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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 201 136 it is the complementary color RGB 125 54 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 201 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 201 136 shade: RGB 135 201 131, RGB 152 219 150, RGB 169 237 169, RGB 186 255 188 and RGB 203 255 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 201 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 201 136 shade: RGB 130 201 136, RGB 113 183 117, RGB 96 165 98, RGB 79 147 79 and RGB 62 129 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 201 136 shade: RGB 130 201 136, RGB 143 201 130, RGB 162 201 130, RGB 181 201 130 and RGB 201 201 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 201 136 shade: RGB 130 201 136, RGB 130 201 155, RGB 130 201 174, RGB 130 201 193 and RGB 130 189 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 201 136 shade matches the following richer shades: RGB 130 201 136, RGB 115 215 124, RGB 101 230 112 and RGB 86 244 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 201 136 shade: RGB 130 201 136, RGB 144 187 148, RGB 158 172 160, RGB 173 158 172 and RGB 187 143 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 201 136 shade: RGB 162 201 130, RGB 143 201 130, RGB 130 201 136, RGB 130 201 155 and RGB 130 201 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 201 136 shade: RGB 74 174 83, RGB 101 189 108, RGB 130 201 136, RGB 158 213 163 and RGB 187 226 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 201 136 shade: RGB 130 201 136, RGB 130 181 201 and RGB 201 130 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 201 136 shade: RGB 130 201 136, RGB 135 130 201 and RGB 201 136 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 201 136 shade: RGB 130 201 136, RGB 130 181 201, RGB 201 130 195 and RGB 201 150 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 201 136 shade: RGB 130 201 136, RGB 130 159 201, RGB 201 130 195 and RGB 201 171 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

Complementary color

CMYK 0 / 57 / 5 / 51

HEX #7D3677

RGB 125 54 119

HSL 305.07, 0.4%, 0.35%

LAB 34.66, 39.95, -23.17

 

CMYK 33 / 0 / 35 / 21

HEX #87C983

RGB 135 201 131

HSL 116.57, 0.39%, 0.65%

LAB 75.18, -34.71, 28.52

 

CMYK 31 / 0 / 32 / 14

HEX #98DB96

RGB 152 219 150

HSL 118.26, 0.49%, 0.72%

LAB 81.59, -34.48, 27.4

 

CMYK 29 / 0 / 29 / 7

HEX #A9EDA9

RGB 169 237 169

HSL 120, 0.65%, 0.8%

LAB 87.9, -34.24, 26.33

 

CMYK 27 / 0 / 26 / 0

HEX #BAFFBC

RGB 186 255 188

HSL 121.74, 1%, 0.86%

LAB 94.14, -34.02, 25.32

 

CMYK 20 / 0 / 19 / 0

HEX #CBFFCF

RGB 203 255 207

HSL 124.62, 1%, 0.9%

LAB 95.46, -25.39, 17.63

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 38 / 0 / 36 / 28

HEX #71B775

RGB 113 183 117

HSL 123.43, 0.33%, 0.58%

LAB 68.51, -35.75, 26.81

 

CMYK 42 / 0 / 41 / 35

HEX #60A562

RGB 96 165 98

HSL 121.74, 0.28%, 0.51%

LAB 61.89, -35.98, 28.06

 

CMYK 46 / 0 / 46 / 42

HEX #4F934F

RGB 79 147 79

HSL 120, 0.3%, 0.44%

LAB 55.17, -36.15, 29.39

 

CMYK 52 / 0 / 53 / 49

HEX #3E813C

RGB 62 129 60

HSL 118.26, 0.37%, 0.37%

LAB 48.32, -36.19, 30.77

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 29 / 0 / 35 / 21

HEX #8FC982

RGB 143 201 130

HSL 109.01, 0.4%, 0.65%

LAB 75.59, -32.21, 29.67

 

CMYK 19 / 0 / 35 / 21

HEX #A2C982

RGB 162 201 130

HSL 92.96, 0.4%, 0.65%

LAB 76.72, -25.53, 31.36

 

CMYK 10 / 0 / 35 / 21

HEX #B5C982

RGB 181 201 130

HSL 76.9, 0.4%, 0.65%

LAB 78, -18.46, 33.28

 

CMYK 0 / 0 / 35 / 21

HEX #C9C982

RGB 201 201 130

HSL 60, 0.4%, 0.65%

LAB 79.5, -10.72, 35.52

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 35 / 0 / 23 / 21

HEX #82C99B

RGB 130 201 155

HSL 141.13, 0.4%, 0.65%

LAB 75.38, -32.09, 16.07

 

CMYK 35 / 0 / 13 / 21

HEX #82C9AE

RGB 130 201 174

HSL 157.18, 0.4%, 0.65%

LAB 75.81, -28.25, 6.47

 

CMYK 35 / 0 / 4 / 21

HEX #82C9C1

RGB 130 201 193

HSL 173.24, 0.4%, 0.65%

LAB 76.3, -24.01, -3.07

 

CMYK 35 / 6 / 0 / 21

HEX #82BDC9

RGB 130 189 201

HSL 190.14, 0.4%, 0.65%

LAB 73.13, -16, -12.12

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 47 / 0 / 42 / 16

HEX #73D77C

RGB 115 215 124

HSL 125.4, 0.56%, 0.65%

LAB 78.29, -48, 36.01

 

