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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D2DB3F it is the complementary color #372D243F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D2DB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8D2DB3F shade: #CDD2D63F, #DEE4E93F, #EFF6FC3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D2DB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8D2DB3F shade: #C8D2DB3F, #B7C0C83F, #A6AEB53F, #959CA23F and #848A8F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8D2DB3F shade: #C7D2DB, #C7CCDB, #C8C7DB, #CDC7DB and #D2C7DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8D2DB3F shade: #C7D2DB, #C7CCDB and #C7C7DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8D2DB3F shade matches the following richer shades: #C7D2DB, #C0D2E2, #B9D2EA, #B1D3F1 and #AAD3F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8D2DB3F shade: #C7D2DB, #CFD1D3, #D6D1CC, #DED0C4 and #E5D0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8D2DB3F shade: #C7DBD9, #C7D7DB, #C7D2DB, #C7CDDB and #C7C7DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8D2DB3F shade: #96A9BA, #AEBDCA, #C7D2DB, #E0E6EB and #F9FAFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8D2DB3F shade: #C8D2DB, #D4C7DB and #D9DBC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8D2DB3F shade: #C8D2DB, #DBC7D2 and #D2DBC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8D2DB3F shade: #C8D2DB, #D4C7DB, #DBD0C7 and #CEDBC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8D2DB3F shade: #C8D2DB, #DAC7DB, #DBD0C7 and #C8DBC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 1 / 0 / 4

HEX #C8D2DB3F

RGBA 200 210 219 0.25

HSLA 208.42, 0.21%, 0.82%, 0.25

LABA 83.7, -1.64, -5.62, 0.25

 

Complementary color

CMYK 0 / 5 / 9 / 20

HEX #372D243F

RGBA 55 45 36 0.25

HSLA 28.42, 0.21%, 0.18%, 0.25

LABA 19.29, 2.89, 7.53, 0.25

 

CMYK 1 / 0 / 0 / 4

HEX #CDD2D63F

RGBA 205 210 214 0.25

HSLA 206.67, 0.1%, 0.82%, 0.25

LABA 83.93, -0.95, -2.58, 0.25

 

CMYK 1 / 1 / 0 / 2

HEX #DEE4E93F

RGBA 222 228 233 0.25

HSLA 207.27, 0.2%, 0.89%, 0.25

LABA 90.28, -1.08, -3.14, 0.25

 

CMYK 1 / 1 / 0 / 0

HEX #EFF6FC3F

RGBA 239 246 252 0.25

HSLA 207.69, 0.68%, 0.96%, 0.25

LABA 96.53, -1.21, -3.69, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 2 / 1 / 0 / 4

HEX #C8D2DB3F

RGBA 200 210 219 0.25

HSLA 208.42, 0.21%, 0.82%, 0.25

LABA 83.7, -1.64, -5.62, 0.25

 

CMYK 2 / 1 / 0 / 5

HEX #B7C0C83F

RGBA 183 192 200 0.25

HSLA 208.24, 0.13%, 0.75%, 0.25

LABA 77.24, -1.53, -5.09, 0.25

 

CMYK 2 / 1 / 0 / 7

HEX #A6AEB53F

RGBA 166 174 181 0.25

HSLA 208, 0.09%, 0.68%, 0.25

LABA 70.67, -1.41, -4.55, 0.25

 

CMYK 2 / 1 / 0 / 9

HEX #959CA23F

RGBA 149 156 162 0.25

HSLA 207.69, 0.07%, 0.61%, 0.25

LABA 63.98, -1.29, -4, 0.25

 

CMYK 2 / 1 / 0 / 11

HEX #848A8F3F

RGBA 132 138 143 0.25

HSLA 207.27, 0.05%, 0.54%, 0.25

LABA 57.14, -1.16, -3.43, 0.25

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 9 / 7 / 0 / 14

HEX #C7CCDB

RGB 199 204 219

HSL 225, 0.22%, 0.82%

LAB 82.08, 1.18, -8.02

 

CMYK 9 / 9 / 0 / 14

HEX #C8C7DB

RGB 200 199 219

HSL 243, 0.22%, 0.82%

LAB 80.87, 4.16, -9.81

 

CMYK 6 / 9 / 0 / 14

HEX #CDC7DB

RGB 205 199 219

HSL 258, 0.22%, 0.82%

LAB 81.26, 5.82, -9.19

 

CMYK 4 / 9 / 0 / 14

HEX #D2C7DB

RGB 210 199 219

HSL 273, 0.22%, 0.82%

LAB 81.65, 7.49, -8.56

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 9 / 7 / 0 / 14

HEX #C7CCDB

RGB 199 204 219

HSL 225, 0.22%, 0.82%

LAB 82.08, 1.18, -8.02

 

CMYK 9 / 9 / 0 / 14

HEX #C7C7DB

RGB 199 199 219

HSL 240, 0.22%, 0.82%

LAB 80.8, 3.84, -9.93

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 15 / 7 / 0 / 11

HEX #C0D2E2

RGB 192 210 226

HSL 208.24, 0.37%, 0.82%

LAB 83.33, -2.81, -9.95

 

CMYK 21 / 10 / 0 / 8

HEX #B9D2EA

RGB 185 210 234

HSL 209.39, 0.54%, 0.82%

LAB 83.1, -3.28, -14.6

 

