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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8C982 it is the complementary color #37367D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8C982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8C982 shade: #CDC97D, #DEDB90, #EFEDA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8C982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8C982 shade: #C8C982, #B7B76F, #A6A55C, #959349 and #848136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8C982 shade: #C8C982, #C9B782, #C9A382, #C99082 and #C98282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8C982 shade: #C8C982, #B5C982, #A1C982, #8EC982 and #82C988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8C982 shade matches the following richer shades: #C8C982, #D6D773, #E4E665 and #F2F456

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8C982 shade: #C8C982, #BABB90, #ACAC9E, #9E9EAD and #908FBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8C982 shade: #C9A382, #C9B682, #C9C982, #B6C982 and #A3C982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8C982 shade: #ACAE4A, #BBBD65, #C8C982, #D5D59E and #E1E2BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8C982 shade: #C8C982, #82C990 and #AC82C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8C982 shade: #C8C982, #82C9C9 and #C982C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8C982 shade: #C8C982, #82C990, #8282C9 and #C982BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8C982 shade: #C8C982, #82C9A5, #8282C9 and #C982A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

Complementary color

CMYK 56 / 57 / 0 / 51

HEX #37367D

RGB 55 54 125

HSL 240.85, 0.4%, 0.35%

LAB 26.54, 22.12, -40.36

 

CMYK 0 / 2 / 39 / 20

HEX #CDC97D

RGB 205 201 125

HSL 57, 0.44%, 0.65%

LAB 79.75, -9.71, 38.45

 

CMYK 0 / 1 / 35 / 13

HEX #DEDB90

RGB 222 219 144

HSL 57.69, 0.54%, 0.72%

LAB 86.11, -10.05, 37.29

 

CMYK 0 / 1 / 32 / 6

HEX #EFEDA3

RGB 239 237 163

HSL 58.42, 0.7%, 0.79%

LAB 92.38, -10.33, 36.17

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 0 / 0 / 39 / 28

HEX #B7B76F

RGB 183 183 111

HSL 60, 0.33%, 0.58%

LAB 72.95, -10.79, 36.59

 

CMYK 0 / 1 / 45 / 35

HEX #A6A55C

RGB 166 165 92

HSL 59.19, 0.29%, 0.51%

LAB 66.36, -10.41, 37.81

 

CMYK 0 / 1 / 51 / 42

HEX #959349

RGB 149 147 73

HSL 58.42, 0.34%, 0.44%

LAB 59.65, -9.92, 39.04

 

CMYK 0 / 2 / 59 / 48

HEX #848136

RGB 132 129 54

HSL 57.69, 0.42%, 0.36%

LAB 52.81, -9.29, 40.2

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 0 / 9 / 35 / 21

HEX #C9B782

RGB 201 183 130

HSL 44.79, 0.4%, 0.65%

LAB 74.76, -1.36, 29.31

 

CMYK 0 / 19 / 35 / 21

HEX #C9A382

RGB 201 163 130

HSL 27.89, 0.4%, 0.65%

LAB 69.63, 9.36, 22.43

 

CMYK 0 / 28 / 35 / 21

HEX #C99082

RGB 201 144 130

HSL 11.83, 0.4%, 0.65%

LAB 64.94, 19.74, 16.01

 

CMYK 0 / 35 / 35 / 21

HEX #C98282

RGB 201 130 130

HSL 0, 0.4%, 0.65%

LAB 61.65, 27.4, 11.4

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 10 / 0 / 35 / 21

HEX #B5C982

RGB 181 201 130

HSL 76.9, 0.4%, 0.65%

LAB 78, -18.46, 33.28

 

CMYK 20 / 0 / 35 / 21

HEX #A1C982

RGB 161 201 130

HSL 93.8, 0.4%, 0.65%

LAB 76.66, -25.89, 31.27

 

CMYK 29 / 0 / 35 / 21

HEX #8EC982

RGB 142 201 130

HSL 109.86, 0.4%, 0.65%

LAB 75.54, -32.55, 29.58

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 0 / 0 / 47 / 16

HEX #D6D773

RGB 214 215 115

HSL 60.6, 0.56%, 0.65%

LAB 84.04, -14.21, 48.89

 

CMYK 1 / 0 / 56 / 10

HEX #E4E665

RGB 228 230 101

HSL 60.93, 0.72%, 0.65%

LAB 88.94, -17.19, 61.3

 

CMYK 1 / 0 / 65 / 4

HEX #F2F456

RGB 242 244 86

HSL 60.76, 0.88%, 0.65%

LAB 93.56, -19.31, 72.72

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 1 / 0 / 23 / 27

HEX #BABB90

RGB 186 187 144

HSL 61.4, 0.24%, 0.65%

LAB 74.82, -7.47, 21.73

 