CMYK 56 / 0 / 51 / 10

HEX #65E670

RGB 101 230 112

HSL 125.12, 0.72%, 0.65%

LAB 82.13, -59.23, 46.58

 

CMYK 65 / 0 / 59 / 4

HEX #56F464

RGB 86 244 100

HSL 125.32, 0.88%, 0.65%

LAB 85.81, -68.9, 56.29

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 23 / 0 / 21 / 27

HEX #90BB94

RGB 144 187 148

HSL 125.58, 0.24%, 0.65%

LAB 71.97, -22.09, 15.17

 

CMYK 8 / 0 / 7 / 33

HEX #9EACA0

RGB 158 172 160

HSL 128.57, 0.08%, 0.65%

LAB 68.98, -7.22, 4.49

 

CMYK 0 / 9 / 1 / 32

HEX #AD9EAC

RGB 173 158 172

HSL 304, 0.08%, 0.65%

LAB 66.76, 8.05, -5.28

 

CMYK 0 / 24 / 2 / 27

HEX #BB8FB8

RGB 187 143 184

HSL 304.09, 0.24%, 0.65%

LAB 64.7, 23.6, -14.95

 

CMYK 19 / 0 / 35 / 21

HEX #A2C982

RGB 162 201 130

HSL 92.96, 0.4%, 0.65%

LAB 76.72, -25.53, 31.36

 

CMYK 29 / 0 / 35 / 21

HEX #8FC982

RGB 143 201 130

HSL 109.01, 0.4%, 0.65%

LAB 75.59, -32.21, 29.67

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 35 / 0 / 23 / 21

HEX #82C99B

RGB 130 201 155

HSL 141.13, 0.4%, 0.65%

LAB 75.38, -32.09, 16.07

 

CMYK 35 / 0 / 13 / 21

HEX #82C9AE

RGB 130 201 174

HSL 157.18, 0.4%, 0.65%

LAB 75.81, -28.25, 6.47

 

CMYK 57 / 0 / 52 / 32

HEX #4AAE53

RGB 74 174 83

HSL 125.4, 0.4%, 0.49%

LAB 63.63, -48.24, 37.82

 

CMYK 47 / 0 / 43 / 26

HEX #65BD6C

RGB 101 189 108

HSL 124.77, 0.4%, 0.57%

LAB 69.64, -43.45, 32.9

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 26 / 0 / 23 / 16

HEX #9ED5A3

RGB 158 213 163

HSL 125.45, 0.4%, 0.73%

LAB 80.46, -27.51, 19.12

 

CMYK 17 / 0 / 15 / 11

HEX #BBE2BF

RGB 187 226 191

HSL 126.15, 0.4%, 0.81%

LAB 86.36, -19.35, 12.94

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 35 / 10 / 0 / 21

HEX #82B5C9

RGB 130 181 201

HSL 196.9, 0.4%, 0.65%

LAB 70.88, -11.8, -15.49

 

CMYK 0 / 35 / 24 / 21

HEX #C98298

RGB 201 130 152

HSL 341.41, 0.4%, 0.65%

LAB 62.21, 30.38, -0.35

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 33 / 35 / 0 / 21

HEX #8782C9

RGB 135 130 201

HSL 244.23, 0.4%, 0.65%

LAB 57.4, 18.35, -36.18

 

CMYK 0 / 32 / 35 / 21

HEX #C98882

RGB 201 136 130

HSL 5.07, 0.4%, 0.65%

LAB 63.04, 24.12, 13.36

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 35 / 10 / 0 / 21

HEX #82B5C9

RGB 130 181 201

HSL 196.9, 0.4%, 0.65%

LAB 70.88, -11.8, -15.49

 

CMYK 0 / 35 / 3 / 21

HEX #C982C3

RGB 201 130 195

HSL 305.07, 0.4%, 0.65%

LAB 63.61, 37.46, -22.66

 

CMYK 0 / 25 / 35 / 21

HEX #C99682

RGB 201 150 130

HSL 16.9, 0.4%, 0.65%

LAB 66.4, 16.45, 18.02

 

CMYK 35 / 0 / 32 / 21

HEX #82C988

RGB 130 201 136

HSL 125.07, 0.4%, 0.65%

LAB 75.01, -35.5, 25.64

 

CMYK 35 / 21 / 0 / 21

HEX #829FC9

RGB 130 159 201

HSL 215.49, 0.4%, 0.65%

LAB 64.77, 0.22, -24.78

 

CMYK 0 / 35 / 3 / 21

HEX #C982C3

RGB 201 130 195

HSL 305.07, 0.4%, 0.65%

LAB 63.61, 37.46, -22.66

 

CMYK 0 / 15 / 35 / 21

HEX #C9AB82

RGB 201 171 130

HSL 34.65, 0.4%, 0.65%

LAB 71.66, 5.04, 25.18

 

Description

Color code: RGB 130 201 136 | qconv.com Color code: RGB 130 201 136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 201 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 201 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 32 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 32% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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