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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C88252 it is the complementary color #377DAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C88252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C88252: #CD824D, #DE9460, #EFA673, #FFB886 and #FFCA99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C88252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C88252: #C88252, #B7703F, #A65E2C, #954C19 and #843A06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 59 / 22

HEX #C88252

RGB 200 130 82

HSL 24.41, 0.52%, 0.55%

LAB 60.65, 22.17, 36.82

 

Complementary color

CMYK 68 / 28 / 0 / 32

HEX #377DAD

RGB 55 125 173

HSL 204.41, 0.52%, 0.45%

LAB 50.09, -6.23, -31.91

 

CMYK 0 / 37 / 62 / 20

HEX #CD824D

RGB 205 130 77

HSL 24.84, 0.56%, 0.55%

LAB 61.2, 23.89, 40.26

 

CMYK 0 / 33 / 57 / 13

HEX #DE9460

RGB 222 148 96

HSL 24.76, 0.66%, 0.62%

LAB 67.69, 22.58, 38.63

 

CMYK 0 / 31 / 52 / 6

HEX #EFA673

RGB 239 166 115

HSL 24.68, 0.79%, 0.69%

LAB 74.1, 21.43, 37.09

 

CMYK 0 / 28 / 47 / 0

HEX #FFB886

RGB 255 184 134

HSL 24.79, 1%, 0.76%

LAB 80.33, 20.02, 35.5

 

CMYK 0 / 21 / 40 / 0

HEX #FFCA99

RGB 255 202 153

HSL 28.82, 1%, 0.8%

LAB 84.89, 12.54, 31.62

 

CMYK 0 / 35 / 59 / 22

HEX #C88252

RGB 200 130 82

HSL 24.41, 0.52%, 0.55%

LAB 60.65, 22.17, 36.82

 

CMYK 0 / 39 / 66 / 28

HEX #B7703F

RGB 183 112 63

HSL 24.5, 0.49%, 0.48%

LAB 54.04, 23.58, 38.52

 

CMYK 0 / 43 / 73 / 35

HEX #A65E2C

RGB 166 94 44

HSL 24.59, 0.58%, 0.41%

LAB 47.36, 25.2, 40.27

 

CMYK 0 / 49 / 83 / 42

HEX #954C19

RGB 149 76 25

HSL 24.68, 0.71%, 0.34%

LAB 40.62, 27.07, 41.81

 

CMYK 0 / 56 / 95 / 48

HEX #843A06

RGB 132 58 6

HSL 24.76, 0.91%, 0.27%

LAB 33.87, 29.17, 42.45

 

CMYK 0 / 35 / 59 / 22

HEX #C88252

RGB 200 130 82

HSL 24.41, 0.52%, 0.55%

LAB 60.65, 22.17, 36.82

 

CMYK 0 / 26 / 60 / 22

HEX #C79450

RGB 199 148 80

HSL 34.29, 0.52%, 0.55%

LAB 64.88, 11.75, 42.89

 

CMYK 0 / 16 / 60 / 22

HEX #C7A850

RGB 199 168 80

HSL 44.37, 0.52%, 0.55%

LAB 69.98, 0.94, 48.78

 

CMYK 0 / 6 / 60 / 22

HEX #C7BB50

RGB 199 187 80

HSL 53.95, 0.52%, 0.55%

LAB 74.99, -9.04, 54.39

 

CMYK 4 / 0 / 60 / 22

HEX #BFC750

RGB 191 199 80

HSL 64.03, 0.52%, 0.55%

LAB 77.58, -18.47, 57.06

 

CMYK 0 / 35 / 59 / 22

HEX #C88252

RGB 200 130 82

HSL 24.41, 0.52%, 0.55%

LAB 60.65, 22.17, 36.82

 

CMYK 0 / 35 / 59 / 2

HEX #FBA367

RGB 251 163 103

HSL 24.32, 0.95%, 0.69%

LAB 74.62, 26.86, 44.25

 

CMYK 0 / 34 / 60 / 82

HEX #2F1F13

RGB 47 31 19

HSL 25.71, 0.42%, 0.13%

LAB 13.42, 5.97, 11.16

 

CMYK 0 / 35 / 59 / 62

HEX #624028

RGB 98 64 40

HSL 24.83, 0.42%, 0.27%

LAB 30.44, 11.91, 20.59

 

CMYK 0 / 35 / 59 / 42

HEX #95613D

RGB 149 97 61

HSL 24.55, 0.42%, 0.41%

LAB 46.01, 17.23, 28.99

 

CMYK 0 / 35 / 59 / 22

HEX #C88252

RGB 200 130 82

HSL 24.41, 0.52%, 0.55%

LAB 60.65, 22.17, 36.82

 

CMYK 36 / 0 / 60 / 22

HEX #80C750

RGB 128 199 80

HSL 95.8, 0.52%, 0.55%

LAB 73.56, -42.68, 51.46

 

CMYK 60 / 60 / 0 / 22

HEX #5050C7

RGB 80 80 199

HSL 240, 0.52%, 0.55%

LAB 40.52, 35.23, -62.22

 

CMYK 0 / 35 / 59 / 22

HEX #C88252

RGB 200 130 82

HSL 24.41, 0.52%, 0.55%

LAB 60.65, 22.17, 36.82

 

CMYK 60 / 0 / 36 / 22

HEX #50C780

RGB 80 199 128

HSL 144.2, 0.52%, 0.55%

LAB 72.3, -49.4, 25.85

 

CMYK 36 / 60 / 0 / 22

HEX #8050C7

RGB 128 80 199

HSL 264.2, 0.52%, 0.55%

LAB 44.87, 44.99, -54.96

 

CMYK 0 / 35 / 59 / 22

HEX #C88252

RGB 200 130 82

HSL 24.41, 0.52%, 0.55%

LAB 60.65, 22.17, 36.82

 

CMYK 36 / 0 / 60 / 22

HEX #80C750

RGB 128 199 80

HSL 95.8, 0.52%, 0.55%

LAB 73.56, -42.68, 51.46

 

CMYK 60 / 24 / 0 / 22

HEX #5098C7

RGB 80 152 199

HSL 203.7, 0.52%, 0.55%

LAB 60.15, -8.52, -31.01

 

CMYK 24 / 60 / 0 / 22

HEX #9850C7

RGB 152 80 199

HSL 276.3, 0.52%, 0.55%

LAB 47.67, 50.66, -50.32

 

CMYK 0 / 35 / 59 / 22

HEX #C88252

RGB 200 130 82

HSL 24.41, 0.52%, 0.55%

LAB 60.65, 22.17, 36.82

 

CMYK 54 / 0 / 60 / 22

HEX #5CC750

RGB 92 199 80

HSL 113.95, 0.52%, 0.55%

LAB 72.03, -53.68, 49.31

 

CMYK 60 / 24 / 0 / 22

HEX #5098C7

RGB 80 152 199

HSL 203.7, 0.52%, 0.55%

LAB 60.15, -8.52, -31.01

 

CMYK 6 / 60 / 0 / 22

HEX #BB50C7

RGB 187 80 199

HSL 293.95, 0.52%, 0.55%

LAB 52.32, 59.33, -42.65

 

Description

Color code: HEX #C88252 | qconv.com Color code: HEX #C88252 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 130 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 130 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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