CMYK 0 / 0 / 8 / 33

HEX #ACAC9E

RGB 172 172 158

HSL 60, 0.08%, 0.65%

LAB 70, -2.53, 7.2

 

CMYK 9 / 9 / 0 / 32

HEX #9E9EAD

RGB 158 158 173

HSL 240, 0.08%, 0.65%

LAB 65.55, 2.99, -7.78

 

CMYK 23 / 24 / 0 / 27

HEX #908FBB

RGB 144 143 187

HSL 241.36, 0.24%, 0.65%

LAB 60.92, 9.97, -22.74

 

CMYK 0 / 19 / 35 / 21

HEX #C9A382

RGB 201 163 130

HSL 27.89, 0.4%, 0.65%

LAB 69.63, 9.36, 22.43

 

CMYK 0 / 9 / 35 / 21

HEX #C9B682

RGB 201 182 130

HSL 43.94, 0.4%, 0.65%

LAB 74.5, -0.83, 28.97

 

CMYK 0 / 0 / 35 / 21

HEX #C9C982

RGB 201 201 130

HSL 60, 0.4%, 0.65%

LAB 79.5, -10.72, 35.52

 

CMYK 9 / 0 / 35 / 21

HEX #B6C982

RGB 182 201 130

HSL 76.06, 0.4%, 0.65%

LAB 78.07, -18.08, 33.39

 

CMYK 19 / 0 / 35 / 21

HEX #A3C982

RGB 163 201 130

HSL 92.11, 0.4%, 0.65%

LAB 76.78, -25.17, 31.46

 

CMYK 1 / 0 / 57 / 32

HEX #ACAE4A

RGB 172 174 74

HSL 61.2, 0.4%, 0.49%

LAB 69.14, -14.19, 49.98

 

CMYK 1 / 0 / 47 / 26

HEX #BBBD65

RGB 187 189 101

HSL 61.36, 0.4%, 0.57%

LAB 74.76, -13.3, 43.96

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 0 / 0 / 26 / 16

HEX #D5D59E

RGB 213 213 158

HSL 60, 0.4%, 0.73%

LAB 84.07, -8.7, 27.28

 

CMYK 0 / 0 / 17 / 11

HEX #E1E2BB

RGB 225 226 187

HSL 61.54, 0.4%, 0.81%

LAB 88.92, -6.76, 19

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 35 / 0 / 28 / 21

HEX #82C990

RGB 130 201 144

HSL 131.83, 0.4%, 0.65%

LAB 75.16, -34.12, 21.62

 

CMYK 14 / 35 / 0 / 21

HEX #AC82C9

RGB 172 130 201

HSL 275.49, 0.4%, 0.65%

LAB 60.74, 29.43, -30.72

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 35 / 0 / 0 / 21

HEX #82C9C9

RGB 130 201 201

HSL 180, 0.4%, 0.65%

LAB 76.52, -22.12, -7.06

 

CMYK 0 / 35 / 0 / 21

HEX #C982C9

RGB 201 130 201

HSL 300, 0.4%, 0.65%

LAB 63.84, 38.56, -25.69

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 35 / 0 / 28 / 21

HEX #82C990

RGB 130 201 144

HSL 131.83, 0.4%, 0.65%

LAB 75.16, -34.12, 21.62

 

CMYK 35 / 35 / 0 / 21

HEX #8282C9

RGB 130 130 201

HSL 240, 0.4%, 0.65%

LAB 57.01, 16.95, -36.82

 

CMYK 0 / 35 / 7 / 21

HEX #C982BB

RGB 201 130 187

HSL 311.83, 0.4%, 0.65%

LAB 63.32, 36.02, -18.59

 

CMYK 0 / 0 / 35 / 21

HEX #C8C982

RGB 200 201 130

HSL 60.85, 0.4%, 0.65%

LAB 79.42, -11.11, 35.41

 

CMYK 35 / 0 / 18 / 21

HEX #82C9A5

RGB 130 201 165

HSL 149.58, 0.4%, 0.65%

LAB 75.6, -30.12, 11.01

 

CMYK 35 / 35 / 0 / 21

HEX #8282C9

RGB 130 130 201

HSL 240, 0.4%, 0.65%

LAB 57.01, 16.95, -36.82

 

CMYK 0 / 35 / 18 / 21

HEX #C982A5

RGB 201 130 165

HSL 330.42, 0.4%, 0.65%

LAB 62.59, 32.35, -7.2

 

Description

Color code: HEX #C8C982 | qconv.com Color code: HEX #C8C982 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 201 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 201 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 35 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 35% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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