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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 68 / 0 / 35 it is the complementary color CMYK 39 / 0 / 56 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 68 / 0 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 68 / 0 / 35: CMYK 16 / 67 / 0 / 37, CMYK 15 / 61 / 0 / 29, CMYK 15 / 55 / 0 / 22, CMYK 14 / 51 / 0 / 15 and CMYK 14 / 47 / 0 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 68 / 0 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 68 / 0 / 35: CMYK 21 / 68 / 0 / 35, CMYK 22 / 76 / 0 / 42, CMYK 24 / 87 / 0 / 50, CMYK 27 / 100 / 0 / 57 and CMYK 30 / 100 / 0 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 68 / 0 / 35

HEX #8335A6

RGB 131 53 166

HSL 281.42, 0.52%, 0.43%

LAB 38.07, 51.5, -46.48

 

Complementary color

CMYK 39 / 0 / 56 / 21

HEX #7CCA59

RGB 124 202 89

HSL 101.42, 0.52%, 0.57%

LAB 74.35, -44.39, 48.24

 

CMYK 16 / 67 / 0 / 37

HEX #8835A1

RGB 136 53 161

HSL 286.11, 0.5%, 0.42%

LAB 38.47, 51.6, -42.8

 

CMYK 15 / 61 / 0 / 29

HEX #9947B4

RGB 153 71 180

HSL 285.14, 0.43%, 0.49%

LAB 45.05, 51.26, -43.45

 

CMYK 15 / 55 / 0 / 22

HEX #AA59C7

RGB 170 89 199

HSL 284.18, 0.5%, 0.56%

LAB 51.63, 50.66, -43.88

 

CMYK 14 / 51 / 0 / 15

HEX #BB6BDA

RGB 187 107 218

HSL 283.24, 0.6%, 0.64%

LAB 58.17, 49.94, -44.2

 

CMYK 14 / 47 / 0 / 7

HEX #CC7DED

RGB 204 125 237

HSL 282.32, 0.76%, 0.71%

LAB 64.66, 49.18, -44.44

 

CMYK 21 / 68 / 0 / 35

HEX #8335A6

RGB 131 53 166

HSL 281.42, 0.52%, 0.43%

LAB 38.07, 51.5, -46.48

 

CMYK 22 / 76 / 0 / 42

HEX #722393

RGB 114 35 147

HSL 282.32, 0.62%, 0.36%

LAB 31.55, 51.39, -45.6

 

CMYK 24 / 87 / 0 / 50

HEX #611180

RGB 97 17 128

HSL 283.24, 0.77%, 0.28%

LAB 25.26, 50.26, -44.07

 

CMYK 27 / 100 / 0 / 57

HEX #50006D

RGB 80 0 109

HSL 284.04, 1%, 0.21%

LAB 19.26, 47.84, -41.78

 

CMYK 30 / 100 / 0 / 65

HEX #3F005A

RGB 63 0 90

HSL 282, 1%, 0.18%

LAB 14.37, 41.47, -37.31

 

CMYK 21 / 68 / 0 / 35

HEX #8335A6

RGB 131 53 166

HSL 281.42, 0.52%, 0.43%

LAB 38.07, 51.5, -46.48

 

CMYK 10 / 69 / 0 / 35

HEX #9534A6

RGB 149 52 166

HSL 291.05, 0.52%, 0.43%

LAB 40.57, 56.04, -42.32

 

CMYK 0 / 69 / 1 / 35

HEX #A634A4

RGB 166 52 164

HSL 301.05, 0.52%, 0.43%

LAB 43.13, 59.65, -36.9

 

CMYK 0 / 69 / 13 / 35

HEX #A63491

RGB 166 52 145

HSL 311.05, 0.52%, 0.43%

LAB 42.17, 56.58, -26.99

 

CMYK 0 / 69 / 24 / 35

HEX #A6347E

RGB 166 52 126

HSL 321.05, 0.52%, 0.43%

LAB 41.33, 53.83, -16.67

 

