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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C87DF3 it is the complementary color #37820C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C87DF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C87DF3 shade: #CD7DEE, #DE8FFF, #EFA1FF, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C87DF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C87DF3 shade: #C87DF3, #B76BE0, #A659CD, #9547BA and #8435A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C87DF3 shade: #C87CF3, #E87CF3, #F37CDE, #F37CBE and #F37C9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C87DF3 shade: #C87CF3, #A87CF3, #887CF3 and #7C7CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C87DF3 shade matches the following richer shades: #C87CF3 and #CB71FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C87DF3 shade: #C87CF3, #C588E7, #C193DC, #BE9FD0 and #BBABC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C87DF3 shade: #887CF3, #A87CF3, #C77CF3, #E77CF3 and #F37CDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C87DF3 shade: #A831EC, #B857EF, #C87CF3, #D8A2F6 and #E8C8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C87DF3 shade: #C87DF3, #F37C90 and #7CF398

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C87DF3 shade: #C87DF3, #F3C77C and #7CF3C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C87DF3 shade: #C87DF3, #F37C90, #A8F37C and #7CF3DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C87DF3 shade: #C87DF3, #F38C7C, #A8F37C and #7CE3F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 49 / 0 / 5

HEX #C87DF3

RGB 200 125 243

HSL 278.14, 0.83%, 0.72%

LAB 64.5, 49.34, -48.03

 

Complementary color

CMYK 58 / 0 / 91 / 49

HEX #37820C

RGB 55 130 12

HSL 98.14, 0.83%, 0.28%

LAB 48.01, -42.86, 49.4

 

CMYK 14 / 47 / 0 / 7

HEX #CD7DEE

RGB 205 125 238

HSL 282.48, 0.77%, 0.71%

LAB 64.82, 49.66, -44.73

 

CMYK 13 / 44 / 0 / 0

HEX #DE8FFF

RGB 222 143 255

HSL 282.32, 1%, 0.78%

LAB 71.14, 48.48, -43.99

 

CMYK 6 / 37 / 0 / 0

HEX #EFA1FF

RGB 239 161 255

HSL 289.79, 1%, 0.82%

LAB 76.72, 44, -35.17

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 18 / 49 / 0 / 5

HEX #C87DF3

RGB 200 125 243

HSL 278.14, 0.83%, 0.72%

LAB 64.5, 49.34, -48.03

 

CMYK 18 / 52 / 0 / 12

HEX #B76BE0

RGB 183 107 224

HSL 278.97, 0.65%, 0.65%

LAB 58, 50.14, -47.87

 

CMYK 19 / 57 / 0 / 20

HEX #A659CD

RGB 166 89 205

HSL 279.83, 0.54%, 0.58%

LAB 51.45, 50.9, -47.63

 

CMYK 20 / 62 / 0 / 27

HEX #9547BA

RGB 149 71 186

HSL 280.7, 0.45%, 0.5%

LAB 44.86, 51.54, -47.29

 

CMYK 21 / 68 / 0 / 35

HEX #8435A7

RGB 132 53 167

HSL 281.58, 0.52%, 0.43%

LAB 38.27, 51.94, -46.74

 

CMYK 18 / 49 / 0 / 5

HEX #C87CF3

RGB 200 124 243

HSL 278.32, 0.83%, 0.72%

LAB 64.29, 49.86, -48.35

 

CMYK 5 / 49 / 0 / 5

HEX #E87CF3

RGB 232 124 243

HSL 294.45, 0.83%, 0.72%

LAB 68.05, 58.52, -42.19

 

CMYK 0 / 49 / 9 / 5

HEX #F37CDE

RGB 243 124 222

HSL 310.59, 0.83%, 0.72%

LAB 68.57, 58.01, -29.69

 

CMYK 0 / 49 / 22 / 5

HEX #F37CBE

RGB 243 124 190

HSL 326.72, 0.83%, 0.72%

LAB 67.42, 53.18, -13.58

 

CMYK 0 / 49 / 35 / 5

HEX #F37C9E

RGB 243 124 158

HSL 342.86, 0.83%, 0.72%

LAB 66.47, 49.06, 3.09

 

CMYK 18 / 49 / 0 / 5

HEX #C87CF3

RGB 200 124 243

HSL 278.32, 0.83%, 0.72%

LAB 64.29, 49.86, -48.35

 

CMYK 31 / 49 / 0 / 5

HEX #A87CF3

RGB 168 124 243

HSL 262.18, 0.83%, 0.72%

LAB 60.97, 41.48, -53.84

 

CMYK 44 / 49 / 0 / 5

HEX #887CF3

RGB 136 124 243

HSL 246.05, 0.83%, 0.72%

LAB 58.15, 33.71, -58.5

 

CMYK 49 / 49 / 0 / 5

HEX #7C7CF3

RGB 124 124 243

HSL 240, 0.83%, 0.72%

LAB 57.24, 31.04, -60

 

CMYK 18 / 49 / 0 / 5

HEX #C87CF3

RGB 200 124 243

HSL 278.32, 0.83%, 0.72%

LAB 64.29, 49.86, -48.35

 

CMYK 20 / 56 / 0 / 0

HEX #CB71FE

RGB 203 113 254

HSL 278.3, 0.99%, 0.72%

LAB 63.06, 58.55, -56.34

 

CMYK 18 / 49 / 0 / 5

HEX #C87CF3

RGB 200 124 243

HSL 278.32, 0.83%, 0.72%

LAB 64.29, 49.86, -48.35

 

