

HEX #7EF7C8

RGB 126 247 200

HSL 156.69, 0.88%, 0.73%

LAB 89.45, -44.84, 12.22

 

CMYK 19 / 49 / 0 / 3

HEX #C97DF7

RGB 201 125 247

HSL 277.38, 0.88%, 0.73%

LAB 64.8, 50.46, -49.75

 

CMYK 0 / 49 / 40 / 3

HEX #F77E94

RGB 247 126 148

HSL 349.09, 0.88%, 0.73%

LAB 67.15, 48.32, 9.8

 

CMYK 30 / 0 / 49 / 3

HEX #ACF77E

RGB 172 247 126

HSL 97.19, 0.88%, 0.73%

LAB 90.23, -43.67, 50.58

 

CMYK 49 / 0 / 9 / 3

HEX #7EF7E1

RGB 126 247 225

HSL 169.09, 0.88%, 0.73%

LAB 90.04, -39.27, 0.09

 

CMYK 19 / 49 / 0 / 3

HEX #C97DF7

RGB 201 125 247

HSL 277.38, 0.88%, 0.73%

LAB 64.8, 50.46, -49.75

 

CMYK 0 / 43 / 49 / 3

HEX #F78C7E

RGB 247 140 126

HSL 6.94, 0.88%, 0.73%

LAB 69.5, 39.11, 25.34

 

CMYK 30 / 0 / 49 / 3

HEX #ACF77E

RGB 172 247 126

HSL 97.19, 0.88%, 0.73%

LAB 90.23, -43.67, 50.58

 

CMYK 49 / 6 / 0 / 3

HEX #7EE9F7

RGB 126 233 247

HSL 186.94, 0.88%, 0.73%

LAB 86.72, -27.27, -16.35

 

Description

Color code: HEX #C97DF7 | qconv.com Color code: HEX #C97DF7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 125 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 125 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 49 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 49% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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