CMYK 27 / 12 / 0 / 5

HEX #B1D3F1

RGB 177 211 241

HSL 208.13, 0.7%, 0.82%

LAB 83.07, -4.61, -18.43

 

CMYK 31 / 15 / 0 / 3

HEX #AAD3F8

RGB 170 211 248

HSL 208.46, 0.85%, 0.82%

LAB 82.87, -4.96, -22.49

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 2 / 1 / 0 / 17

HEX #CFD1D3

RGB 207 209 211

HSL 210, 0.04%, 0.82%

LAB 83.74, -0.31, -1.24

 

CMYK 0 / 2 / 5 / 16

HEX #D6D1CC

RGB 214 209 204

HSL 30, 0.11%, 0.82%

LAB 84.1, 0.84, 3.07

 

CMYK 0 / 6 / 12 / 13

HEX #DED0C4

RGB 222 208 196

HSL 27.69, 0.28%, 0.82%

LAB 84.29, 2.84, 7.68

 

CMYK 0 / 9 / 17 / 10

HEX #E5D0BD

RGB 229 208 189

HSL 28.5, 0.43%, 0.82%

LAB 84.71, 4.27, 12.08

 

CMYK 9 / 0 / 1 / 14

HEX #C7DBD9

RGB 199 219 217

HSL 174, 0.22%, 0.82%

LAB 85.91, -7.03, -1.31

 

CMYK 9 / 2 / 0 / 14

HEX #C7D7DB

RGB 199 215 219

HSL 192, 0.22%, 0.82%

LAB 84.92, -4.58, -3.82

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 9 / 6 / 0 / 14

HEX #C7CDDB

RGB 199 205 219

HSL 222, 0.22%, 0.82%

LAB 82.34, 0.65, -7.64

 

CMYK 9 / 9 / 0 / 14

HEX #C7C7DB

RGB 199 199 219

HSL 240, 0.22%, 0.82%

LAB 80.8, 3.84, -9.93

 

CMYK 19 / 9 / 0 / 27

HEX #96A9BA

RGB 150 169 186

HSL 208.33, 0.21%, 0.66%

LAB 68.32, -2.93, -10.94

 

CMYK 14 / 6 / 0 / 21

HEX #AEBDCA

RGB 174 189 202

HSL 207.86, 0.21%, 0.74%

LAB 75.86, -2.49, -8.3

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 5 / 2 / 0 / 8

HEX #E0E6EB

RGB 224 230 235

HSL 207.27, 0.22%, 0.9%

LAB 90.98, -1.08, -3.13

 

CMYK 1 / 0 / 0 / 2

HEX #F9FAFB

RGB 249 250 251

HSL 210, 0.2%, 0.98%

LAB 98.22, -0.15, -0.6

 

CMYK 9 / 4 / 0 / 14

HEX #C8D2DB

RGB 200 210 219

HSL 208.42, 0.21%, 0.82%

LAB 83.7, -1.64, -5.62

 

CMYK 3 / 9 / 0 / 14

HEX #D4C7DB

RGB 212 199 219

HSL 279, 0.22%, 0.82%

LAB 81.82, 8.16, -8.3

 

CMYK 1 / 0 / 9 / 14

HEX #D9DBC7

RGB 217 219 199

HSL 66, 0.22%, 0.82%

LAB 86.77, -4.15, 9.6

 

CMYK 9 / 4 / 0 / 14

HEX #C8D2DB

RGB 200 210 219

HSL 208.42, 0.21%, 0.82%

LAB 83.7, -1.64, -5.62

 

CMYK 0 / 9 / 4 / 14

HEX #DBC7D2

RGB 219 199 210

HSL 327, 0.22%, 0.82%

LAB 82.14, 8.9, -2.94

 

CMYK 4 / 0 / 9 / 14

HEX #D2DBC7

RGB 210 219 199

HSL 87, 0.22%, 0.82%

LAB 86.25, -6.59, 8.78

 

CMYK 9 / 4 / 0 / 14

HEX #C8D2DB

RGB 200 210 219

HSL 208.42, 0.21%, 0.82%

LAB 83.7, -1.64, -5.62

 

CMYK 3 / 9 / 0 / 14

HEX #D4C7DB

RGB 212 199 219

HSL 279, 0.22%, 0.82%

LAB 81.82, 8.16, -8.3

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 6 / 0 / 9 / 14

HEX #CEDBC7

RGB 206 219 199

HSL 99, 0.22%, 0.82%

LAB 85.96, -7.98, 8.33

 

CMYK 9 / 4 / 0 / 14

HEX #C8D2DB

RGB 200 210 219

HSL 208.42, 0.21%, 0.82%

LAB 83.7, -1.64, -5.62

 

CMYK 0 / 9 / 0 / 14

HEX #DAC7DB

RGB 218 199 219

HSL 297, 0.22%, 0.82%

LAB 82.31, 10.18, -7.52

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 9 / 0 / 9 / 14

HEX #C8DBC7

RGB 200 219 199

HSL 117, 0.22%, 0.82%

LAB 85.54, -10.03, 7.67

 

Description

Color code: HEX #C8D2DB3F | qconv.com Color code: HEX #C8D2DB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 210 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 210 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 1 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 1% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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