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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBD0C7 it is the complementary color #242F38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBD0C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBD0C7 shade: #E0D0C2, #F1E2D5, #FFF4E8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBD0C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBD0C7 shade: #DBD0C7, #CABEB4, #B9ACA1, #A89A8E and #97887B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBD0C7 shade: #DBD0C7, #DBCAC7 and #DBC7C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBD0C7 shade: #DBD0C7, #DBD5C7, #DBDAC7, #D5DBC7 and #D0DBC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBD0C7 shade matches the following richer shades: #DBD0C7, #E2CFBF, #EACEB8, #F1CDB0 and #F8CDA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBD0C7 shade: #DBD0C7, #D3D0CE, #CCD1D5, #C4D2DD and #BDD3E4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBD0C7 shade: #DBC7C8, #DBCAC7, #DBD0C7, #DBD5C7 and #DBDAC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBD0C7 shade: #BBA594, #CBBBAD, #DBD0C7, #EBE5E0 and #FBFAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBD0C7 shade: #DBD0C7, #CEDBC7 and #C8C7DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBD0C7 shade: #DBD0C7, #C7DBD0 and #D0C7DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBD0C7 shade: #DBD0C7, #CEDBC7, #C7D2DB and #D4C7DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBD0C7 shade: #DBD0C7, #C8DBC7, #C7D2DB and #DAC7DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

Complementary color

CMYK 36 / 16 / 0 / 78

HEX #242F38

RGB 36 47 56

HSL 207, 0.22%, 0.18%

LAB 18.77, -2.02, -7.26

 

CMYK 0 / 7 / 13 / 12

HEX #E0D0C2

RGB 224 208 194

HSL 28, 0.33%, 0.82%

LAB 84.41, 3.23, 8.94

 

CMYK 0 / 6 / 12 / 5

HEX #F1E2D5

RGB 241 226 213

HSL 27.86, 0.5%, 0.89%

LAB 90.73, 2.97, 8.18

 

CMYK 0 / 4 / 9 / 0

HEX #FFF4E8

RGB 255 244 232

HSL 31.3, 1%, 0.95%

LAB 96.73, 1.69, 7.08

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 0 / 6 / 11 / 21

HEX #CABEB4

RGB 202 190 180

HSL 27.27, 0.17%, 0.75%

LAB 77.68, 2.51, 6.55

 

CMYK 0 / 7 / 13 / 27

HEX #B9ACA1

RGB 185 172 161

HSL 27.5, 0.15%, 0.68%

LAB 71.14, 2.78, 7.33

 

CMYK 0 / 8 / 15 / 34

HEX #A89A8E

RGB 168 154 142

HSL 27.69, 0.13%, 0.61%

LAB 64.47, 3.07, 8.15

 

CMYK 0 / 10 / 19 / 41

HEX #97887B

RGB 151 136 123

HSL 27.86, 0.12%, 0.54%

LAB 57.67, 3.41, 9.03

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 0 / 8 / 9 / 14

HEX #DBCAC7

RGB 219 202 199

HSL 9, 0.22%, 0.82%

LAB 82.61, 5.42, 3.63

 

CMYK 0 / 9 / 9 / 14

HEX #DBC7C7

RGB 219 199 199

HSL 0, 0.22%, 0.82%

LAB 81.85, 7, 2.54

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 0 / 3 / 9 / 14

HEX #DBD5C7

RGB 219 213 199

HSL 42, 0.22%, 0.82%

LAB 85.39, -0.34, 7.64

 

CMYK 0 / 0 / 9 / 14

HEX #DBDAC7

RGB 219 218 199

HSL 57, 0.22%, 0.82%

LAB 86.67, -2.93, 9.47

 

CMYK 3 / 0 / 9 / 14

HEX #D5DBC7

RGB 213 219 199

HSL 78, 0.22%, 0.82%

LAB 86.47, -5.55, 9.13

 

CMYK 5 / 0 / 9 / 14

HEX #D0DBC7

RGB 208 219 199

HSL 93, 0.22%, 0.82%

LAB 86.1, -7.29, 8.55

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 0 / 8 / 15 / 11

HEX #E2CFBF

RGB 226 207 191

HSL 27.43, 0.38%, 0.82%

LAB 84.25, 4.01, 10.33

 

CMYK 0 / 12 / 21 / 8

HEX #EACEB8

RGB 234 206 184

HSL 26.4, 0.54%, 0.82%

LAB 84.53, 6.4, 14.53

 

