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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E7EF7 it is the complementary color #818108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E7EF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7E7EF7: #837EF2, #9490FF, #A5A2FF, #B6B4FF and #C7C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E7EF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7E7EF7: #7E7EF7, #6D6CE4, #5C5AD1, #4B48BE and #3A36AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

Complementary color

CMYK 0 / 0 / 94 / 49

HEX #818108

RGB 129 129 8

HSL 60, 0.88%, 0.27%

LAB 52.27, -12.85, 55.53

 

CMYK 46 / 48 / 0 / 5

HEX #837EF2

RGB 131 126 242

HSL 242.59, 0.82%, 0.72%

LAB 58.19, 31.11, -57.91

 

CMYK 42 / 44 / 0 / 0

HEX #9490FF

RGB 148 144 255

HSL 242.16, 1%, 0.78%

LAB 64.53, 28.3, -54.87

 

CMYK 35 / 36 / 0 / 0

HEX #A5A2FF

RGB 165 162 255

HSL 241.94, 1%, 0.82%

LAB 70.22, 22.32, -45.81

 

CMYK 29 / 29 / 0 / 0

HEX #B6B4FF

RGB 182 180 255

HSL 241.6, 1%, 0.85%

LAB 75.95, 16.91, -36.77

 

CMYK 22 / 22 / 0 / 0

HEX #C7C6FF

RGB 199 198 255

HSL 241.05, 1%, 0.89%

LAB 81.7, 12.03, -27.8

 

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

CMYK 52 / 53 / 0 / 11

HEX #6D6CE4

RGB 109 108 228

HSL 240.5, 0.69%, 0.66%

LAB 51.36, 32.88, -61.14

 

CMYK 56 / 57 / 0 / 18

HEX #5C5AD1

RGB 92 90 209

HSL 241.01, 0.56%, 0.59%

LAB 44.51, 34.49, -61.48

 

CMYK 61 / 62 / 0 / 25

HEX #4B48BE

RGB 75 72 190

HSL 241.53, 0.48%, 0.51%

LAB 37.57, 36.35, -61.79

 

CMYK 66 / 68 / 0 / 33

HEX #3A36AB

RGB 58 54 171

HSL 242.05, 0.52%, 0.44%

LAB 30.59, 38.45, -61.99

 

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

CMYK 41 / 49 / 0 / 4

HEX #917DF6

RGB 145 125 246

HSL 249.92, 0.87%, 0.73%

LAB 59.29, 36.05, -58.3

 

CMYK 33 / 49 / 0 / 4

HEX #A57DF6

RGB 165 125 246

HSL 259.83, 0.87%, 0.73%

LAB 61.06, 40.91, -55.36

 

CMYK 24 / 49 / 0 / 4

HEX #BA7DF6

RGB 186 125 246

HSL 270.25, 0.87%, 0.73%

LAB 63.14, 46.29, -51.93

 

CMYK 16 / 49 / 0 / 4

HEX #CE7DF6

RGB 206 125 246

HSL 280.17, 0.87%, 0.73%

LAB 65.31, 51.58, -48.36

 

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

CMYK 49 / 49 / 0 / 83

HEX #16162B

RGB 22 22 43

HSL 240, 0.32%, 0.13%

LAB 8.3, 6.77, -14.24

 

CMYK 49 / 49 / 0 / 63

HEX #30305E

RGB 48 48 94

HSL 240, 0.32%, 0.28%

LAB 22.13, 13.77, -27.55

 

CMYK 49 / 49 / 0 / 43

HEX #4A4A91

RGB 74 74 145

HSL 240, 0.32%, 0.43%

LAB 34.8, 20.07, -39.39

 

CMYK 49 / 49 / 0 / 23

HEX #6464C4

RGB 100 100 196

HSL 240, 0.45%, 0.58%

LAB 46.72, 25.92, -50.39

 

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

CMYK 0 / 49 / 10 / 4

HEX #F67DDE

RGB 246 125 222

HSL 311.9, 0.87%, 0.73%

LAB 69.14, 58.41, -28.78

 

CMYK 29 / 0 / 49 / 4

HEX #AEF67D

RGB 174 246 125

HSL 95.7, 0.87%, 0.73%

LAB 90.04, -42.67, 50.84

 

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

CMYK 0 / 49 / 49 / 4

HEX #F67D7D

RGB 246 125 125

HSL 0, 0.87%, 0.73%

LAB 66.32, 46.2, 21.6

 

CMYK 49 / 0 / 49 / 4

HEX #7DF67D

RGB 125 246 125

HSL 120, 0.87%, 0.73%

LAB 87.85, -57.6, 47.66

 

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

CMYK 0 / 49 / 10 / 4

HEX #F67DDE

RGB 246 125 222

HSL 311.9, 0.87%, 0.73%

LAB 69.14, 58.41, -28.78

 

CMYK 0 / 0 / 49 / 4

HEX #F6F67D

RGB 246 246 125

HSL 60, 0.87%, 0.73%

LAB 94.73, -15.95, 57.59

 

CMYK 49 / 0 / 39 / 4

HEX #7DF695

RGB 125 246 149

HSL 131.9, 0.87%, 0.73%

LAB 88.18, -54.12, 36.44

 

CMYK 49 / 49 / 0 / 3

HEX #7E7EF7

RGB 126 126 247

HSL 240, 0.88%, 0.73%

LAB 58.11, 31.48, -60.83

 

CMYK 0 / 49 / 24 / 4

HEX #F67DBA

RGB 246 125 186

HSL 329.75, 0.87%, 0.73%

LAB 67.88, 53.09, -10.6

 

CMYK 0 / 0 / 49 / 4

HEX #F6F67D

RGB 246 246 125

HSL 60, 0.87%, 0.73%

LAB 94.73, -15.95, 57.59

 

CMYK 49 / 0 / 24 / 4

HEX #7DF6BA

RGB 125 246 186

HSL 150.25, 0.87%, 0.73%

LAB 88.84, -47.51, 18.58

 

Description

Color code: HEX #7E7EF7 | qconv.com Color code: HEX #7E7EF7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 126 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 126 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 49 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 49% 0% 3% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - A.D.N. Adelante S.A....
Link: http://www.adn.com.co

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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