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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C91D9C it is the complementary color #36E263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C91D9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C91D9C shade: #CE1D97, #DF2FAA, #F041BD, #FF53D0 and #FF65E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C91D9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C91D9C shade: #C91D9C, #B80B89, #A70076, #960063 and #850050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C91D9C shade: #C81C9B, #C81C6D, #C81C3E and #C81C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C91D9C shade: #C81C9B, #C71CC8, #991CC8, #6A1CC8 and #3C1CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C91D9C shade matches the following richer shades: #C81C9B and #DB0AA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C91D9C shade: #C81C9B, #B62F92, #A3418A, #915481 and #7E6678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C91D9C shade: #981CC8, #C51CC8, #C81C9D, #C81C6F and #C81C41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C91D9C shade: #801263, #A4177F, #C81C9B, #E12DB2 and #E651BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C91D9C shade: #C91D9C, #C86A1C and #1CC8AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C91D9C shade: #C91D9C, #9DC81C and #1C9DC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C91D9C shade: #C91D9C, #C86A1C, #1CC847 and #1C7BC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C91D9C shade: #C91D9C, #C89D1C, #1CC847 and #1C47C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 22 / 21

HEX #C91D9C

RGB 201 29 156

HSL 315.7, 0.75%, 0.45%

LAB 46.57, 72.7, -26.28

 

Complementary color

CMYK 76 / 0 / 56 / 11

HEX #36E263

RGB 54 226 99

HSL 135.7, 0.75%, 0.55%

LAB 79.66, -68.26, 49.38

 

CMYK 0 / 86 / 27 / 19

HEX #CE1D97

RGB 206 29 151

HSL 318.64, 0.75%, 0.46%

LAB 47.28, 73.17, -22.12

 

CMYK 0 / 79 / 24 / 13

HEX #DF2FAA

RGB 223 47 170

HSL 318.07, 0.73%, 0.53%

LAB 52.53, 75.19, -25.04

 

CMYK 0 / 73 / 21 / 6

HEX #F041BD

RGB 240 65 189

HSL 317.49, 0.85%, 0.6%

LAB 58.02, 76.37, -27.38

 

CMYK 0 / 67 / 18 / 0

HEX #FF53D0

RGB 255 83 208

HSL 316.4, 1%, 0.66%

LAB 63.34, 76.47, -29.78

 

CMYK 0 / 60 / 11 / 0

HEX #FF65E3

RGB 255 101 227

HSL 310.91, 1%, 0.7%

LAB 66.61, 72.28, -35.37

 

CMYK 0 / 86 / 22 / 21

HEX #C91D9C

RGB 201 29 156

HSL 315.7, 0.75%, 0.45%

LAB 46.57, 72.7, -26.28

 

CMYK 0 / 94 / 26 / 28

HEX #B80B89

RGB 184 11 137

HSL 316.3, 0.89%, 0.38%

LAB 41.59, 69.56, -22.76

 

CMYK 0 / 100 / 29 / 35

HEX #A70076

RGB 167 0 118

HSL 317.6, 1%, 0.33%

LAB 36.97, 65.08, -18.36

 

CMYK 0 / 100 / 34 / 41

HEX #960063

RGB 150 0 99

HSL 320.4, 1%, 0.29%

LAB 32.67, 59.4, -13.16

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 86 / 23 / 22

HEX #C81C9B

RGB 200 28 155

HSL 315.7, 0.75%, 0.45%

LAB 46.28, 72.55, -26.16

 

CMYK 0 / 86 / 46 / 22

HEX #C81C6D

RGB 200 28 109

HSL 331.74, 0.75%, 0.45%

LAB 44.54, 67.72, -0.7

 

CMYK 0 / 86 / 69 / 22

HEX #C81C3E

RGB 200 28 62

HSL 348.14, 0.75%, 0.45%

LAB 43.44, 64.58, 27.1

 

CMYK 0 / 86 / 86 / 22

HEX #C81C1C

RGB 200 28 28

HSL 0, 0.75%, 0.45%

LAB 43.05, 63.43, 46.08

 

CMYK 0 / 86 / 23 / 22

HEX #C81C9B

RGB 200 28 155

HSL 315.7, 0.75%, 0.45%

LAB 46.28, 72.55, -26.16

 

CMYK 0 / 86 / 0 / 22

HEX #C71CC8

RGB 199 28 200

HSL 299.65, 0.75%, 0.45%

LAB 48.44, 78.55, -49.27

 

CMYK 24 / 86 / 0 / 22

HEX #991CC8

RGB 153 28 200

HSL 283.6, 0.75%, 0.45%

LAB 40.85, 70.87, -61.89

 

CMYK 47 / 86 / 0 / 22

HEX #6A1CC8

RGB 106 28 200

HSL 267.21, 0.75%, 0.45%

LAB 34.12, 64.49, -73.18

 

CMYK 70 / 86 / 0 / 22

HEX #3C1CC8

RGB 60 28 200

HSL 251.16, 0.75%, 0.45%

LAB 29.31, 60.32, -81.27

 

CMYK 0 / 86 / 23 / 22

HEX #C81C9B

RGB 200 28 155

HSL 315.7, 0.75%, 0.45%

LAB 46.28, 72.55, -26.16

 

CMYK 0 / 95 / 25 / 14

HEX #DB0AA4

RGB 219 10 164

HSL 315.79, 0.91%, 0.45%

LAB 49.44, 79.75, -26.34

 

CMYK 0 / 86 / 23 / 22

HEX #C81C9B

RGB 200 28 155

HSL 315.7, 0.75%, 0.45%

LAB 46.28, 72.55, -26.16

 