CMYK 15 / 41 / 0 / 9

HEX #C588E7

RGB 197 136 231

HSL 278.53, 0.66%, 0.72%

LAB 65.94, 40.09, -39.17

 

CMYK 12 / 33 / 0 / 14

HEX #C193DC

RGB 193 147 220

HSL 277.81, 0.51%, 0.72%

LAB 67.56, 30.54, -30.61

 

CMYK 9 / 24 / 0 / 18

HEX #BE9FD0

RGB 190 159 208

HSL 277.96, 0.34%, 0.72%

LAB 69.68, 20.44, -20.75

 

CMYK 5 / 13 / 0 / 23

HEX #BBABC5

RGB 187 171 197

HSL 276.92, 0.18%, 0.72%

LAB 72.04, 10.59, -11.15

 

CMYK 44 / 49 / 0 / 5

HEX #887CF3

RGB 136 124 243

HSL 246.05, 0.83%, 0.72%

LAB 58.15, 33.71, -58.5

 

CMYK 31 / 49 / 0 / 5

HEX #A87CF3

RGB 168 124 243

HSL 262.18, 0.83%, 0.72%

LAB 60.97, 41.48, -53.84

 

CMYK 18 / 49 / 0 / 5

HEX #C77CF3

RGB 199 124 243

HSL 277.82, 0.83%, 0.72%

LAB 64.18, 49.59, -48.54

 

CMYK 5 / 49 / 0 / 5

HEX #E77CF3

RGB 231 124 243

HSL 293.95, 0.83%, 0.72%

LAB 67.93, 58.25, -42.39

 

CMYK 0 / 49 / 8 / 5

HEX #F37CDF

RGB 243 124 223

HSL 310.08, 0.83%, 0.72%

LAB 68.6, 58.17, -30.19

 

CMYK 29 / 79 / 0 / 7

HEX #A831EC

RGB 168 49 236

HSL 278.18, 0.83%, 0.56%

LAB 47.72, 74.56, -71.24

 

CMYK 23 / 64 / 0 / 6

HEX #B857EF

RGB 184 87 239

HSL 278.29, 0.83%, 0.64%

LAB 55.32, 63.36, -60.54

 

CMYK 18 / 49 / 0 / 5

HEX #C87CF3

RGB 200 124 243

HSL 278.32, 0.83%, 0.72%

LAB 64.29, 49.86, -48.35

 

CMYK 12 / 34 / 0 / 4

HEX #D8A2F6

RGB 216 162 246

HSL 278.57, 0.82%, 0.8%

LAB 74.25, 34.78, -34.31

 

CMYK 7 / 20 / 0 / 2

HEX #E8C8FA

RGB 232 200 250

HSL 278.4, 0.83%, 0.88%

LAB 84.67, 20.14, -20.38

 

CMYK 18 / 49 / 0 / 5

HEX #C87DF3

RGB 200 125 243

HSL 278.14, 0.83%, 0.72%

LAB 64.5, 49.34, -48.03

 

CMYK 0 / 49 / 41 / 5

HEX #F37C90

RGB 243 124 144

HSL 349.92, 0.83%, 0.72%

LAB 66.12, 47.49, 10.53

 

CMYK 49 / 0 / 37 / 5

HEX #7CF398

RGB 124 243 152

HSL 134.12, 0.83%, 0.72%

LAB 87.32, -52.68, 33.81

 

CMYK 18 / 49 / 0 / 5

HEX #C87DF3

RGB 200 125 243

HSL 278.14, 0.83%, 0.72%

LAB 64.5, 49.34, -48.03

 

CMYK 0 / 18 / 49 / 5

HEX #F3C77C

RGB 243 199 124

HSL 37.82, 0.83%, 0.72%

LAB 82.57, 6.47, 43.23

 

CMYK 49 / 0 / 18 / 5

HEX #7CF3C7

RGB 124 243 199

HSL 157.82, 0.83%, 0.72%

LAB 88.21, -43.77, 10.97

 

CMYK 18 / 49 / 0 / 5

HEX #C87DF3

RGB 200 125 243

HSL 278.14, 0.83%, 0.72%

LAB 64.5, 49.34, -48.03

 

CMYK 0 / 49 / 41 / 5

HEX #F37C90

RGB 243 124 144

HSL 349.92, 0.83%, 0.72%

LAB 66.12, 47.49, 10.53

 

CMYK 31 / 0 / 49 / 5

HEX #A8F37C

RGB 168 243 124

HSL 97.82, 0.83%, 0.72%

LAB 88.87, -43.5, 49.8

 

CMYK 49 / 0 / 8 / 5

HEX #7CF3DF

RGB 124 243 223

HSL 169.92, 0.83%, 0.72%

LAB 88.79, -38.37, -0.71

 

CMYK 18 / 49 / 0 / 5

HEX #C87DF3

RGB 200 125 243

HSL 278.14, 0.83%, 0.72%

LAB 64.5, 49.34, -48.03

 

CMYK 0 / 42 / 49 / 5

HEX #F38C7C

RGB 243 140 124

HSL 8.07, 0.83%, 0.72%

LAB 68.94, 37.43, 25.62

 

CMYK 31 / 0 / 49 / 5

HEX #A8F37C

RGB 168 243 124

HSL 97.82, 0.83%, 0.72%

LAB 88.87, -43.5, 49.8

 

CMYK 49 / 7 / 0 / 5

HEX #7CE3F3

RGB 124 227 243

HSL 188.07, 0.83%, 0.72%

LAB 84.84, -25.83, -17.07

 

Description

Color code: HEX #C87DF3 | qconv.com Color code: HEX #C87DF3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 125 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 125 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 49 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 49% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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