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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #850050 it is the complementary color #7AFFAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #850050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #850050 shade: #8A004B, #9B125E, #AC2471, #BD3684 and #CE4897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #850050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #850050 shade: #850050, #74003D, #63002A, #520017 and #410004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #850050 shade: #850050, #85002C, #850008 and #850000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #850050 shade: #850050, #850074, #720085, #4E0085 and #2A0085

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #850050 shade matches the following richer shades: #850050

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #850050 shade: #850050, #7A0B4E, #6F154B, #642049 and #5A2B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #850050 shade: #710085, #850075, #850052, #85002E and #85000B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #850050 shade: #32001E, #5B0037, #850050, #AE0069 and #D70081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #850050 shade: #850050, #854D00 and #008582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #850050 shade: #850050, #528500 and #005285

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #850050 shade: #850050, #854D00, #008533 and #003785

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #850050 shade: #850050, #857500, #008533 and #000F85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

Complementary color

CMYK 52 / 0 / 31 / 0

HEX #7AFFAF

RGB 122 255 175

HSL 143.91, 1%, 0.74%

LAB 91.12, -54.05, 27.32

 

CMYK 0 / 100 / 46 / 46

HEX #8A004B

RGB 138 0 75

HSL 327.39, 1%, 0.27%

LAB 29.19, 54.31, -2.89

 

CMYK 0 / 88 / 39 / 39

HEX #9B125E

RGB 155 18 94

HSL 326.72, 0.79%, 0.34%

LAB 34.42, 57.35, -7.19

 

CMYK 0 / 79 / 34 / 33

HEX #AC2471

RGB 172 36 113

HSL 326.03, 0.65%, 0.41%

LAB 39.96, 59.27, -10.59

 

CMYK 0 / 71 / 30 / 26

HEX #BD3684

RGB 189 54 132

HSL 325.33, 0.56%, 0.48%

LAB 45.8, 60.13, -13.16

 

CMYK 0 / 65 / 27 / 19

HEX #CE4897

RGB 206 72 151

HSL 324.63, 0.58%, 0.55%

LAB 51.83, 60.33, -15.16

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 100 / 47 / 55

HEX #74003D

RGB 116 0 61

HSL 328.45, 1%, 0.23%

LAB 23.84, 47.82, -1.83

 

CMYK 0 / 100 / 58 / 61

HEX #63002A

RGB 99 0 42

HSL 334.55, 1%, 0.19%

LAB 19.31, 41.95, 4.48

 

CMYK 0 / 100 / 72 / 68

HEX #520017

RGB 82 0 23

HSL 343.17, 1%, 0.16%

LAB 14.71, 36.07, 11.39

 

CMYK 0 / 100 / 94 / 75

HEX #410004

RGB 65 0 4

HSL 356.31, 1%, 0.13%

LAB 10.05, 30.25, 14.22

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 100 / 67 / 48

HEX #85002C

RGB 133 0 44

HSL 340.15, 1%, 0.26%

LAB 27.21, 50.79, 15.14

 

CMYK 0 / 100 / 94 / 48

HEX #850008

RGB 133 0 8

HSL 356.39, 1%, 0.26%

LAB 26.75, 49.54, 36.34

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 100 / 13 / 48

HEX #850074

RGB 133 0 116

HSL 307.67, 1%, 0.26%

LAB 30.03, 58.06, -28.45

 

CMYK 14 / 100 / 0 / 48

HEX #720085

RGB 114 0 133

HSL 291.43, 1%, 0.26%

LAB 27.49, 57.46, -43.46

 

CMYK 41 / 100 / 0 / 48

HEX #4E0085

RGB 78 0 133

HSL 275.19, 1%, 0.26%

LAB 21.26, 52.68, -53.9

 

CMYK 68 / 100 / 0 / 48

HEX #2A0085

RGB 42 0 133

HSL 258.95, 1%, 0.26%

LAB 16.43, 49.87, -62.04

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 91 / 36 / 52

HEX #7A0B4E

RGB 122 11 78

HSL 323.78, 0.83%, 0.26%

LAB 26.53, 48.91, -9.23

 

CMYK 0 / 81 / 32 / 56

HEX #6F154B

RGB 111 21 75

HSL 324, 0.68%, 0.26%

LAB 25.03, 43.14, -9.7

 