CMYK 0 / 74 / 20 / 29

HEX #B62F92

RGB 182 47 146

HSL 316, 0.59%, 0.45%

LAB 44.31, 62.51, -24.05

 

CMYK 0 / 60 / 15 / 36

HEX #A3418A

RGB 163 65 138

HSL 315.31, 0.43%, 0.45%

LAB 43.36, 49.16, -20.92

 

CMYK 0 / 42 / 11 / 43

HEX #915481

RGB 145 84 129

HSL 315.74, 0.27%, 0.45%

LAB 44.15, 32.09, -14.47

 

CMYK 0 / 19 / 5 / 51

HEX #7E6678

RGB 126 102 120

HSL 315, 0.11%, 0.45%

LAB 46.03, 12.91, -6.43

 

CMYK 24 / 86 / 0 / 22

HEX #981CC8

RGB 152 28 200

HSL 283.26, 0.75%, 0.45%

LAB 40.7, 70.72, -62.15

 

CMYK 1 / 86 / 0 / 22

HEX #C51CC8

RGB 197 28 200

HSL 298.95, 0.75%, 0.45%

LAB 48.1, 78.19, -49.84

 

CMYK 0 / 86 / 22 / 22

HEX #C81C9D

RGB 200 28 157

HSL 315, 0.75%, 0.45%

LAB 46.37, 72.8, -27.21

 

CMYK 0 / 86 / 45 / 22

HEX #C81C6F

RGB 200 28 111

HSL 331.05, 0.75%, 0.45%

LAB 44.6, 67.9, -1.85

 

CMYK 0 / 86 / 68 / 22

HEX #C81C41

RGB 200 28 65

HSL 347.09, 0.75%, 0.45%

LAB 43.49, 64.72, 25.31

 

CMYK 0 / 86 / 23 / 50

HEX #801263

RGB 128 18 99

HSL 315.82, 0.75%, 0.29%

LAB 29.22, 51.47, -18.85

 

CMYK 0 / 86 / 23 / 36

HEX #A4177F

RGB 164 23 127

HSL 315.74, 0.75%, 0.37%

LAB 37.91, 62.26, -22.59

 

CMYK 0 / 86 / 23 / 22

HEX #C81C9B

RGB 200 28 155

HSL 315.7, 0.75%, 0.45%

LAB 46.28, 72.55, -26.16

 

CMYK 0 / 80 / 21 / 12

HEX #E12DB2

RGB 225 45 178

HSL 315.67, 0.75%, 0.53%

LAB 53.06, 77.11, -28.89

 

CMYK 0 / 65 / 17 / 10

HEX #E651BF

RGB 230 81 191

HSL 315.7, 0.75%, 0.61%

LAB 58.48, 68.6, -27.95

 

CMYK 0 / 86 / 22 / 21

HEX #C91D9C

RGB 201 29 156

HSL 315.7, 0.75%, 0.45%

LAB 46.57, 72.7, -26.28

 

CMYK 0 / 47 / 86 / 22

HEX #C86A1C

RGB 200 106 28

HSL 27.21, 0.75%, 0.45%

LAB 54.73, 32.43, 55.82

 

CMYK 86 / 0 / 13 / 22

HEX #1CC8AE

RGB 28 200 174

HSL 170.93, 0.75%, 0.45%

LAB 72.64, -46.32, 1.52

 

CMYK 0 / 86 / 22 / 21

HEX #C91D9C

RGB 201 29 156

HSL 315.7, 0.75%, 0.45%

LAB 46.57, 72.7, -26.28

 

CMYK 22 / 0 / 86 / 22

HEX #9DC81C

RGB 157 200 28

HSL 75, 0.75%, 0.45%

LAB 75.18, -35.41, 71.26

 

CMYK 86 / 22 / 0 / 22

HEX #1C9DC8

RGB 28 157 200

HSL 195, 0.75%, 0.45%

LAB 60.37, -17.76, -31.33

 

CMYK 0 / 86 / 22 / 21

HEX #C91D9C

RGB 201 29 156

HSL 315.7, 0.75%, 0.45%

LAB 46.57, 72.7, -26.28

 

CMYK 0 / 47 / 86 / 22

HEX #C86A1C

RGB 200 106 28

HSL 27.21, 0.75%, 0.45%

LAB 54.73, 32.43, 55.82

 

CMYK 86 / 0 / 65 / 22

HEX #1CC847

RGB 28 200 71

HSL 135, 0.75%, 0.45%

LAB 70.88, -66.23, 51.57

 

CMYK 86 / 39 / 0 / 22

HEX #1C7BC8

RGB 28 123 200

HSL 206.86, 0.75%, 0.45%

LAB 50.2, 1.74, -47.32

 

CMYK 0 / 86 / 22 / 21

HEX #C91D9C

RGB 201 29 156

HSL 315.7, 0.75%, 0.45%

LAB 46.57, 72.7, -26.28

 

CMYK 0 / 22 / 86 / 22

HEX #C89D1C

RGB 200 157 28

HSL 45, 0.75%, 0.45%

LAB 66.88, 4.8, 65.8

 

CMYK 86 / 0 / 65 / 22

HEX #1CC847

RGB 28 200 71

HSL 135, 0.75%, 0.45%

LAB 70.88, -66.23, 51.57

 

CMYK 86 / 65 / 0 / 22

HEX #1C47C8

RGB 28 71 200

HSL 225, 0.75%, 0.45%

LAB 35.84, 35.22, -70.55

 

Description

Color code: HEX #C91D9C | qconv.com Color code: HEX #C91D9C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 29 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 29 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 22 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 22% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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