CMYK 0 / 15 / 27 / 5

HEX #F1CDB0

RGB 241 205 176

HSL 26.77, 0.7%, 0.82%

LAB 84.74, 8.41, 19.14

 

CMYK 0 / 17 / 32 / 3

HEX #F8CDA9

RGB 248 205 169

HSL 27.34, 0.85%, 0.82%

LAB 85.24, 10.15, 23.62

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 0 / 1 / 2 / 17

HEX #D3D0CE

RGB 211 208 206

HSL 24, 0.05%, 0.82%

LAB 83.66, 0.68, 1.35

 

CMYK 4 / 2 / 0 / 16

HEX #CCD1D5

RGB 204 209 213

HSL 206.67, 0.1%, 0.82%

LAB 83.57, -0.95, -2.58

 

CMYK 11 / 5 / 0 / 13

HEX #C4D2DD

RGB 196 210 221

HSL 206.4, 0.27%, 0.82%

LAB 83.47, -2.55, -7.05

 

CMYK 17 / 7 / 0 / 11

HEX #BDD3E4

RGB 189 211 228

HSL 206.15, 0.42%, 0.82%

LAB 83.45, -3.86, -10.86

 

CMYK 0 / 9 / 9 / 14

HEX #DBC7C8

RGB 219 199 200

HSL 357, 0.22%, 0.82%

LAB 81.88, 7.17, 2.04

 

CMYK 0 / 8 / 9 / 14

HEX #DBCAC7

RGB 219 202 199

HSL 9, 0.22%, 0.82%

LAB 82.61, 5.42, 3.63

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 0 / 3 / 9 / 14

HEX #DBD5C7

RGB 219 213 199

HSL 42, 0.22%, 0.82%

LAB 85.39, -0.34, 7.64

 

CMYK 0 / 0 / 9 / 14

HEX #DBDAC7

RGB 219 218 199

HSL 57, 0.22%, 0.82%

LAB 86.67, -2.93, 9.47

 

CMYK 0 / 12 / 21 / 27

HEX #BBA594

RGB 187 165 148

HSL 26.15, 0.22%, 0.66%

LAB 69.19, 5.26, 11.74

 

CMYK 0 / 8 / 15 / 20

HEX #CBBBAD

RGB 203 187 173

HSL 28, 0.22%, 0.74%

LAB 76.83, 3.33, 9.13

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 0 / 3 / 5 / 8

HEX #EBE5E0

RGB 235 229 224

HSL 27.27, 0.22%, 0.9%

LAB 91.27, 1.16, 3.14

 

CMYK 0 / 0 / 1 / 2

HEX #FBFAF9

RGB 251 250 249

HSL 30, 0.2%, 0.98%

LAB 98.32, 0.16, 0.58

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 6 / 0 / 9 / 14

HEX #CEDBC7

RGB 206 219 199

HSL 99, 0.22%, 0.82%

LAB 85.96, -7.98, 8.33

 

CMYK 9 / 9 / 0 / 14

HEX #C8C7DB

RGB 200 199 219

HSL 243, 0.22%, 0.82%

LAB 80.87, 4.16, -9.81

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 9 / 0 / 5 / 14

HEX #C7DBD0

RGB 199 219 208

HSL 147, 0.22%, 0.82%

LAB 85.69, -8.74, 3.12

 

CMYK 5 / 9 / 0 / 14

HEX #D0C7DB

RGB 208 199 219

HSL 267, 0.22%, 0.82%

LAB 81.5, 6.82, -8.81

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 6 / 0 / 9 / 14

HEX #CEDBC7

RGB 206 219 199

HSL 99, 0.22%, 0.82%

LAB 85.96, -7.98, 8.33

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 3 / 9 / 0 / 14

HEX #D4C7DB

RGB 212 199 219

HSL 279, 0.22%, 0.82%

LAB 81.82, 8.16, -8.3

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 9 / 0 / 9 / 14

HEX #C8DBC7

RGB 200 219 199

HSL 117, 0.22%, 0.82%

LAB 85.54, -10.03, 7.67

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 0 / 9 / 0 / 14

HEX #DAC7DB

RGB 218 199 219

HSL 297, 0.22%, 0.82%

LAB 82.31, 10.18, -7.52

 

Description

Color code: HEX #DBD0C7 | qconv.com Color code: HEX #DBD0C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 208 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 208 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 9% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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