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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8A389 it is the complementary color #375C76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8A389. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C8A389: #CDA384, #DEB597, #EFC7AA, #FFD9BD and #FFEBD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8A389. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C8A389: #C8A389, #B79176, #A67F63, #956D50 and #845B3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 32 / 22

HEX #C8A389

RGB 200 163 137

HSL 24.76, 0.36%, 0.66%

LAB 69.67, 9.85, 18.64

 

Complementary color

CMYK 53 / 22 / 0 / 54

HEX #375C76

RGB 55 92 118

HSL 204.76, 0.36%, 0.34%

LAB 37.43, -5.22, -18.78

 

CMYK 0 / 20 / 36 / 20

HEX #CDA384

RGB 205 163 132

HSL 25.48, 0.42%, 0.66%

LAB 70.06, 11.2, 22

 

CMYK 0 / 18 / 32 / 13

HEX #DEB597

RGB 222 181 151

HSL 25.35, 0.52%, 0.73%

LAB 76.56, 10.57, 20.87

 

CMYK 0 / 17 / 29 / 6

HEX #EFC7AA

RGB 239 199 170

HSL 25.22, 0.68%, 0.8%

LAB 82.97, 10.01, 19.82

 

CMYK 0 / 15 / 26 / 0

HEX #FFD9BD

RGB 255 217 189

HSL 25.45, 1%, 0.87%

LAB 89.19, 9.14, 18.7

 

CMYK 0 / 8 / 18 / 0

HEX #FFEBD0

RGB 255 235 208

HSL 34.47, 1%, 0.91%

LAB 93.98, 2.57, 15.56

 

CMYK 0 / 19 / 32 / 22

HEX #C8A389

RGB 200 163 137

HSL 24.76, 0.36%, 0.66%

LAB 69.67, 9.85, 18.64

 

CMYK 0 / 21 / 36 / 28

HEX #B79176

RGB 183 145 118

HSL 24.92, 0.31%, 0.59%

LAB 63.03, 10.49, 19.78

 

CMYK 0 / 23 / 40 / 35

HEX #A67F63

RGB 166 127 99

HSL 25.07, 0.27%, 0.52%

LAB 56.27, 11.24, 21.03

 

CMYK 0 / 27 / 46 / 42

HEX #956D50

RGB 149 109 80

HSL 25.22, 0.3%, 0.45%

LAB 49.38, 12.12, 22.41

 

CMYK 0 / 31 / 54 / 48

HEX #845B3D

RGB 132 91 61

HSL 25.35, 0.37%, 0.38%

LAB 42.35, 13.19, 23.95

 

CMYK 0 / 19 / 32 / 22

HEX #C8A389

RGB 200 163 137

HSL 24.76, 0.36%, 0.66%

LAB 69.67, 9.85, 18.64

 

CMYK 0 / 14 / 31 / 22

HEX #C7AC89

RGB 199 172 137

HSL 33.87, 0.36%, 0.66%

LAB 71.86, 4.59, 21.64

 

CMYK 0 / 9 / 31 / 22

HEX #C7B689

RGB 199 182 137

HSL 43.55, 0.36%, 0.66%

LAB 74.45, -0.75, 25.15

 

CMYK 0 / 3 / 31 / 22

HEX #C7C189

RGB 199 193 137

HSL 54.19, 0.36%, 0.66%

LAB 77.33, -6.52, 29.01

 

CMYK 2 / 0 / 31 / 22

HEX #C3C789

RGB 195 199 137

HSL 63.87, 0.36%, 0.66%

LAB 78.61, -11.17, 30.65

 

CMYK 0 / 19 / 32 / 22

HEX #C8A389

RGB 200 163 137

HSL 24.76, 0.36%, 0.66%

LAB 69.67, 9.85, 18.64

 

CMYK 0 / 18 / 31 / 2

HEX #FBCDAC

RGB 251 205 172

HSL 25.06, 0.91%, 0.83%

LAB 85.58, 11.66, 22.55

 

CMYK 0 / 19 / 32 / 82

HEX #2F2620

RGB 47 38 32

HSL 24, 0.19%, 0.15%

LAB 15.98, 3.05, 5.55

 

CMYK 0 / 18 / 32 / 62

HEX #625043

RGB 98 80 67

HSL 25.16, 0.19%, 0.32%

LAB 35.48, 5.32, 10.48

 

CMYK 0 / 19 / 32 / 42

HEX #957966

RGB 149 121 102

HSL 24.26, 0.19%, 0.49%

LAB 52.98, 7.96, 14.52

 

CMYK 0 / 19 / 32 / 22

HEX #C8A389

RGB 200 163 137

HSL 24.76, 0.36%, 0.66%

LAB 69.67, 9.85, 18.64

 

CMYK 19 / 0 / 31 / 22

HEX #A2C789

RGB 162 199 137

HSL 95.81, 0.36%, 0.66%

LAB 76.27, -23.54, 27.12

 

CMYK 31 / 31 / 0 / 22

HEX #8989C7

RGB 137 137 199

HSL 240, 0.36%, 0.66%

LAB 59.28, 14.31, -32.1

 

CMYK 0 / 19 / 32 / 22

HEX #C8A389

RGB 200 163 137

HSL 24.76, 0.36%, 0.66%

LAB 69.67, 9.85, 18.64

 

CMYK 31 / 0 / 19 / 22

HEX #89C7A2

RGB 137 199 162

HSL 144.19, 0.36%, 0.66%

LAB 75.31, -27.64, 12.27

 

CMYK 19 / 31 / 0 / 22

HEX #A289C7

RGB 162 137 199

HSL 264.19, 0.36%, 0.66%

LAB 61.39, 21.89, -28.66

 

CMYK 0 / 19 / 32 / 22

HEX #C8A389

RGB 200 163 137

HSL 24.76, 0.36%, 0.66%

LAB 69.67, 9.85, 18.64

 

CMYK 19 / 0 / 31 / 22

HEX #A2C789

RGB 162 199 137

HSL 95.81, 0.36%, 0.66%

LAB 76.27, -23.54, 27.12

 

CMYK 31 / 13 / 0 / 22

HEX #89AEC7

RGB 137 174 199

HSL 204.19, 0.36%, 0.66%

LAB 69.27, -6.56, -16.79

 

CMYK 13 / 31 / 0 / 22

HEX #AE89C7

RGB 174 137 199

HSL 275.81, 0.36%, 0.66%

LAB 62.52, 25.68, -26.83

 

CMYK 0 / 19 / 32 / 22

HEX #C8A389

RGB 200 163 137

HSL 24.76, 0.36%, 0.66%

LAB 69.67, 9.85, 18.64

 

CMYK 28 / 0 / 31 / 22

HEX #8FC789

RGB 143 199 137

HSL 114.19, 0.36%, 0.66%

LAB 75.13, -30.17, 25.39

 

CMYK 31 / 13 / 0 / 22

HEX #89AEC7

RGB 137 174 199

HSL 204.19, 0.36%, 0.66%

LAB 69.27, -6.56, -16.79

 

CMYK 3 / 31 / 0 / 22

HEX #C189C7

RGB 193 137 199

HSL 294.19, 0.36%, 0.66%

LAB 64.45, 31.8, -23.7

 

Description

Color code: HEX #C8A389 | qconv.com Color code: HEX #C8A389 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 163 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 163 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 32 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 32% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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