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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C84018 it is the complementary color #37BFE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C84018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C84018: #CD4013, #DE5226, #EF6439, #FF764C and #FF885F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C84018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C84018: #C84018, #B72E05, #A61C00, #950A00 and #840000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 88 / 22

HEX #C84018

RGB 200 64 24

HSL 13.64, 0.79%, 0.44%

LAB 46.99, 52.3, 51.06

 

Complementary color

CMYK 76 / 17 / 0 / 9

HEX #37BFE7

RGB 55 191 231

HSL 193.64, 0.79%, 0.56%

LAB 72.12, -22.73, -30.2

 

CMYK 0 / 69 / 91 / 20

HEX #CD4013

RGB 205 64 19

HSL 14.52, 0.83%, 0.44%

LAB 47.87, 53.9, 53.98

 

CMYK 0 / 63 / 83 / 13

HEX #DE5226

RGB 222 82 38

HSL 14.35, 0.74%, 0.51%

LAB 53.71, 52.68, 52.31

 

CMYK 0 / 58 / 76 / 6

HEX #EF6439

RGB 239 100 57

HSL 14.18, 0.85%, 0.58%

LAB 59.67, 51.29, 50.07

 

CMYK 0 / 54 / 70 / 0

HEX #FF764C

RGB 255 118 76

HSL 14.08, 1%, 0.65%

LAB 65.54, 49.5, 47.56

 

CMYK 0 / 47 / 63 / 0

HEX #FF885F

RGB 255 136 95

HSL 15.38, 1%, 0.69%

LAB 69.25, 41.76, 42.02

 

CMYK 0 / 68 / 88 / 22

HEX #C84018

RGB 200 64 24

HSL 13.64, 0.79%, 0.44%

LAB 46.99, 52.3, 51.06

 

CMYK 0 / 75 / 97 / 28

HEX #B72E05

RGB 183 46 5

HSL 13.82, 0.95%, 0.37%

LAB 41.27, 53.17, 52.06

 

CMYK 0 / 83 / 100 / 35

HEX #A61C00

RGB 166 28 0

HSL 10.12, 1%, 0.33%

LAB 35.86, 53.34, 49.33

 

CMYK 0 / 93 / 100 / 42

HEX #950A00

RGB 149 10 0

HSL 4.03, 1%, 0.29%

LAB 30.89, 52.16, 44.45

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 68 / 88 / 22

HEX #C84018

RGB 200 64 24

HSL 13.64, 0.79%, 0.44%

LAB 46.99, 52.3, 51.06

 

CMYK 0 / 55 / 89 / 22

HEX #C85B17

RGB 200 91 23

HSL 23.05, 0.79%, 0.44%

LAB 51.64, 40.02, 55.05

 

CMYK 0 / 40 / 89 / 22

HEX #C87917

RGB 200 121 23

HSL 33.22, 0.79%, 0.44%

LAB 58.05, 24.28, 60.06

 

CMYK 0 / 25 / 89 / 22

HEX #C89617

RGB 200 150 23

HSL 43.05, 0.79%, 0.44%

LAB 65.08, 8.47, 65.58

 

CMYK 0 / 10 / 89 / 22

HEX #C8B417

RGB 200 180 23

HSL 53.22, 0.79%, 0.44%

LAB 72.88, -7.49, 71.74

 

CMYK 0 / 68 / 88 / 22

HEX #C84018

RGB 200 64 24

HSL 13.64, 0.79%, 0.44%

LAB 46.99, 52.3, 51.06

 

CMYK 0 / 68 / 88 / 2

HEX #FB501E

RGB 251 80 30

HSL 13.57, 0.97%, 0.55%

LAB 58.36, 62.99, 61.43

 

CMYK 0 / 68 / 87 / 82

HEX #2F0F06

RGB 47 15 6

HSL 13.17, 0.77%, 0.1%

LAB 8.65, 15.63, 10.83

 

CMYK 0 / 68 / 88 / 62

HEX #621F0C

RGB 98 31 12

HSL 13.26, 0.78%, 0.22%

LAB 22.31, 29.34, 27.77

 

CMYK 0 / 68 / 88 / 42

HEX #953012

RGB 149 48 18

HSL 13.74, 0.78%, 0.33%

LAB 35.1, 41.02, 40.08

 

CMYK 0 / 68 / 88 / 22

HEX #C84018

RGB 200 64 24

HSL 13.64, 0.79%, 0.44%

LAB 46.99, 52.3, 51.06

 

CMYK 37 / 0 / 89 / 22

HEX #7EC817

RGB 126 200 23

HSL 85.08, 0.79%, 0.44%

LAB 73.42, -47.23, 70.05

 

CMYK 89 / 72 / 0 / 22

HEX #1738C8

RGB 23 56 200

HSL 228.81, 0.79%, 0.44%

LAB 32.21, 44.35, -76.53

 

CMYK 0 / 68 / 88 / 22

HEX #C84018

RGB 200 64 24

HSL 13.64, 0.79%, 0.44%

LAB 46.99, 52.3, 51.06

 

CMYK 89 / 0 / 70 / 22

HEX #17C83D

RGB 23 200 61

HSL 132.88, 0.79%, 0.44%

LAB 70.75, -67.64, 55.48

 

CMYK 70 / 89 / 0 / 22

HEX #3D17C8

RGB 61 23 200

HSL 252.88, 0.79%, 0.44%

LAB 28.84, 62.06, -82.06

 

CMYK 0 / 68 / 88 / 22

HEX #C84018

RGB 200 64 24

HSL 13.64, 0.79%, 0.44%

LAB 46.99, 52.3, 51.06

 

CMYK 37 / 0 / 89 / 22

HEX #7EC817

RGB 126 200 23

HSL 85.08, 0.79%, 0.44%

LAB 73.42, -47.23, 70.05

 

CMYK 89 / 19 / 0 / 22

HEX #17A2C8

RGB 23 162 200

HSL 192.88, 0.79%, 0.44%

LAB 61.82, -20.73, -29.08

 

CMYK 52 / 89 / 0 / 22

HEX #6117C8

RGB 97 23 200

HSL 265.08, 0.79%, 0.44%

LAB 32.53, 64.92, -75.83

 

CMYK 0 / 68 / 88 / 22

HEX #C84018

RGB 200 64 24

HSL 13.64, 0.79%, 0.44%

LAB 46.99, 52.3, 51.06

 

CMYK 64 / 0 / 89 / 22

HEX #49C817

RGB 73 200 23

HSL 103.05, 0.79%, 0.44%

LAB 71.41, -62.7, 67.55

 

CMYK 89 / 19 / 0 / 22

HEX #17A2C8

RGB 23 162 200

HSL 192.88, 0.79%, 0.44%

LAB 61.82, -20.73, -29.08

 

CMYK 25 / 89 / 0 / 22

HEX #9617C8

RGB 150 23 200

HSL 283.05, 0.79%, 0.44%

LAB 40.03, 71.48, -63.25

 

Description

Color code: HEX #C84018 | qconv.com Color code: HEX #C84018 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 64 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 64 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 88 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 88% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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