CMYK 0 / 68 / 27 / 61

HEX #642049

RGB 100 32 73

HSL 323.82, 0.52%, 0.26%

LAB 24.4, 35.21, -9.51

 

CMYK 0 / 52 / 21 / 65

HEX #5A2B47

RGB 90 43 71

HSL 324.26, 0.35%, 0.26%

LAB 24.82, 25.53, -7.69

 

CMYK 15 / 100 / 0 / 48

HEX #710085

RGB 113 0 133

HSL 290.98, 1%, 0.26%

LAB 27.31, 57.31, -43.77

 

CMYK 0 / 100 / 12 / 48

HEX #850075

RGB 133 0 117

HSL 307.22, 1%, 0.26%

LAB 30.09, 58.2, -28.99

 

CMYK 0 / 100 / 38 / 48

HEX #850052

RGB 133 0 82

HSL 323.01, 1%, 0.26%

LAB 28.37, 53.86, -8.89

 

CMYK 0 / 100 / 65 / 48

HEX #85002E

RGB 133 0 46

HSL 339.25, 1%, 0.26%

LAB 27.25, 50.91, 13.84

 

CMYK 0 / 100 / 92 / 48

HEX #85000B

RGB 133 0 11

HSL 355.04, 1%, 0.26%

LAB 26.77, 49.59, 35.12

 

CMYK 0 / 100 / 40 / 80

HEX #32001E

RGB 50 0 30

HSL 324, 1%, 0.1%

LAB 6.97, 27.77, -6.05

 

CMYK 0 / 100 / 40 / 64

HEX #5B0037

RGB 91 0 55

HSL 323.74, 1%, 0.18%

LAB 17.92, 41.2, -7.07

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 100 / 40 / 32

HEX #AE0069

RGB 174 0 105

HSL 323.79, 1%, 0.34%

LAB 37.88, 65.2, -8.64

 

CMYK 0 / 100 / 40 / 16

HEX #D70081

RGB 215 0 129

HSL 324, 1%, 0.42%

LAB 47.02, 76.16, -9.02

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 42 / 100 / 48

HEX #854D00

RGB 133 77 0

HSL 34.74, 1%, 0.26%

LAB 38.37, 18.75, 47.59

 

CMYK 100 / 0 / 2 / 48

HEX #008582

RGB 0 133 130

HSL 178.65, 1%, 0.26%

LAB 49.96, -30.61, -7.11

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 38 / 0 / 100 / 48

HEX #528500

RGB 82 133 0

HSL 83.01, 1%, 0.26%

LAB 50.18, -35.35, 53.97

 

CMYK 100 / 38 / 0 / 48

HEX #005285

RGB 0 82 133

HSL 203.01, 1%, 0.26%

LAB 33.41, -0.92, -34.44

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 42 / 100 / 48

HEX #854D00

RGB 133 77 0

HSL 34.74, 1%, 0.26%

LAB 38.37, 18.75, 47.59

 

CMYK 100 / 0 / 62 / 48

HEX #008533

RGB 0 133 51

HSL 143.01, 1%, 0.26%

LAB 48.28, -49.29, 34.96

 

CMYK 100 / 59 / 0 / 48

HEX #003785

RGB 0 55 133

HSL 215.19, 1%, 0.26%

LAB 25.03, 17.7, -47.93

 

CMYK 0 / 100 / 40 / 48

HEX #850050

RGB 133 0 80

HSL 323.91, 1%, 0.26%

LAB 28.29, 53.65, -7.68

 

CMYK 0 / 12 / 100 / 48

HEX #857500

RGB 133 117 0

HSL 52.78, 1%, 0.26%

LAB 49.14, -4.51, 54.92

 

CMYK 100 / 0 / 62 / 48

HEX #008533

RGB 0 133 51

HSL 143.01, 1%, 0.26%

LAB 48.28, -49.29, 34.96

 

CMYK 100 / 89 / 0 / 48

HEX #000F85

RGB 0 15 133

HSL 233.23, 1%, 0.26%

LAB 15.67, 43.08, -63.38

 

Description

Color code: HEX #850050 | qconv.com Color code: HEX #850050 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, none green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 0 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 40 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 40% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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