CMYK 21 / 68 / 0 / 35

HEX #8335A6

RGB 131 53 166

HSL 281.42, 0.52%, 0.43%

LAB 38.07, 51.5, -46.48

 

CMYK 21 / 68 / 0 / 15

HEX #AB45D9

RGB 171 69 217

HSL 281.35, 0.66%, 0.56%

LAB 49.4, 63.91, -57.73

 

CMYK 23 / 69 / 0 / 95

HEX #0A040D

RGB 10 4 13

HSL 280, 0.53%, 0.03%

LAB 1.63, 2.86, -2.95

 

CMYK 20 / 69 / 0 / 75

HEX #331440

RGB 51 20 64

HSL 282.27, 0.52%, 0.16%

LAB 13.07, 24.19, -21.59

 

CMYK 21 / 68 / 0 / 55

HEX #5B2573

RGB 91 37 115

HSL 281.54, 0.51%, 0.3%

LAB 26.11, 38.24, -34.49

 

CMYK 21 / 68 / 0 / 35

HEX #8335A6

RGB 131 53 166

HSL 281.42, 0.52%, 0.43%

LAB 38.07, 51.5, -46.48

 

CMYK 0 / 69 / 61 / 35

HEX #A63441

RGB 166 52 65

HSL 353.16, 0.52%, 0.43%

LAB 39.49, 47.47, 18.85

 

CMYK 69 / 0 / 49 / 35

HEX #34A654

RGB 52 166 84

HSL 136.84, 0.52%, 0.43%

LAB 60.46, -49.81, 33.26

 

CMYK 21 / 68 / 0 / 35

HEX #8335A6

RGB 131 53 166

HSL 281.42, 0.52%, 0.43%

LAB 38.07, 51.5, -46.48

 

CMYK 0 / 22 / 69 / 35

HEX #A68234

RGB 166 130 52

HSL 41.05, 0.52%, 0.43%

LAB 56.41, 5.37, 46.03

 

CMYK 69 / 0 / 22 / 35

HEX #34A682

RGB 52 166 130

HSL 161.05, 0.52%, 0.43%

LAB 61.32, -40.5, 9.5

 

CMYK 21 / 68 / 0 / 35

HEX #8335A6

RGB 131 53 166

HSL 281.42, 0.52%, 0.43%

LAB 38.07, 51.5, -46.48

 

CMYK 0 / 69 / 61 / 35

HEX #A63441

RGB 166 52 65

HSL 353.16, 0.52%, 0.43%

LAB 39.49, 47.47, 18.85

 

CMYK 47 / 0 / 69 / 35

HEX #58A634

RGB 88 166 52

HSL 101.05, 0.52%, 0.43%

LAB 61.3, -44.59, 49.52

 

CMYK 69 / 0 / 8 / 35

HEX #34A699

RGB 52 166 153

HSL 173.16, 0.52%, 0.43%

LAB 61.91, -34.52, -2.52

 

CMYK 21 / 68 / 0 / 35

HEX #8335A6

RGB 131 53 166

HSL 281.42, 0.52%, 0.43%

LAB 38.07, 51.5, -46.48

 

CMYK 0 / 56 / 69 / 35

HEX #A64934

RGB 166 73 52

HSL 11.05, 0.52%, 0.43%

LAB 42.94, 36.89, 31

 

CMYK 47 / 0 / 69 / 35

HEX #58A634

RGB 88 166 52

HSL 101.05, 0.52%, 0.43%

LAB 61.3, -44.59, 49.52

 

CMYK 69 / 13 / 0 / 35

HEX #3491A6

RGB 52 145 166

HSL 191.05, 0.52%, 0.43%

LAB 55.82, -20.2, -19.04

 

Description

Color code: CMYK 21 / 68 / 0 / 35 | qconv.com Color code: CMYK 21 / 68 / 0 / 35 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 53 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 53 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 68 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 68% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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